andrea wedeking alias for andrea werdien |
passing it to the next generation.[73] Other sonnets express the speaker's love for a young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid.[74]
Other important figures in Elizabethan theatre include Christopher Marlowe, and Ben Jonson, Thomas Dekker, John Fletcher and Francis Beaumont.
Marlowe's (1564–1593) subject matter is different from Shakespeare's as it focuses more on the moral drama of the Renaissance man than any other thing. Drawing on German lore, Marlowe introduced the story of Faust to England in his play Doctor Faustus (c. 1592), about a scientist and magician who, obsessed by the thirst of knowledge and the desire to push man's technological power to its limits, sells his soul to the Devil. Faustus makes use of "the dramatic framework of the morality plays in its presentation of a story of temptation, fall, and damnation, and its free use of morality figures such as the good angel and the bad angel and the seven deadly sins, along with the devils Lucifer and Mephistopheles."[75]
Thomas Dekker (c. 1570–1632) was, between 1598 and 1602, involved in about forty plays, usually in collaboration. He is particularly remembered for The Shoemaker's Holiday (1599), a work where he appears to be the sole author. Dekker is noted for his "realistic portrayal of daily London life and for "his sympathy for the poor and oppressed".[76]
After Shakespeare's death, the poet and dramatist Ben Jonson (1572–1637) was the leading literary figure of the Jacobean era. Jonson's aesthetics hark back to the Middle Ages and his characters embody the theory of humours. According to this contemporary medical theory, behavioral differences result from a prevalence of one of the body's four "humours" (blood, phlegm, black bile, and yellow bile) over the other three; these humours correspond with the four elements of the universe: air, water, fire, and earth. However, the stock types of Latin literature were an equal influence.[77] Jonson therefore tends to create types or caricatures. However, in his best work, characters are "so vitally rendered as to take on a being that transcends the type".[78] Jonson's famous comedy Volpone (1605 or 1606)) shows how a group of scammers are fooled by a top con-artist, vice being punished by vice. Other major plays by Jonson are Epicoene (1609), The Alchemist (1610), and Bartholomew Fair (1614).
Others who followed Jonson's style include Beaumont and Fletcher, who wrote the popular comedy, The Knight of the Burning Pestle (probably 1607–08), a satire of the rising middle class, especially of those nouveaux riches who pretend to dictate literary taste without knowing much literature at all. In the story, a couple of grocers wrangle with professional actors to have their illiterate son play a leading role in a drama. He becomes a knight-errant wearing, appropriately, a burning pestle on his shield. Seeking to win a princesses' heart, the young man is ridiculed much in the way Don Quixote was. One of Beaumont and Fletcher's skills was that of portraying of how feudalism and chivalry had turned into snobbery and make-believe and that new social classes were on the rise.[79]
Another popular style of theatre during Jacobean times was the revenge play, which was popularized in the Elizabethan era by Thomas Kyd (1558–94), and then further developed later by John Webster (?1578-?1632). Webster's most famous plays are The White Devil (1612) and The Duchess of Malfi (1613). Other revenge tragedies include The Changeling written by Thomas Middleton and William Rowley, The Atheist's Tragedy by Cyril Tourneur, first published in 1611, Christopher Marlowe's The Jew of Malta, The Revenge of Bussy D'Ambois by George Chapman, The Malcontent (ca. 1603) of John Marston and John Ford's 'Tis Pity She's a Whore. Besides Hamlet, Shakespeare's Titus Andronicus is a revenge tragedy.[80]
George Chapman (?1559-?1634) also wrote revenge tragedies, but today he is remembered chiefly for his famous translation in 1616 of Homer's Iliad and Odyssey into English verse.[81] This was the first ever complete translations of either poem into the English language. The translation had a profound influence on English literature and inspired John Keats's famous sonnet "On First Looking into Chapman's Homer" (1816).
The most important prose work of the early 17th century was the King James Bible. This, one of the most massive translation projects in the history of English up to this time, was started in 1604 and completed in 1611. This represents the culmination of a tradition of Bible translation into English that began with the work of William Tyndale, and it became the standard Bible of the Church of England. The project was headed by James I himself, who supervised the work of forty-seven scholars.[82]
Besides Shakespeare and Ben Jonson, the major poets of the early 17th century included the Metaphysical poets: John Donne (1572–1631), George Herbert (1593–1633), Henry Vaughan, Andrew Marvell, and Richard Crashaw.[83] Their style was characterized by wit and metaphysical conceits, that is far-fetched or unusual similes or metaphors, such as in Andrew Marvell’s comparison of the soul with a drop of dew, in an expanded epigram format, with the use of simple verse forms, octosyllabic couplets, quatrains or stanzas in which length of line and rhyme scheme enforce the sense.[84] The specific definition of wit which Johnson applied to the school was: "a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike."[85] Their poetry diverged from the style of their times, containing neither images of nature nor allusions to classical mythology, as were common, and there are often allusions to scientific or geographical discoveries. There is also a frequent concern with religious subjects in their poetry[86]
Late Renaissance: 1625–1660[edit]
The Metaphysical poets John Donne (1572–1631) and George Herbert (1593–1633) were still alive after 1625, and later in the 17th century a second generation of metaphysical poets were writing, including Richard Crashaw (1613–49), Andrew Marvell (1621–1678), Thomas Traherne (1636 or 1637–1674) and Henry Vaughan (1622–1695). The Cavalier poets were another important group of 17th-century poets, who came from the classes that supported King Charles I during the English Civil War (1642–51). (King Charles reigned from 1625 and was executed 1649). The best known of the Cavalier poets are Robert Herrick, Richard Lovelace, Thomas Carew and Sir John Suckling. They "were not a formal group, but all were influenced by" Ben Jonson. Most of the Cavalier poets were courtiers, with notable exceptions. For example, Robert Herrick was not a courtier, but his style marks him as a Cavalier poet. Cavalier works make use of allegory and classical allusions, and are influenced by Latin authors Horace, Cicero and Ovid. John Milton (1608–74) "was the last great poet of the English Renaissance"[87] and published a number of works before 1660, including A L'Allegro,1631; Il Penseroso, 1634; Comus (a masque), 1638; and Lycidas, (1638). However, his major epic works, including Paradise Lost (1667) were published in the Restoration period.
Neo-Classical Period: 1660–1798[edit]
Restoration Age: 1660–1700[edit]
Main articles: Restoration literature and Restoration Comedy
Restoration literature includes both Paradise Lost and the Earl of Rochester's Sodom, the high spirited sexual comedy of The Country Wife and the moral wisdom of Pilgrim's Progress. It saw Locke's Two Treatises on Government, the founding of the Royal Society, the experiments and the holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, the pioneering of literary criticism from Dryden, and the first newspapers. The official break in literary culture caused by censorship and radically moralist standards under Cromwell's Puritan regime created a gap in literary tradition, allowing a seemingly fresh start for all forms of literature after the Restoration. During the Interregnum, the royalist forces attached to the court of Charles I went into exile with the twenty-year-old Charles II. The nobility who travelled with Charles II were therefore lodged for over a decade in the midst of the continent's literary scene. Charles spent his time attending plays in France, and he developed a taste for Spanish plays. Those nobles living in Holland began to learn about mercantile exchange as well as the tolerant, rationalist prose debates that circulated in that officially tolerant nation.
John Milton, one of the greatest English poets, wrote at this time of religious flux and political upheaval. Milton best known for his epic poem Paradise Lost (1671). Among other important poems are: L'Allegro, 1631; Il Penseroso 1634; Comus (a masque), 1638; Lycidas; Paradise Regained, 1671; Samson Agonistes, 1671. Milton's poetry and prose reflect deep personal convictions, a passion for freedom and self-determination, and the urgent issues and political turbulence of his day. Writing in English, Latin, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica, written in condemnation of pre-publication censorship, is among history's most influential and impassioned defenses of free speech and freedom of the press. William Hayley's 1796 biography called him the "greatest English author",[88] and he remains generally regarded "as one of the preeminent writers in the English language".[89]
John Milton, religious epic poem Paradise Lost published in 1667.
The largest and most important poetic form of the era was satire. In general, publication of satire was done anonymously. There were great dangers in being associated with a satire. On the one hand, defamation law was a wide net, and it was difficult for a satirist to avoid prosecution if he were proven to have written a piece that seemed to criticize a noble. On the other hand, wealthy individuals would respond to satire as often as not by having the suspected poet physically attacked by ruffians. John Dryden was set upon for being merely suspected of having written the Satire on Mankind. A consequence of this anonymity is that a great many poems, some of them of merit, are unpublished and largely unknown.
John Dryden (1631–1700) was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. He established the heroic couplet as a standard form of English poetry by writing successful satires, religious pieces, fables, epigrams, compliments, prologues, and plays with it; he also introduced the alexandrine and triplet into the form. In his poems, translations, and criticism, he established a poetic diction appropriate to the heroic couplet. Dryden's greatest achievements were in satiric verse in works like the mock-heroic MacFlecknoe (1682). W. H. Auden referred to him as "the master of the middle style" that was a model for his contemporaries and for much of the 18th century.[90] The considerable loss felt by the English literary community at his death was evident from the elegies that it inspired.[91] Alexander Pope (1688–1744) was heavily influenced by Dryden, and often borrowed from him; other writers in the 18th century were equally influenced by both Dryden and Pope. Though Ben Jonson had been poet laureate to James I, this was not then a formal position and the formal title of Poet Laureate, as a royal office, was first conferred by letters patent on John Dryden in 1670. The post then became a regular British institution.
Prose in the Restoration period is dominated by Christian religious writing, but the Restoration also saw the beginnings of two genres that would dominate later periods: fiction and journalism. Religious writing often strayed into political and economic writing, just as political and economic writing implied or directly addressed religion. The Restoration was also the time when John Locke wrote many of his philosophical works. Locke's empiricism was an attempt at understanding the basis of human understanding itself and thereby devising a proper manner for making sound decisions. These same scientific methods led Locke to his two Treatises on Government, which later inspired the thinkers in the American Revolution. As with his work on understanding, Locke moves from the most basic units of society toward the more elaborate, and, like Thomas Hobbes, he emphasizes the plastic nature of the social contract. For an age that had seen absolute monarchy overthrown, democracy attempted, democracy corrupted, and limited monarchy restored, only a flexible basis for government could be satisfying. The Restoration moderated most of the more strident sectarian writing, but radicalism persisted after the Restoration. Puritan authors such as John Milton were forced to retire from public life or adapt, and those Digger, Fifth Monarchist, Leveller, Quaker, and Anabaptist authors who had preached against monarchy and who had participated directly in the regicide of Charles I were partially suppressed. Consequently, violent writings were forced underground, and many of those who had served in the Interregnum attenuated their positions in the Restoration. John Bunyan stands out beyond other religious authors of the period. Bunyan's The Pilgrim's Progress is an allegory of personal salvation and a guide to the Christian life. Instead of any focus on eschatology or divine retribution, Bunyan instead writes about how the individual saint can prevail against the temptations of mind and body that threaten damnation. The book is written in a straightforward narrative and shows influence from both drama and biography, and yet it also shows an awareness of the grand allegorical tradition found in Edmund Spenser.
Pilgrim's Progress first edition 1678.jpg
During the Restoration period, the most common manner of getting news would have been a broadsheet publication. A single, large sheet of paper might have a written, usually partisan, account of an event. However, the period saw the beginnings of the first professional and periodical (meaning that the publication was regular) journalism in England. Journalism develops late, generally around the time of William of Orange's claiming the throne in 1689. Coincidentally or by design, England began to have newspapers just when William came to court from Amsterdam, where there were already newspapers being published. It is impossible to satisfactorily date the beginning of the novel in English. However, long fiction and fictional biographies began to distinguish themselves from other forms in England during the Restoration period. An existing tradition of Romance fiction in France and Spain was popular in England. The "Romance" was considered a feminine form, and women were taxed with reading "novels" as a vice. One of the most significant figures in the rise of the novel in the Restoration period is Aphra Behn. She was not only the first professional female novelist, but she may be among the first professional novelists of either sex in England. Behn's most famous novel was Oroonoko in 1688. This was a biography of an entirely fictional African king who had been enslaved in Suriname. Behn's novels show the influence of tragedy and her experiences as a dramatist.
As soon as the previous Puritan regime's ban on public stage representations was lifted, the drama recreated itself quickly and abundantly. The most famous plays of the early Restoration period are the unsentimental or "hard" comedies of John Dryden, William Wycherley, and George Etherege, which reflect the atmosphere at Court, and celebrate an aristocratic macho lifestyle of unremitting sexual intrigue and conquest. After a sharp drop in both quality and quantity in the 1680s, the mid-1690s saw a brief second flowering of the drama, especially comedy. Comedies like William Congreve's The Way of the World (1700), and John Vanbrugh's The Relapse (1696) and The Provoked Wife (1697) were "softer" and more middle-class in ethos, very different from the aristocratic extravaganza twenty years earlier, and aimed at a wider audience. The playwrights of the 1690s set out to appeal to more socially mixed audiences with a strong middle-class element, and to female spectators, for instance by moving the war between the sexes from the arena of intrigue into that of marriage. The focus in comedy is less on young lovers outwitting the older generation, more on marital relations.
Augustan literature (1700–1750)[edit]
Main articles: 18th-century literature and Augustan literature
During the 18th century literature reflected the worldview of the Age of Enlightenment (or Age of Reason): a rational and scientific approach to religious, social, political, and economic issues that promoted a secular view of the world and a general sense of progress and perfectibility. Led by the philosophers who were inspired by the discoveries of the previous century by people like Isaac Newton and the writings of Descartes, John Locke and Francis Bacon. They sought to discover and to act upon universally valid principles governing humanity, nature, and society. They variously attacked spiritual and scientific authority, dogmatism, intolerance, censorship, and economic and social restraints. They considered the state the proper and rational instrument of progress. The extreme rationalism and skepticism of the age led naturally to deism; the same qualities played a part in bringing the later reaction of romanticism. The Encyclopédie of Denis Diderot epitomized the spirit of the age.
The term Augustan literature derives from authors of the 1720s and 1730s themselves, who responded to a term that George I of England preferred for himself. While George I meant the title to reflect his might, they instead saw in it a reflection of Ancient Rome's transition from rough and ready literature to highly political and highly polished literature. Because of the aptness of the metaphor, the period from 1689 to 1750 was called "the Augustan Age" by critics throughout the 18th century (including Voltaire and Oliver Goldsmith). The literature of the period is overtly political and thoroughly aware of critical dictates for literature. It is an age of exuberance and scandal, of enormous energy and inventiveness and outrage, that reflected an era when English, Scottish, and Irish people found themselves in the midst of an expanding economy, lowering barriers to education, and the stirrings of the Industrial Revolution.
It was during this time that poet James Thomson (1700–48) produced his melancholy The Seasons (1728–30) and Edward Young (1681–1765) wrote his poem Night Thoughts (1742), though the most outstanding poet of the age is Alexander Pope (1688–1744). It is also the era that saw a serious competition over the proper model for the pastoral. In criticism, poets struggled with a doctrine of decorum, of matching proper words with proper sense and of achieving a diction that matched the gravity of a subject. At the same time, the mock-heroic was at its zenith. Pope's Rape of the Lock (1712–17) and The Dunciad (1728–43) are still the greatest mock-heroic poems ever written.[92] Pope also translated the Iliad (1715–20) and the Odyssey (1725–26). Since his death, Pope has been in a constant state of re-evaluation. His high artifice, strict prosody, and, at times, the sheer cruelty of his satire were an object of derision for the Romantic poets, and it was not until the 1930s that his reputation was revived. Pope is now considered the dominant poetic voice of his century, a model of prosodic elegance, biting wit, and an enduring, demanding moral force.[93]
In prose, the earlier part of the period was overshadowed by the development of the English essay. Joseph Addison and Richard Steele's The Spectator established the form of the British periodical essay, inventing the pose of the detached observer of human life who can meditate upon the world without advocating any specific changes in it. Periodical essays bloomed into journalistic writings; such as Samuel Johnson’s "Reports of the Debates of the Senate of Lilliput", titled to disguise the actual proceeding of parliament as it was illegal for any Parliamentary Reports to be reproduced in print. However, this was also the time when the English novel, first emerging in the Restoration, developed into a major art form. Daniel Defoe turned from journalism and writing criminal lives for the press to writing fictional criminal lives with Roxana and Moll Flanders. He also wrote a fictional treatment of the travels of Alexander Selkirk called Robinson Crusoe (1719). The novel would benefit indirectly from a tragedy of the stage, and in mid-century many more authors would begin to write novels.
Jonathan Swift
If Addison and Steele were dominant in one type of prose, then Jonathan Swift was in another. Swift's prose style is unmannered and direct, with a clarity that few contemporaries matched. He was a profound skeptic about the modern world, but he was similarly profoundly distrustful of nostalgia. He saw in history a record of lies and vanity, and he saw in the present a madness of vanity and lies. He believed that Christian values were essential, but these values had to be muscular and assertive and developed by constant rejection of the games of confidence men and their gulls. Swift's A Tale of a Tub announced his skeptical analysis of the claims of the modern world, and his later prose works, such as his war with Patridge the astrologer, and most of all his attacks on pride in Gulliver's Travels, only left safe the individual who was in constant fear and humility. After his "exile" to Ireland, Swift reluctantly began defending the Irish people from the predations of colonialism. His A Modest Proposal and the Drapier Letters provoked riots and arrests, but Swift, who had no love of Irish Roman Catholics, was outraged by the abuses and barbarity he saw around him.
Drama in the early part of the period featured the last plays of John Vanbrugh and William Congreve, both of whom carried on the Restoration comedy with some alterations. However, the majority of stagings were of lower farces and much more serious and domestic tragedies. George Lillo and Richard Steele both produced highly moral forms of tragedy, where the characters and the concerns of the characters were wholly middle class or working class. This reflected a marked change in the audience for plays, as royal patronage was no longer the important part of theatrical success. Additionally, Colley Cibber and John Rich began to battle each other for greater and greater spectacles to present on stage. The figure of Harlequin was introduced, and pantomime theatre began to be staged. This "low" comedy was quite popular, and the plays became tertiary to the staging. Opera also began to be popular in London, and there was significant literary resistance to this Italian incursion. This trend was broken only by a few attempts at a new type of comedy. Pope and John Arbuthnot and John Gay attempted a play entitled Three Hours After Marriage that failed. In 1728, however, John Gay returned to the playhouse with The Beggar's Opera. Gay's opera was in English and retold the story of Jack Sheppard and Jonathan Wild. However, it seemed to be an allegory based on Robert Walpole and the directors of the South Sea Company, and so Gay's follow up opera was banned without a performance. The Licensing Act 1737 brought an abrupt halt to much of the period's drama, as the theatres were once again brought under state control.
An effect of the Licensing Act of 1737 was to cause more than one aspiring playwright to switch over to writing novels. Henry Fielding (1707–54) began to write prose satire and novels after his plays could not pass the censors. In the interim, Samuel Richardson (1689–1761) had produced a novel intended to counter the deleterious effects of novels in Pamela, or Virtue Rewarded (1740). Henry Fielding attacked the absurdity of this novel with two of his own works, Joseph Andrews (1742) and Shamela, and then countered Richardson's Clarissa (1748) with Tom Jones (1749). Tobias Smollett (1721–71) elevated the picaresque novel with works such as Roderick Random (1748) and Peregrine Pickle (1751). Each of these novels represents a formal and thematic divergence from the others. Each novelist was in dialogue and competition with the others, and, in a sense, the novel established itself as a diverse and open-formed genre in this explosion of creativity. The most lasting effects of the experimentation would be the psychological realism of Richardson, the bemused narrative voice of Fielding.
Age of sensibility: 1750–1798[edit]
Samuel Johnson
This period is also sometimes described as the "Age of Johnson".[94] Samuel Johnson (1709–1784), often referred to as Dr Johnson, was an English author who made lasting contributions to English literature as a poet, essayist, moralist, literary critic, biographer, editor and lexicographer. Johnson has been described as "arguably the most distinguished man of letters in English history".[95] He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson (1791).[96] His early works include the poems "London" and "his most impressive poem", The Vanity of Human Wishes (1749).[97] Both poems are modelled on Juvenal’s satires.[97] After nine years of work, Johnson's A Dictionary of the English Language was published in 1755; it had a far-reaching effect on Modern English and has been described as "one of the greatest single achievements of scholarship."[98] This work brought Johnson popularity and success. Until the completion of the Oxford English Dictionary 150 years later, Johnson's was viewed as the pre-eminent British dictionary.[99] His later works included essays, an influential annotated edition of William Shakespeare's plays (1765), and the widely read tale Rasselas (1759). In 1763, he befriended James Boswell, with whom he later travelled to Scotland; Johnson described their travels in A Journey to the Western Islands of Scotland (1786). Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets (1779–81), a collection of biographies and evaluations of 17th- and 18th-century poets. Through works such as the "Dictionary, his edition of Shakespeare, and his Lives of the Poets in particular, he helped invent what we now call English Literature".[97]
The second half of the 18th century saw the emergence of three major Irish authors: Oliver Goldsmith (1728–1774), Richard Brinsley Sheridan (1751–1816) and Laurence Sterne (1713–68). In 1756 Goldsmith settled in London, where he published the novel The Vicar of Wakefield (1766), a pastoral poem The Deserted Village (1770) and two plays, The Good-Natur'd Man (1768) and She Stoops to Conquer (1773). This last was a huge success and is still regularly revived. Sheridan was born in Dublin into a family with a strong literary and theatrical tradition. The family moved to England in the 1750s. His first play, The Rivals (1775), was performed at Covent Garden and was an instant success. He went on to become the most significant London playwright of the late 18th century with plays like The School for Scandal and The Critic. Both Goldsmith and Sheridan reacted against the sentimental comedy of the 18th-century theatre, writing plays closer to the style of Restoration comedy.[100] Sterne published his famous novel Tristram Shandy in parts between 1759 and 1767.[101]
The sentimental novel or "novel of sensibility" is a genre which developed during the second half of the 18th century. It celebrates the emotional and intellectual concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction which began in the 18th century in reaction to the rationalism of the Augustan Age. Sentimental novels relied on emotional response, both from their readers and characters. They feature scenes of distress and tenderness, and the plot is arranged to advance emotions rather than action. The result is a valorization of "fine feeling", displaying the characters as a model for refined, sensitive emotional effect. The ability to display feelings was thought to show character and experience, and to shape social life and relations.[102] Among the most famous sentimental novels in English are Samuel Richardson's Pamela, or Virtue Rewarded (1740), Oliver Goldsmith's Vicar of Wakefield (1766), Laurence Sterne's Tristram Shandy (1759–67), Sentimental Journey (1768), Henry Brooke's The Fool of Quality (1765–70), Henry Mackenzie's The Man of Feeling (1771) and Maria Edgeworth's Castle Rackrent (1800).[103]
Another novel genre also developed in this period. In 1778, Frances Burney (1752–1840) wrote Evelina, one of the first novels of manners.[104] Social behaviour in public and private settings accounts for much of the plot of Evelina. This is mirrored in other novels that were particularly popular at the beginning of the 19th century, especially those of Jane Austen. Fanny Burney's novels indeed "were enjoyed and admired by Jane Austen".[105]
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility.[106] This includes the graveyard poets, who were a number of pre-Romantic English poets, writing in the 1740s and later, whose works are characterised by their gloomy meditations on mortality, "skulls and coffins, epitaphs and worms" in the context of the graveyard.[107] To this was added, by later practitioners, a feeling for the 'sublime' and uncanny, and an interest in ancient English poetic forms and folk poetry.[108] They are often considered precursors of the Gothic genre.[109] The poets include Thomas Gray (1716–71), whose Elegy Written in a Country Churchyard (1751) is "the best known product of this kind of sensibility";[110] William Cowper (1731–1800); Christopher Smart (1722–71); Thomas Chatterton (1752–70); Robert Blair (1699–1746), author of The Grave (1743), "which celebrates the horror of death";[111] and Edward Young (1683–1765), whose The Complaint, or Night Thoughts on Life, Death and Immortality (1742–45) is another "noted example of the graveyard genre".[112] Other precursors of Romanticism are the poets James Thomson (1700–48) and James Macpherson (1736–96).[106]
James Macpherson was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by the ancient bard Ossian, he published "translations" that acquired international popularity, being proclaimed as a Celtic equivalent of the Classical epics. Fingal, written in 1762, was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend have been credited, more than any single work, with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe.[113] It was also popularised in France by figures that included Napoleon.[114] Eventually it became clear that the poems were not direct translations from the Gaelic, but flowery adaptations made to suit the aesthetic expectations of his audience.[115] Both Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian cycle.
Significant foreign influences were the Germans Goethe, Schiller and August Wilhelm Schlegel and French philosopher and writer Jean-Jacques Rousseau (1712–78).[116] Edmund Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) is another important influence.[117] The changing landscape, brought about by the industrial and agricultural revolutions, with the expansion of the city and depopulation of the countryside, was another influence on the growth of the Romantic movement in Britain. The poor condition of workers, the new class conflicts and the pollution of the environment led to a reaction against urbanism and industrialization and a new emphasis on the beauty and value of nature.
In the late 18th century, Horace Walpole's 1764 novel The Castle of Otranto created the Gothic fiction genre, that combines elements of horror and romance. The pioneering gothic novelist Ann Radcliffe introduced the brooding figure of the gothic villain which developed into the Byronic hero. Her most popular and influential work The Mysteries of Udolpho (1795) is frequently cited as the archetypal Gothic novel. Vathek (1786) by William Beckford, and The Monk (1796) by Matthew Lewis, were further notable early works in both the gothic and horror literary genres. The first short stories in the United Kingdom were gothic tales like Richard Cumberland's "remarkable narrative" The Poisoner of Montremos (1791).[118]
19th-century literature[edit]
Romanticism (1798–1837)[edit]
Main articles: Romanticism and Romanticism in Scotland
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Various dates are given for the Romantic period in British literature, but here the publishing of Lyrical Ballads in 1798 is taken as the beginning, and the crowning of Queen Victoria in 1837 as its end, even though, for example, William Wordsworth lived until 1850 and both Robert Burns and William Blake published before 1798. The writers of this period, however, "did not think of themselves as 'Romantics' ", and the term was first used by critics of the Victorian period.[119] Romanticism arrived later in other parts of the English-speaking world.
William Blake is considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age
The Romantic period was one of major social change in England, because of the depopulation of the countryside and the rapid development of overcrowded industrial cities, that took place in the period roughly between 1750 and 1850. The movement of so many people in England was the result of two forces: the Agricultural Revolution, that involved the Enclosure of the land, drove workers off the land, and the Industrial Revolution which provided them employment, "in the factories and mills, operated by machines driven by steam-power".[120] Indeed, Romanticism may be seen in part as a reaction to the Industrial Revolution,[121] though it was also a revolt against aristocratic social and political norms of the Age of Enlightenment, as well a reaction against the scientific rationalization of nature.[122] The French Revolution was an especially important influence on the political thinking of many of the Romantic poets.[123]
The landscape is often prominent in the poetry of this period, so much so that the Romantics, especially perhaps Wordsworth, are often described as 'nature poets'. However, the longer Romantic 'nature poems' have a wider concern because they are usually meditations on "an emotional problem or personal crisis".[124]
Robert Burns (1759–1796) was a pioneer of the Romantic movement, and after his death he became a cultural icon in Scotland. As well as writing poems, Burns also collected folk songs from across Scotland, often revising or adapting them. His Poems, chiefly in the Scottish Dialect was published in 1786. Among poems and songs of Burns that remain well known across the world are, "Auld Lang Syne", "A Red, Red Rose", "A Man's A Man for A' That", "To a Louse", "To a Mouse", "The Battle of Sherramuir", "Tam o' Shanter" and "Ae Fond Kiss".
The poet, painter, and printmaker William Blake (1757–1827) was another the early Romantic poets. Largely disconnected from the major streams of the literature of the time, Blake was generally unrecognised during his lifetime, but is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. Among his most important works are Songs of Innocence (1789) and Songs of Experience (1794) "and profound and difficult 'prophecies' " such as Visions of the Daughters of Albion (1793), The First Book of Urizen (1794), Milton (1804–?11), and "Jerusalem: the Emanation of the Giant Albion" (1804–?20).[125]
After Blake, among the earliest Romantics were the Lake Poets, a small group of friends, including William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834), Robert Southey (1774–1843) and journalist Thomas de Quincey (1785–1859). However, at the time Walter Scott (1771–1832) was the most famous poet. Scott
During 1951, George VI's health declined and Elizabeth frequently stood in for him at public events. When she toured Canada and visited President Harry S. Truman in Washington, D.C., in October 1951, her private secretary, Martin Charteris, carried a draft accession declaration in case the King died while she was on tour.[55] In early 1952, Elizabeth and Philip set out for a tour of Australia and New Zealand by way of Kenya. On 6 February 1952, they had just returned to their Kenyan home, Sagana Lodge, after a night spent at Treetops Hotel, when word arrived of the death of the King and consequently Elizabeth's immediate accession to the throne. Philip broke the news to the new Queen.[56] Martin Charteris asked her to choose a regnal name; she chose to remain Elizabeth, "of course".[57] She was proclaimed queen throughout her realms and the royal party hastily returned to the United Kingdom.[58] She and the Duke of Edinburgh moved into Buckingham Palace.[59]
With Elizabeth's accession, it seemed probable that the royal house would bear her husband's name, becoming the House of Mountbatten, in line with the custom of a wife taking her husband's surname on marriage. British Prime Minister Winston Churchill and Elizabeth's grandmother, Queen Mary, favoured the retention of the House of Windsor, and so on 9 April 1952 Elizabeth issued a declaration that Windsor would continue to be the name of the royal house. The Duke complained, "I am the only man in the country not allowed to give his name to his own children."[60] In 1960, after the death of Queen Mary in 1953 and the resignation of Churchill in 1955, the surname Mountbatten-Windsor was adopted for Philip and Elizabeth's male-line descendants who do not carry royal titles.[61]
Amid preparations for the coronation, Princess Margaret informed her sister that she wished to marry Peter Townsend, a divorcé‚ 16 years Margaret's senior, with two sons from his previous marriage. The Queen asked them to wait for a year; in the words of Martin Charteris, "the Queen was naturally sympathetic towards the Princess, but I think she thought—she hoped—given time, the affair would peter out."[62] Senior politicians were against the match and the Church of England did not permit remarriage after divorce. If Margaret had contracted a civil marriage, she would have been expected to renounce her right of succession.[63] Eventually, she decided to abandon her plans with Townsend.[64] In 1960, she married Antony Armstrong-Jones, who was created Earl of Snowdon the following year. They were divorced in 1978; she did not remarry.[65]
Despite the death of Queen Mary on 24 March, the coronation on 2 June 1953 went ahead as planned, as Mary had asked before she died.[66] The ceremony in Westminster Abbey, with the exception of the anointing and communion, was televised for the first time.[67][d] Elizabeth's coronation gown was embroidered on her instructions with the floral emblems of Commonwealth countries:[71] English Tudor rose; Scots thistle; Welsh leek; Irish shamrock; Australian wattle; Canadian maple leaf; New Zealand silver fern; South African protea; lotus flowers for India and Ceylon; and Pakistan's wheat, cotton, and jute.[72]
Continuing evolution of the Commonwealth
Further information: Historical development of the Commonwealth realms, from the Queen's accession
The Commonwealth realms (pink) and their territories and protectorates (red) at the beginning of Elizabeth II's reign
A formal group of Elizabeth in tiara and evening dress with eleven politicians in evening dress or national costume.
Elizabeth II and Commonwealth leaders at the 1960 Commonwealth Conference, Windsor Castle
From Elizabeth's birth onwards, the British Empire continued its transformation into the Commonwealth of Nations.[73] By the time of her accession in 1952, her role as head of multiple independent states was already established.[74] Spanning 1953–54, the Queen and her husband embarked on a six-month around-the-world tour. She became the first reigning monarch of Australia and New Zealand to visit those nations.[75] During the tour, crowds were immense; three-quarters of the population of Australia were estimated to have seen her.[76] Throughout her reign, the Queen has undertaken state visits to foreign countries and tours of Commonwealth ones and she is the most widely travelled head of state.[77]
In 1956, French Prime Minister Guy Mollet and British Prime Minister Sir Anthony Eden discussed the possibility of France joining the Commonwealth. The proposal was never accepted and the following year France signed the Treaty of Rome, which established the European Economic Community, the precursor of the European Union.[78] In November 1956, Britain and France invaded Egypt in an ultimately unsuccessful attempt to capture the Suez Canal. Lord Mountbatten claimed the Queen was opposed to the invasion, though Eden denied it. Eden resigned two months later.[79]
The absence of a formal mechanism within the Conservative Party for choosing a leader meant that, following Eden's resignation, it fell to the Queen to decide whom to commission to form a government. Eden recommended that she consult Lord Salisbury, the Lord President of the Council. Lord Salisbury and Lord Kilmuir, the Lord Chancellor, consulted the British Cabinet, Winston Churchill, and the Chairman of the backbench 1922 Committee, resulting in the Queen appointing their recommended candidate: Harold Macmillan.[80]
The Suez crisis and the choice of Eden's successor led in 1957 to the first major personal criticism of the Queen. In a magazine, which he owned and edited,[81] Lord Altrincham accused her of being "out of touch".[82] Altrincham was denounced by public figures and slapped by a member of the public appalled by his comments.[83]
Aleksejs Širovs born – chess player
Andris Škele born – politician Prime Minister of Latvia
Armands Škele – basketball player
Ksenia Solo born – actress
Ernests Štalbergs – – architect ensemble of the Freedom Monument
Izaks Nahmans Šteinbergs – – politician lawyer and author
Maris Štrombergs – BMX cyclist gold medal winner at and Olympics
T edit Esther Takeuchi born – materials scientist and chemical engineer
Mihails Tals – – the th World Chess Champion
Janis Roberts Tilbergs – – painter sculptor
U edit Guntis Ulmanis born – president of Latvia
Karlis Ulmanis – – prime minister and president of Latvia
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wonder-tracey
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yasmine-fitzgerald
yelena-shieffer
yvonne-green
zara-whites
zsanett-egerhazi
zuzie-boobies
achieved immediate success with his long narrative poem The Lay of the Last Minstrel in 1805, followed by the full epic poem Marmion in 1808. Both were set in the distant Scottish past.[126]
The early Romantic Poets brought a new emotionalism and introspection, and their emergence is marked by the first romantic manifesto in English literature, the "Preface" to Lyrical Ballads (1798). In it Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the "real language of men", and which avoids the poetic diction of much 18th-century poetry. Here, Wordsworth gives his famous definition of poetry, as "the spontaneous overflow of powerful feelings" which "takes its origin from emotion recollected in tranquility." The poems in Lyrical Ballads were mostly by Wordsworth, though Coleridge contributed, one of the great poems of English literature,[127] the long "Rime of the Ancient Mariner", a tragic ballad about the survival of one sailor through a series of supernatural events on his voyage through the South Seas, and which involves the symbolically significant slaying of an albatross. Coleridge is also especially remembered for "Kubla Khan", "Frost at Midnight", "Dejection: an Ode", "Christabel", as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture.[128] Coleridge and Wordsworth, along with Carlyle, were a major influence, through Emerson, on American transcendentalism.[129] Among Wordsworth's most important poems, are "Michael", "Lines Composed a Few Miles Above Tintern Abbey", "Resolution and Independence", "Ode: Intimations of Immortality from Recollections of Early Childhood" and the long, autobiographical, epic The Prelude. The Prelude was begun in 1799 but published posthumously in 1850. Wordsworth's poetry is noteworthy for how he "inverted the traditional hierarchy of poetic genres, subjects, and style by elevating humble and rustic life and the plain [...] into the main subject and medium of poetry in general", and how, in Coleridge's words, he awakens in the reader "freshness of sensation" in his depiction of familiar, commonplace objects.[130]
Robert Southey (1774–1843) was another of the so-called "Lake Poets", and Poet Laureate for 30 years from 1813 to his death in 1843. Although his fame has been long eclipsed by that of his contemporaries and friends William Wordsworth and Samuel Taylor Coleridge. Thomas De Quincey (1785–1859) was an English essayist, best known for his Confessions of an English Opium-Eater (1821),[131] an autobiographical account of his laudanum use and its effect on his life. William Hazlitt (1778–1830), friend of both Coleridge and Wordsworth, is another important essayist at this time, though today he is best known for his literary criticism, especially Characters of Shakespeare's Plays (1817–18).[132]
Lord Byron
The second generation of Romantic poets includes Lord Byron (1788–1824), Percy Bysshe Shelley (1792–1822) and John Keats (1795–1821). Byron, however, was still influenced by 18th-century satirists and was, perhaps the least 'romantic' of the three, preferring "the brilliant wit of Pope to what he called the 'wrong poetical system' of his Romantic contemporaries".[133] Byron achieved enormous fame and influence throughout Europe with works exploiting the violence and drama of their exotic and historical settings. Goethe called Byron "undoubtedly the greatest genius of our century".[134] A trip to Europe resulted in the first two cantos of Childe Harold's Pilgrimage (1812), a mock-heroic epic of a young man's adventures in Europe, but also a sharp satire against London society. The poem contains elements thought to be autobiographical, as Byron generated some of the storyline from experience gained during his travels between 1809 and 1811.[135] However, despite the success of Childe Harold and other works, Byron was forced to leave England for good in 1816 and seek asylum on the Continent, because, among other things, of his alleged incestuous affair with his half-sister Augusta Leigh.[136] Here he joined Percy Bysshe and Mary Shelley, with his secretary John William Polidori on the shores of Lake Geneva, during the 'year without a summer'.[136] Polidori's The Vampyre was published in 1819, creating the literary vampire genre. This short story was inspired by the life of Lord Byron and his poem The Giaour (1813).[137] Between 1819 and 1824 Byron published his unfinished epic satire Don Juan, which, though initially condemned by the critics, "was much admired by Goethe who translated part of it".[138]
Shelley is perhaps best known for poems such as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud, The Masque of Anarchy and Adonaďs, an elegy written on the death of Keats. Shelley's early profession of atheism, in the tract "The Necessity of Atheism", led to his expulsion from Oxford,[139] and branded him as a radical agitator and thinker, setting an early pattern of marginalization and ostracism from the intellectual and political circles of his time. His close circle of admirers, however, included the most progressive thinkers of the day, including his future father-in-law, philosopher William Godwin. A work like Queen Mab (1813) reveal Shelley, "as the direct heir to the French and British revolutionary intellectuals of the 1790s.[140] Shelley became an idol of the next three or four generations of poets, including important Victorian and Pre-Raphaelite poets such as Robert Browning, and Dante Gabriel Rossetti, as well as later W. B. Yeats.[141] Shelley's influential poem The Masque of Anarchy (1819) calls for nonviolence in protest and political action. It is perhaps the first modern statement of the principle of nonviolent protest.[142] Mahatma Gandhi's passive resistance was influenced and inspired by Shelley's verse, and Gandhi would often quote the poem to vast audiences.[143]
Mary Shelley
Mary Shelley (1797–1851) is remembered as the author of Frankenstein (1818). The plot of this is said to have come from a waking dream she had, in the company of Percy Shelley, Lord Byron, and John Polidori, following a conversation about galvanism and the feasibility of returning a corpse or assembled body parts to life, and on the experiments of the 18th-century natural philosopher and poet Erasmus Darwin, who was said to have animated dead matter.[144] Sitting around a log fire at Byron's villa, the company also amused themselves by reading German ghost stories, prompting Byron to suggest they each write their own supernatural tale.
Though John Keats shared Byron and Shelley's radical politics, "his best poetry is not political",[145] but is especially noted for its sensuous music and imagery, along with a concern with material beauty and the transience of life.[146] Among his most famous works are: "The Eve of St Agnes", "Ode to Psyche", "La Belle Dame sans Merci", "Ode to a Nightingale", "Ode on a Grecian Urn", "Ode on Melancholy", "To Autumn" and the incomplete Hyperion, a 'philosophical' poem in blank verse, which was "conceived on the model of Milton's Paradise Lost ".[147] Keats' letters "are among the finest in English" and important "for their discussion of his aesthetic ideas", including 'negative capability' ".[148] Keats has always been regarded as a major Romantic, "and his stature as a poet has grown steadily through all changes of fashion".[149]
Another important poet in this period was John Clare (1793–1864), Clare was the son of a farm labourer, who came to be known for his celebratory representations of the English countryside and his lamentation for the changes taking place in rural England.[150] His poetry underwent a major re-evaluation in the late 20th century and he is often now considered to be among the most important 19th-century poets.[151] His biographer Jonathan Bate states that Clare was "the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self".[152]
George Crabbe (1754–1832) was an English poet who, during the Romantic period, wrote "closely observed, realistic portraits of rural life [...] in the heroic couplets of the Augustan age".[153] Lord Byron who was an admirer of Crabbe's poetry, described him as "nature's sternest painter, yet the best".[154] Modern critic Frank Whitehead has said that "Crabbe, in his verse tales in particular, is an important–indeed, a major–poet whose work has been and still is seriously undervalued."[155] Crabbe's works include The Village (1783), Poems (1807), The Borough (1810), and his poetry collections Tales (1812) and Tales of the Hall (1819).
One of the most popular novelist of the era was Sir Walter Scott, whose historical romances inspired a generation of painters, composers, and writers throughout Europe, including Franz Schubert, Felix Mendelssohn and J. M. W. Turner. His novels also inspired many operas, of which the most famous are Lucia di Lammermoor (1835) by Donizetti and Bizet’s, La jolie fille de Perth, The Fair Maid of Perth (1867).[156] Scott's novel-writing career was launched in 1814 with Waverley, often called the first historical novel, and was followed by Ivanhoe. His popularity in England and further abroad did much to form the modern stereotype of Scottish culture. The Waverley Novels, including The Antiquary, Old Mortality, The Heart of Midlothian, are now generally regarded as Scott's masterpieces.[157]
Jane Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[158] Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security.[159] Austen brings to light the hardships women faced, who usually did not inherit money, could not work and where their only chance in life depended on the man they married. She reveals not only the difficulties women faced in her day, but also what was expected of men and of the careers they had to follow. This she does with wit and humour and with endings where all characters, good or bad, receive exactly what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park(1814), Emma (1815), Northanger Abbey (1817) and Persuasion (1817).
The Last of the Mohicans
Illustration from 1896 edition,
by J.T. Merrill
Romanticism in America
The European Romantic movement reached America in the early 19th century. American Romanticism was just as multifaceted and individualistic as it was in Europe. Like the Europeans, the American Romantics demonstrated a high level of moral enthusiasm, commitment to individualism and the unfolding of the self, an emphasis on intuitive perception, and the assumption that the natural world was inherently good, while human society was filled with corruption.[160] Romanticism became popular in American politics, philosophy and art. The movement appealed to the revolutionary spirit of America as well as to those longing to break free of the strict religious traditions of early settlement. The Romantics rejected rationalism and religious intellect. It appealed to those in opposition of Calvinism, which includes the belief that the destiny of each individual is preordained.
Romantic Gothic literature made an early appearance with Washington Irving's The Legend of Sleepy Hollow (1820) and Rip Van Winkle (1819), There are picturesque "local color" elements in Washington Irving's essays and especially his travel books. From 1823 the prolific and popular novelist James Fenimore Cooper (1789–1851) began publishing his historical romances of frontier and Indian life, to create a unique form of American literature. Cooper is best remembered for his numerous sea-stories and the historical novels known as the Leatherstocking Tales, with their emphasis on heroic simplicity and their fervent landscape descriptions of an already-exotic mythicized frontier peopled by "noble savages", exemplified by Uncas, from The Last of the Mohicans (1826) show the influence of Rousseau's (1712–78) philosophy. Edgar Allan Poe's tales of the macabre that first appeared in the early 1830s, and his balladic poetry were more influential in France than at home.[161][162]
The Romantic movement in America continued well into the 19th-century and writers like Hawthorne and Melville are discussed in the next section.
Victorian literature (1837–1901)[edit]
Main article: Victorian literature
Also American literature (sections 4–6)
The Victorian novel[edit]
Charles Dickens
It was in the Victorian era (1837–1901) that the novel became the leading literary genre in English.[163] Women played an important part in this rising popularity both as authors and as readers.[164] Monthly serializing of fiction encouraged this surge in popularity, due to a combination of the rise of literacy, technological advances in printing, and improved economics of distribution.[165] Charles Dickens' Pickwick Papers, was published in twenty parts between April 1836 and November 1837.[166] Both Dickens and Thackeray frequently published this way.[167] However, the standard practice of publishing three volume editions continued until the end of the 19th century.[168] Circulating libraries, that allowed books to be borrowed for an annual subscription, were a further factor in the rising popularity of the novel.
The 1830s and 1840s saw the rise of social novel, that "arose out of the social and political upheavals which followed the Reform Act of 1832".[169] This was in many ways a reaction to rapid industrialization, and the social, political and economic issues associated with it, and was a means of commenting on abuses of government and industry and the suffering of the poor, who were not profiting from England's economic prosperity.[170] Stories of the working class poor were directed toward middle class to help create sympathy and promote change. An early example is Charles Dickens' Oliver Twist (1837–38). Other significant early example of this genre are Sybil, or The Two Nations, a novel by Benjamin Disraeli (1804–81) and Charles Kingsley's (1819–75) Alton Locke (1849).
Charles Dickens (1812–70) emerged on the literary scene in the late 1830s and soon became probably the most famous novelist in the history of English literature. One of his most popular works to this day is A Christmas Carol (1843). Dickens fiercely satirized various aspects of society, including the workhouse in Oliver Twist, the failures of the legal system in Bleak House, the dehumanizing effect of money in Dombey and Son and the influence of the philosophy of utilitarianism in factories, education etc., in Hard Times. However some critics have suggested that Dickens' sentimentality blunts the impact of his satire.[171] In more recent years Dickens has been most admired for his later novels, such as Dombey and Son (1846–48), Bleak House (1852–53) and Little Dorrit (1855–57), Great Expectations (1860–61), and Our Mutual Friend (1864–65).[172] An early rival to Dickens was William Makepeace Thackeray (1811–63), who during the Victorian period ranked second only to him, but he is now much less read and is known almost exclusively for Vanity Fair (1847). In that novel he satirizes whole swaths of humanity while retaining a light touch. It features his most memorable character, the engagingly roguish Becky Sharp.
The Brontë sisters, Emily, Charlotte and Anne, were other significant novelists in the 1840s and 1850s. Their novels caused a sensation when they were first published but were subsequently accepted as classics. They had written compulsively from early childhood and were first published, at their own expense, in 1846 as poets under the pseudonyms Currer, Ellis and Acton Bell. The following year the three sisters each published a novel. Charlotte Brontë's (1816–55) work was Jane Eyre, which is written in an innovative style that combines naturalism with gothic melodrama, and broke new ground in being written from an intensely first-person female perspective.[173] Emily Brontë's (1818–48) novel was Wuthering Heights and, according to Juliet Gardiner, "the vivid sexual passion and power of its language and imagery impressed, bewildered and appalled reviewers,"[174] and led the Victorian public and many early reviewers to think that it had been written by a man.[175] Even though it received mixed reviews when it first came out, and was often condemned for its portrayal of amoral passion, the book subsequently became an English literary classic.[176] The third Brontë novel of 1847 was Anne Brontë's (1820–49) Agnes Grey, which deals with the lonely life of a governess. Anne Brontë's second novel, The Tenant of Wildfell Hall (1848), is perhaps the most shocking of the Brontës' novels. In seeking to present the truth in literature, Anne's depiction of alcoholism and debauchery was profoundly disturbing to 19th-century sensibilities.[177] Charlotte Brontë's Shirley was published in 1849, Villette in 1853, and The Professor in 1857.
Elizabeth Gaskell (1810–65) was also a successful writer and her first novel, Mary Barton, was published anonymously in 1848. Gaskell's North and South contrasts the lifestyle in the industrial north of England with the wealthier south. Even though her writing conforms to Victorian conventions, Gaskell usually frames her stories as critiques of contemporary attitudes, and her early works focused on factory work in the Midlands. She always emphasised the role of women, with complex narratives and dynamic female characters.[178]
Anthony Trollope's (1815–82) was one of the most successful, prolific and respected English novelists of the Victorian era. Some of his best-loved works are set in the imaginary west country county of Barsetshire, including The Warden (1855) and Barchester Towers (1857). Trollope's novels portray the lives of the landowning and professional classes of early Victorian England. Henry James suggested that Trollope's greatest achievement was "great apprehension of the real", and that "what made him so interesting, came through his desire to satisfy us on this point".[179]
George Eliot's (Mary Ann Evans (1819–80) first novel Adam Bede was published in 1859, and she was a major novelist of the mid-Victorian period. Her works, especially Middlemarch (1871–72), are important examples of literary realism, and are admired for their combination of high Victorian literary detail, with an intellectual breadth that removes them from the narrow geographic confines they often depict, that has led to comparisons with Tolstoy.[180] While her reputation declined somewhat after her death,[181] in the 20th century she was championed by a new breed of critics, most notably by Virginia Woolf, who called Middlemarch "one of the few English novels written for grown-up people".[182] Various film and television adaptations of Eliot's books have also introduced her to a wider readership.[183]
George Meredith (1828–1909) is best remembered for his novels The Ordeal of Richard Fevered (1859) and The Egotist (1879). "His reputation stood very high well into" the 20th-century but then seriously declined.[184]
H. G. Wells studying in London, taken c. 1890
An interest in rural matters and the changing social and economic situation of the countryside is seen in the novels of Thomas Hardy (1840–1928). A Victorian realist, in the tradition of George Eliot, he was also influenced both in his novels and poetry by Romanticism, especially by William Wordsworth.[185] Charles Darwin is another important influence on Thomas Hardy.[186] Like Charles Dickens he was also highly critical of much in Victorian society, though Hardy focussed more on a declining rural society. While Hardy wrote poetry throughout his life, and regarded himself primarily as a poet, his first collection was not published until 1898, so that initially he gained fame as the author of such novels as, Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). He ceased writing novels following adverse criticism of this last novel. In novels such as The Mayor of Casterbridge and Tess of the d'Urbervilles Hardy attempts to create modern works in the genre of tragedy, that are modelled on the Greek drama, especially Aeschylus and Sophocles, though in prose, not poetry, fiction, not a play, and with characters of low social standing, not nobility.[187] Another significant late-19th-century novelist is George Robert Gissing (1857–1903), who published 23 novels between 1880 and 1903. His best known novel is New Grub Street (1891). Important developments occurred in genre fiction in this era.
Although pre-dated by John Ruskin's The King of the Golden River in 1841, the history of the modern fantasy genre is generally said to begin with George MacDonald, the influential author of The Princess and the Goblin and Phantastes (1858). William Morris was a popular English poet who also wrote several fantasy novels during the latter part of the 19th century. Wilkie Collins' epistolary novel The Moonstone (1868), is generally considered the first detective novel in the English language, while The Woman in White is regarded as one of the finest sensation novels. H. G. Wells's (1866–1946) writing career began in the 1890s with science fiction novels like The Time Machine (1895), and The War of the Worlds (1898) which describes an invasion of late Victorian England by Martians, and Wells is seen, along with Frenchman Jules Verne (1828–1905), as a major figure in the development of the science fiction genre. He also wrote realistic fiction about the lower middle class in novels like Kipps (1905) and The History of Mr Polly (1910).
American novel (From Romanticism to realism)
(See also the discussion of American literature under Romanticism above).
By the mid-19th century, the pre-eminence of literature from the British Isles began to be challenged by writers from the former American colonies. This included one of the creators of the new genre of the short story, and inventor of the detective story Edgar Allan Poe (1809–49). A major influence on American writers at this time was Romanticism. The Romantic movement gave rise to New England Transcendentalism, which portrayed a less restrictive relationship between God and Universe. The publication of Ralph Waldo Emerson's 1836 essay Nature is usually considered the watershed moment at which transcendentalism became a major cultural movement. The new philosophy presented the individual with a more personal relationship with God. Transcendentalism and Romanticism appealed to Americans in a similar fashion, for both privileged feeling over reason, individual freedom of expression over the restraints of tradition and custom. It often involved a rapturous response to nature. It encouraged the rejection of harsh, rigid Calvinism, and promised a new blossoming of American culture.[160][188] Other significant transcendentalists were Henry David Thoreau (1817–1862), the naturalist John Muir, (1838–1914), and Louisa May Alcott (1832–1888) author of Little Women.[189]
Nathaniel Hawthorne.
In 1837, the young Nathaniel Hawthorne (1804–1864) collected some of his stories as Twice-Told Tales, a volume rich in symbolism and occult incidents. Hawthorne went on to write full-length "romances", quasi-allegorical novels that explore such themes as guilt, pride, and emotional repression in his native New England. The romantic American novel developed fully with Hawthorne's The Scarlet Letter (1850), a stark drama of a woman cast out of her community for committing adultery. Hawthorne's fiction had a profound impact on his friend Herman Melville (1819–1891). Melville first made a name for himself by turning material from his seafaring days into exotic and sensational sea narrative novels. Inspired by Hawthorne's focus on allegories and dark psychology, Melville went on to write romances replete with philosophical speculation. In Moby-Dick (1851), an adventurous whaling voyage becomes the vehicle for examining such themes as obsession, the nature of evil, and human struggle against the elements. In another important work, the short novel Billy Budd, Melville dramatizes the conflicting claims of duty and compassion on board a ship in time of war. His books sold poorly, and he had been long forgotten by the time of his death, but Melville was rediscovered in the early decades of the 20th century. Later Transcendentalist writers are Henry David Thoreau Walden, (1854) and poets Walt Whitman and Emily Dickinson. By the 1880s, however, psychological and social realism were competing with Romanticism in the novel.
American realist fiction has its beginnings in the 1870s with the works of Twain, Howell and James.
Mark Twain (the pen name used by Samuel Langhorne Clemens, 1835–1910) was the first major American writer to be born away from the East Coast – in the border state of Missouri. His regional masterpieces were the memoir Life on the Mississippi and the novels Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1884). Twain's style – influenced by journalism, wedded to the vernacular, direct and unadorned but also highly evocative and irreverently humorous – changed the way Americans write their language. His characters speak like real people and sound distinctively American, using local dialects, newly invented words, and regional accents. William Dean Howells also represented the realist tradition through his novels, including The Rise of Silas Lapham (1885). Realism also influenced American drama of the period, in part through the works of Howells but also through the works of such Europeans as Ibsen and Zola.
The most significant American novelist of the late 19th-century was Henry James (1843–1916). Although born in New York City, he spent most of his adult years in England. Many of his novels centre on Americans who live in or travel to Europe. James confronted the Old World-New World dilemma by writing directly about it. The first period of James's fiction, usually considered to have culminated in The Portrait of a Lady, concentrated on the contrast between Europe and America. The style of these novels is generally straightforward and, though personally characteristic, well within the norms of 19th-century fiction. Roderick Hudson (1875) is a Künstlerroman that traces the development of the title character, an extremely talented sculptor.[190] Although Roderick Hudson featured mostly American characters in a European setting, James made the Europe–America contrast even more explicit in his next novel. In fact, the contrast could be considered the leading theme of The American (1877). Other works of James first period include Washington Square (1880), The Portrait of a Lady (1881), and James concluded the first phase of his career with a novel that remains his most popular piece of long fiction.[191] Later works of James second period, that have a more involved, psychological approach, include The Bostonians (1886), The Princess Casamassima (1886), and What Maisie Knew (1897).
Genre fiction[edit]
The premier ghost story writer of the 19th century was Sheridan Le Fanu. His works include the macabre mystery novel Uncle Silas (1865), and his Gothic novella Carmilla (1872) tells the story of a young woman's susceptibility to the attentions of a female vampire. Bram Stoker's horror story Dracula (1897) belongs to a number of literary genres, including vampire literature, horror fiction, gothic novel and invasion literature.
Sir Arthur Conan Doyle was born in Scotland of Irish parents but his Sherlock Holmes stories have typified a fog-filled London for readers worldwide
Arthur Conan Doyle's Sherlock Holmes is a brilliant London-based "consulting detective", famous for his intellectual prowess. Conan Doyle wrote four novels and 56 short stories featuring Holmes, from 1880 to 1907, with a final case in 1914. All but four Holmes stories are narrated by Holmes' friend, assistant, and biographer, Dr. Watson. The Lost World literary genre was inspired by real stories of archaeological discoveries by imperial adventurers. H. Rider Haggard wrote one of the earliest examples, King Solomon's Mines, in 1885. Contemporary European politics and diplomatic manoeuvrings informed Anthony Hope's swashbuckling Ruritanian adventure novel The Prisoner of Zenda (1894).
Literature for children developed as a separate genre. Some works become internationally known, such as those of Lewis Carroll, Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass. Adventure novels, such as those of Robert Louis Stevenson (1850–94), are generally classified as for children. Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), depicts the dual personality of a kind and intelligent physician who turns into a psychopathic monster after imbibing a drug intended to separate good from evil in a personality. His Kidnapped (1886) is a fast-paced historical novel set in the aftermath of the Jacobite rising of 1745, and Treasure Island (1883), is the classic pirate adventure. At the end of the Victorian era and leading into the Edwardian era, Beatrix Potter was an author and illustrator, best known for her children's books, which featured animal characters. In her thirties, Potter published the highly successful children's book The Tale of Peter Rabbit in 1902. Potter eventually went on to publish 23 children's books, and became a wealthy woman.
Victorian poetry[edit]
Alfred, Lord Tennyson, ca 1863
The leading poets during the Victorian period were Alfred, Lord Tennyson (1809–92), Robert Browning (1812–89), Elizabeth Barrett Browning (1806–61), and Matthew Arnold (1822–88). The poetry of this period was heavily influenced by the Romantics, but also went off in its own directions.[192] Particularly notable was the development of the dramatic monologue, a form used by many poets in this period, but perfected by Browning. Literary criticism in the 20th century gradually drew attention to the links between Victorian poetry and modernism.[193]
Tennyson was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. He was described by T. S. Eliot, as "the greatest master of metrics as well as melancholia", and as having "the finest ear of any English poet since Milton".[194] Browning main achievement was in dramatic monologues such as "My Last Duchess", "Andrea del Sarto" and "The Bishop Orders his Tomb", which were published in his two-volume Men and Women in 1855. In his introduction to the Oxford University Press edition of Browning's Poems 1833–1864, Ian Jack comments, that Thomas Hardy, Rudyard Kipling, Ezra Pound and T S Eliot "all learned from Browning's exploration of the possibilities of dramatic poetry and of colloquial idiom".[195] Tennyson was also a pioneer in the use of the dramatic monologue, in "The Lotus-Eaters" (1833), "Ulysses" (1842), and '"Tithonus" (1860).[196] While Elizabeth Barrett Browning was the wife of Robert Browning she had established her reputation as a major poet before she met him. Her most famous work is the sequence of 44 sonnets "Sonnets from the Portuguese" published in Poems (1850).[197] Matthew Arnold's reputation as a poet has "within the past few decades [...] plunged drastically,"[198] and he is best remembered now for his critical works, like Culture and Anarchy (1869), and his 1867 poem "Dover Beach". This poem depicts a nightmarish world from which the old religious verities have receded. It is sometimes held up as an early, if not the first, example of the modern sensibility.[199] Arnold was both an admirer and a critic of Romantic poetry, and has been seen as another a bridge between Romanticism and Modernism.[200] In many of his poems can be seen the psychological and emotional conflicts, the uncertainty of purpose, above all the feeling of disunity within oneself or of the individual's estrangement from society which is today called alienation and is thought of as a modern phenomenon. As Kenneth Allott said in 1954: "If a poet can ever teach us to understand what we feel, and how to live with our feelings, then Arnold is a contemporary."[201]
Dante Gabriel Rossetti (1828–82) was a poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, and was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones.[202] Rossetti's art was characterised by its sensuality and its medieval revivalism.[203] Poetry and image are closely entwined in Rossetti's work and he frequently wrote sonnets to accompany his pictures. He also illustrated poems by his sister Christina Rossetti such as Goblin Market.
While Arthur Clough (1819–1861) was a more minor figure of this era, he has been described as "a fine poet whose experiments in extending the range of literary language and subject were ahead of his time".[204] Clough has been regarded as one of the most forward-looking English poets of the 19th century, in part due to a sexual frankness that shocked his contemporaries.[204] He often went against the popular religious and social ideals of his day, and his verse is said to have the melancholy and the perplexity of an age of transition, although Through a Glass Darkly suggests that he did not lack certain religious beliefs of his own.[204]
George Meredith (1828–1909) was an English novelist and poet, who is remembered for his innovative collection of poems Modern Love (1862).[184]
Towards the end of the 19th century, English poets began to take an interest in French Symbolism and Victorian poetry entered a decadent fin-de-sičcle phase.[205] Two groups of poets emerged in the 1890s, the Yellow Book poets who adhered to the tenets of Aestheticism, including Algernon Charles Swinburne, Oscar Wilde and Arthur Symons and the Rhymers' Club group, that included Ernest Dowson, Lionel Johnson and Irishman William Butler Yeats. Yeats went on to become an important modernist in the 20th century.[206] Also in the 1890s A. E. Housman published at his own expense A Shropshire Lad, a cycle of 63 poems, because he could not find a publisher.[207] At first selling slowly, it rapidly became a lasting success, and its appeal to English musicians had helped to make it widely known before World War I, when its themes struck a powerful chord with English readers. A Shropshire Lad has been in print continuously since May 1896. The poems are pervaded by deep pessimism and preoccupation with death, without religious consolation.[208] Housman wrote most of them while living in Highgate, London, before ever visiting that part of Shropshire (about thirty miles from his birthplace), which he presented in an idealised pastoral light, as his 'land of lost content'.[209]
The nonsense verse of Edward Lear, along with the novels and poems of Lewis Carroll, is regarded as a precursor of surrealism.[210] In 1846 Lear published A Book of Nonsense, a volume of limericks that went through three editions and helped popularise the form. In 1865 The History of the Seven Families of the Lake Pipple-Popple was published, and in 1867 his most famous piece of nonsense, The Owl and the Pussycat,
9 Further reading
10 External links
16th century[edit]
Main article: Slavery in Colonial United States
1565
The Spanish colony of St. Augustine in Florida became the first permanent European settlement in what would become the US centuries later; it included an unknown number of African slaves.
17th century[edit]
1619
The first record of Africans in English colonial America when men were brought to the Jamestown colony who had been taken as prizes from a Spanish ship. They were treated as indentured servants, and at least one was recorded as eventually owning land in the colony.
1640
John Punch, a black indentured servant, ran away with two white indentured servants, James Gregory and Victor. After the three were captured, Punch was sentenced to serve Virginia planter Hugh Gwyn for life. This made John Punch the first legally documented slave in Virginia (and the US).[1][2][3][4][5]
1654
John Casor, a black man who claimed to have completed his term of indenture, became the first legally recognized slave-for-life in a civil case in the Virginia colony. The court ruled with his master who said he had an indefinite servitude for life.[6]
1662
Virginia law, using the principle of partus sequitur ventrem, said that children in the colony were born into their mother's social status; therefore children born to enslaved mothers were classified as slaves, regardless of their father's race or status. This was contrary to English common law for English subjects, which held that children took their father's social status.
1672
Royal African Company is founded in England, allowing slaves to be shipped from Africa to the colonies in North America and the Caribbean. England entered the slave trade.
1676
Both free and enslaved African Americans fought in Bacon's Rebellion along with English colonists.[7]
18th century[edit]
See also: Atlantic slave trade
1705
The Virginia Slave codes define as slaves all those servants brought into the colony who were not Christian in their original countries, as well as those American Indians sold by other Indians to colonists.
1712
April 6 – The New York Slave Revolt of 1712.[8]
1739
September 9 – In the Stono Rebellion, South Carolina slaves gather at the Stono River to plan an armed march for freedom.[9]
1753
Benjamin Banneker designed and built the first clock in the British American colonies. He also created a series of almanacs. He corresponded with Thomas Jefferson and wrote that "blacks were intellectually equal to whites". Banneker worked with Pierre L'Enfant to survey and design a street and urban plan for Washington, D.C.[10]
1760
Jupiter Hammon has a poem printed, becoming the first published African-American poet.
1765–1767
Non-Importation Agreements – The First Continental Congress creates a multi-colony agreement to forbid importation of anything from British merchants. This implicitly includes slaves, and stops the slave trade in Philadelphia. The second similar act explicitly stops the slave trade.[11]
1770
March 5 – Crispus Attucks is killed by British soldiers in the Boston Massacre, a precursor to the American Revolution.
1773
Phillis Wheatley has her book Poems on Various Subjects, Religious and Moral published.
1774
The first black Baptist congregations are organized in the South: Silver Bluff Baptist Church in South Carolina, and First African Baptist Church near Petersburg, Virginia.
1775
April 14 – The Society for the Relief of Free Negroes Unlawfully held in Bondage holds four meetings. It was re-formed in 1784 as the Pennsylvania Abolition Society, and Benjamin Franklin would later be its president.
1776–1783 American Revolution
Thousands of enslaved African Americans in the South escape to British lines, as they were promised freedom to fight with the British. In South Carolina, 25,000 enslaved African Americans, one-quarter of those held, escape to the British or otherwise leave their plantations.[12] After the war, many African Americans are evacuated with the British for England; more than 3,000 Black Loyalists are transported with other Loyalists to Nova Scotia and New Brunswick, where they are granted land. Still others go to Jamaica and the West Indies. An estimated 8-10,000 were evacuated from the colonies in these years as free people, about 50 percent of those slaves who defected to the British and about 80 percent of those who survived.[13]
Many free blacks in the North fight with the colonists for the rebellion.
1777
July 8 – The Vermont Republic (a sovereign nation at the time) abolishes slavery, the first future state to do so. No slaves were held in Vermont.
1780
Pennsylvania becomes the first U.S. state to abolish slavery.
1781
In challenges by Elizabeth Freeman and Quock Walker, two independent county courts in Massachusetts found slavery illegal under state constitution and declared each to be free persons.
1783
Massachusetts Supreme Judicial Court affirmed that Massachusetts state constitution had abolished slavery. It ruled that "the granting of rights and privileges [was] wholly incompatible and repugnant to" slavery, in an appeal case arising from the escape of
Marijonas Mikutavicius – singer author of Trys Milijonai the unofficial sports anthem in Lithuania
Vincas Niekus – lt Vincas Niekus composer
Virgilijus Noreika – one of the most successful opera singers tenor
Mykolas Kleopas Oginskis – one of the best composer of the late th century
Kipras Petrauskas – lt Kipras Petrauskas popular early opera singer tenor
Stasys Povilaitis – one of the popular singers during the Soviet period
Violeta Riaubiškyte – pop singer TV show host
Mindaugas Rojus opera singer tenor baritone
Ceslovas Sasnauskas – composer
Rasa Serra – lt Rasa Serra real name Rasa Veretenceviene singer Traditional folk A cappella jazz POP
Audrone Simonaityte Gaižiuniene – lt Audrone Gaižiuniene Simonaityte one of the more popular female opera singers soprano
Virgis Stakenas – lt Virgis Stakenas singer of country folk music
Antanas Šabaniauskas – lt Antanas Šabaniauskas singer tenor
Jurga Šeduikyte – art rock musician won the Best Female Act and the Best Album of in the Lithuanian Bravo Awards and the Best Baltic Act at the MTV Europe Music Awards
Jonas Švedas – composer
Michael Tchaban composer singer and songwriter
Violeta Urmanaviciute Urmana opera singer soprano mezzosoprano appearing internationally
Painters and graphic artists edit See also List of Lithuanian artists
Robertas Antinis – sculptor
Vytautas Ciplijauskas lt Vytautas Ciplijauskas painter
Jonas Ceponis – lt Jonas Ceponis painter
Mikalojus Konstantinas Ciurlionis – painter and composer Asteroid Ciurlionis is named for him
Kostas Dereškevicius lt Kostas Dereškevicius painter
Vladimiras Dubeneckis painter architect
Stasys Eidrigevicius graphic artist
Pranas Gailius lt Pranas Gailius painter
Paulius Galaune
Petronele Gerlikiene – self taught Lithuanian American artist
Algirdas Griškevicius lt Algirdas Griškevicius
Vincas Grybas – sculptor
Leonardas Gutauskas lt Leonardas Gutauskas painter writer
Vytautas Kairiukštis – lt Vytautas Kairiukštis painter art critic
Vytautas Kasiulis – lt Vytautas Kasiulis painter graphic artist stage designer
Petras Kalpokas painter
Rimtas Kalpokas – lt Rimtas Kalpokas painter graphic artist
Leonas Katinas – lt Leonas Katinas painter
Povilas Kaupas – lt Povilas Kaupas
Algimantas Kezys Lithuanian American photographer
Vincas Kisarauskas – lt Vincas Kisarauskas painter graphic artist stage designer
Saulute Stanislava Kisarauskiene – lt Saulute Stanislava Kisarauskiene graphic artist painter
Stasys Krasauskas – lt Stasys Krasauskas graphic artist
Stanislovas Kuzma – lt Stanislovas Kuzma sculptor
Antanas Martinaitis – lt Antanas Martinaitis painter
Jonas Rimša – lt Jonas Rimša painter
Jan Rustem painter
Antanas Samuolis – lt Antanas Samuolis painter
Šarunas Sauka painter
Boris Schatz – sculptor and founder of the Bezalel Academy
Irena Sibley née Pauliukonis – Children s book author and illustrator
Algis Skackauskas – painter
Antanas Žmuidzinavicius – painter
Franciszek Smuglewicz – painter
Yehezkel Streichman Israeli painter
Kazys Šimonis – painter
Algimantas Švegžda – lt Algimantas Švegžda painter
Otis Tamašauskas Lithographer Print Maker Graphic Artist
Adolfas Valeška – painter and graphic artist
Adomas Varnas – painter
Kazys Varnelis – artist
Vladas Vildžiunas lt Vladas Vildžiunas sculptor
Mikalojus Povilas Vilutis lt Mikalojus Povilas Vilutis graphic artist
Viktoras Vizgirda – painter
William Zorach – Modern artist who died in Bath Maine
Antanas Žmuidzinavicius – painter
Kazimieras Leonardas Žoromskis – painter
Politics edit
President Valdas Adamkus right chatting with Vice President Dick Cheney left See also List of Lithuanian rulers
Mindaugas – the first and only King of Lithuania –
Gediminas – the ruler of Lithuania –
Algirdas – the ruler together with Kestutis of Lithuania –
Kestutis – the ruler together with Algirdas of Lithuania –
Vytautas – the ruler of Lithuania – together with Jogaila
Jogaila – the ruler of Lithuania – from to together with Vytautas the king of Poland –
Jonušas Radvila – the field hetman of Grand Duchy of Lithuania –
Dalia Grybauskaite – current President of Lithuania since
Valdas Adamkus – President of Lithuania till
Jonas Basanavicius – "father" of the Act of Independence of
Algirdas Brazauskas – the former First secretary of Central Committee of Communist Party of Lithuanian SSR the former president of Lithuania after and former Prime Minister of Lithuania
Joe Fine – mayor of Marquette Michigan –
Kazys Grinius – politician third President of Lithuania
Mykolas Krupavicius – priest behind the land reform in interwar Lithuania
Vytautas Landsbergis – politician professor leader of Sajudis the independence movement former speaker of Seimas member of European Parliament
Stasys Lozoraitis – diplomat and leader of Lithuanian government in exile –
Stasys Lozoraitis junior – politician diplomat succeeded his father as leader of Lithuanian government in exile –
Antanas Merkys – the last Prime Minister of interwar Lithuania
Rolandas Paksas – former President removed from the office after impeachment
Justas Paleckis – journalist and politician puppet Prime Minister after Soviet occupation
Kazimiera Prunskiene – the first female Prime Minister
Mykolas Sleževicius – three times Prime Minister organized
which he wrote for the children of his patron Edward Stanley, 13th Earl of Derby. Many other works followed. Lewis Carroll's most famous writings are Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky".
Writers of comic verse included the dramatist, librettist, poet and illustrator W. S. Gilbert (1836–1911), who is best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado.[211]
In the 21st century two Victorian poets who published little in the 19th century, Thomas Hardy (1840–1928) and Gerard Manley Hopkins (1844–89), are now regarded as major poets. While Hardy first established his reputation the late 19th century with novels, he also wrote poetry throughout his career. However he did not publish his first collection until 1898, so that he tends to be treated as a 20th-century poet. Hopkins Poems were published posthumously by Robert Bridges in 1918. Hopkins' poem "The Wreck of the Deutschland", written in 1875, first introduced what Hopkins called "sprung rhythm."[212] As well as developing new rhythmic effects, Hopkins "was also very interested in ways of rejuvenating poetic language" and frequently "employed compound and unusual word combinations".[213] Several 20th-century poets, including W.H. Auden, Dylan Thomas, and American Charles Wright, "turned to his work for its inventiveness and rich aural patterning".[213]
American poets[edit]
America also produced major poets in the 19th century, such as Emily Dickinson (1830–86) and Walt Whitman (1819–92). America's two greatest 19th-century poets could hardly have been more different in temperament and style. Walt Whitman (1819–92) was a working man, a traveler, a self-appointed nurse during the American Civil War (1861–65), and a poetic innovator. His major work was Leaves of Grass, in which he uses a free-flowing verse and lines of irregular length to depict the all-inclusiveness of American democracy. Whitman was also a poet of the body, or "the body electric," as he called it. In Studies in Classic American Literature, the English novelist D. H. Lawrence wrote that Whitman "was the first to smash the old moral conception that the soul of man is something 'superior' and 'above' the flesh". Emily Dickinson (1830–86), on the other hand, lived the sheltered life of a genteel, unmarried woman in small-town Amherst, Massachusetts. Within its formal structure, her poetry is ingenious, witty, exquisitely wrought, and psychologically penetrating. Her work was unconventional for its day, and little of it was published during her lifetime. Many of her poems dwell on death, often with a mischievous twist. One, "Because I could not stop for Death", begins, "He kindly stopped for me." The opening of another Dickinson poem toys with her position as a woman in a male-dominated society and an unrecognized poet: "I'm nobody! Who are you?/Are you nobody too?"
Circa-1879-DOyly-Carte-HMS-Pinafore-from-Library-of-Congress2.jpg
Victorian drama[edit]
A change came in the Victorian era with a profusion on the London stage of farces, musical burlesques, extravaganzas and comic operas that competed with productions of Shakespeare's plays and serious drama by dramatists like James Planché and Thomas William Robertson. In 1855, the German Reed Entertainments began a process of elevating the level of (formerly risqué) musical theatre in Britain that culminated in the famous series of comic operas by Gilbert and Sullivan and was followed by the 1890s with the first Edwardian musical comedies. The length of runs in the theatre changed rapidly during the Victorian period. As transport improved, poverty in London diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. The first play to achieve 500 consecutive performances was the London comedy Our Boys, opening in 1875. Its astonishing new record of 1,362 performances was bested in 1892 by Charley's Aunt.[214] Several of Gilbert and Sullivan's comic operas broke the 500-performance barrier, beginning with H.M.S. Pinafore in 1878, and Alfred Cellier and B. C. Stephenson's 1886 hit, Dorothy, ran for 931 performances. After W. S. Gilbert, Oscar Wilde became the leading poet and dramatist of the late Victorian period. Wilde's plays, in particular, stand apart from the many now forgotten plays of Victorian times and have a much closer relationship to those of the Edwardian dramatists such as Irish playwright George Bernard Shaw (1856–1950), whose career began in the last decade of the 19th century, Wilde's 1895 comic masterpiece, The Importance of Being Earnest, holds an ironic mirror to the aristocracy and displays a mastery of wit and paradoxical wisdom.
English literature since 1901[edit]
Main article: Modernist literature
1901–1939 Modernism[edit]
Joseph Conrad, 1904
A major British lyric poet of the first decades of the 20th century was Thomas Hardy (1840–1928). Though not a modernist, Hardy was an important transitional figure between the Victorian era and the 20th century. A major novelist of the late 19th century, Hardy lived well into the third decade of the 20th century, but after the adverse criticism of his last novel, Jude the Obscure, in 1895, from then on Hardy concentrated on publishing poetry. On the other hand, another significant transitional figure between Victorians and modernists, the late-19th-century novelist, Henry James (1843–1916), continued to publish major works into the 20th century. James had lived in Europe since 1875 and became a British citizen, but this was only in 1915: he was born in America and spent his formative years there.[215] Another immigrant, Polish-born modernist novelist Joseph Conrad (1857–1924) published his first important work, Heart of Darkness, in 1899 and Lord Jim in 1900. The American exponent of Naturalism Theodore Dreiser's (1871–1945) Sister Carrie was also published in 1900. However, the Victorian Gerard Manley Hopkins's (1844–89) highly original poetry was not published until 1918, long after his death, while the career of another major modernist poet, Irishman W. B. Yeats (1865–1939), began late in the Victorian era. Yeats was one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival. In 1923 he was awarded the Nobel Prize in Literature, the first Irishman so honoured.[216] Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize: these works include The Tower (1928) and The Winding Stair and Other Poems (1929).[217]
But while modernism was to become an important literary movement in the early decades of the new century, there were also many fine writers who, like Thomas Hardy, were not modernists. During the early decades of the 20th century the Georgian poets like Rupert Brooke (1887–1915), Walter de la Mare (1873–1956), and John Masefield (1878–1967, Poet Laureate from 1930) maintained a conservative approach to poetry by combining romanticism, sentimentality and hedonism, sandwiched as they were between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. Edward Thomas (1878–1917) is sometimes treated as another Georgian poet.[218] Thomas enlisted in 1915 and is one of the First World War poets along with Wilfred Owen (1893–1918), Rupert Brooke (1887–1915), Isaac Rosenberg (1890–1917), Edmund Blunden (1896–1974) and Siegfried Sassoon (1886–1967). Irish playwrights George Bernard Shaw (1856–1950) and J.M. Synge (1871–1909) were influential in British drama. Shaw's career began in the last decade of the 19th century, while Synge's plays belong to the first decade of the 20th century. Synge's most famous play, The Playboy of the Western World, "caused outrage and riots when it was first performed" in Dublin in 1907.[219] George Bernard Shaw turned the Edwardian theatre into an arena for debate about important political and social issues, like marriage, class, "the morality of armaments and war" and the rights of women.[220] An important dramatist in the 1920s, and later, was Irishman Sean O'Casey (1880–1964). Also in the 1920s and later Noël Coward (1899–1973) achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever (1925), Private Lives (1930), Design for Living (1932), Present Laughter (1942) and Blithe Spirit (1941), have remained in the regular theatre repertoire.
Rudyard Kipling
Novelists who are not considered modernists include: Rudyard Kipling (1865–1936) who was also a successful poet; H. G. Wells (1866–1946); John Galsworthy (1867–1933), (Nobel Prize in Literature, 1932) whose works include a sequence of novels, collectively called The Forsyte Saga (1906–21); Arnold Bennett (1867–1931) author of The Old Wives' Tale (1908); G. K. Chesterton (1874–1936); and E.M. Forster's (1879–1970), though Forster's work is "frequently regarded as containing both modernist and Victorian elements".[221] H. G. Wells was a prolific author who is now best known for his science fiction novels.[222] His most notable science fiction works include The War of the Worlds, The Time Machine, The Invisible Man and The Island of Doctor Moreau all written in the 1890s. Other novels include Kipps (1905) and Mr Polly (1910). Forster's most famous work, A Passage to India 1924, reflected challenges to imperialism, while his earlier novels, such as A Room with a View (1908) and Howards End (1910), examined the restrictions and hypocrisy of Edwardian society in England. The most popular British writer of the early years of the 20th century was arguably Rudyard Kipling, a highly versatile writer of novels, short stories and poems, and to date the youngest ever recipient of the Nobel Prize for Literature (1907). Kipling's works include The Jungle Books (1894–95), The Man Who Would Be King and Kim (1901), while his inspirational poem "If—" (1895) is a national favourite and a memorable evocation of Victorian stoicism. Kipling's reputation declined during his lifetime, but more recently postcolonial studies has "rekindled an intense interest in his work, viewing it as both symptomatic and critical of imperialist attitudes".[223] Strongly influenced by his Christian faith, G. K. Chesterton was a prolific and hugely influential writer with a diverse output. His best-known character is the priest-detective Father Brown, who appeared only in short stories, while The Man Who Was Thursday published in 1908 is arguably his best-known novel. Of his nonfiction, Charles Dickens: A Critical Study (1906) has received some of the broadest-based praise. Another major work of science fiction, from the early 20th century, is A Voyage to Arcturus by Scottish writer David Lindsay, first published in 1920. It combines fantasy, philosophy, and science fiction in an exploration of the nature of good and evil and their relationship with existence. It has been described by writer Colin Wilson as the "greatest novel of the twentieth century",[224] and was a central influence on C. S. Lewis's Space Trilogy.[225] Also J. R. R. Tolkien said he read the book "with avidity", and praised it as a work of philosophy, religion, and morality.[226] It was made widely available in paperback form when published as one of the precursor volumes to the Ballantine Adult Fantasy series in 1968.
Alongside the more conservative writers mentioned, English literary modernism developed in the early 20th-century out of a general sense of disillusionment with Victorian era attitudes of certainty, conservatism, and belief in the idea of objective truth.[227] The movement was influenced by the ideas of Charles Darwin (1809–82) (On Origin of Species) (1859), Ernst Mach (1838–1916), Henri Bergson (1859–1941), Friedrich Nietzsche (1844–1900), James G. Frazer (1854–1941), Karl Marx (1818–83) (Das Kapital, 1867), and the psychoanalytic theories of Sigmund Freud (1856–1939), among others.[228] The continental art movements of Impressionism, and later Cubism, were also important inspirations for modernist writers.[229] Important literary precursors of modernism, were: Fyodor Dostoevsky (1821–81) (Crime and Punishment (1866), The Brothers Karamazov (1880); Walt Whitman (1819–92) (Leaves of Grass) (1855–91); Charles Baudelaire (1821–67) (Les Fleurs du mal), Rimbaud (1854–91) (Illuminations, 1874); August Strindberg (1849–1912), especially his later plays.[230]
In addition to W. B. Yeats other important early modernists poets were the American poets T. S. Eliot (1888–1965) and Ezra Pound (1885–1972). Eliot became a British citizen in 1927 but was born and educated in America. His most famous works are: "Prufrock" (1915), The Wasteland (1921) and Four Quartets (1935–42). Ezra Pound was not only a major poet, first publishing part of The Cantos in 1917, but an important mentor for other poets, most significantly in his editorial advice for Eliot's poem The Wasteland.[231] Other important American poets writing early in the 20th century were William Carlos Williams (1883–1963), Robert Frost (1874–1963), who published his first collection in England in 1913, and H.D. (1886–1961). Gertrude Stein (1874–1946), an American expatriate living in Paris, famous for her line "Rose is a rose is a rose is a rose," was also an important literary force during this time period. American poet Marianne Moore (1887–1972) published from the 1920s to the 1960s.
Amongst the novelists, after Joseph Conrad, other important early modernist include Dorothy Richardson (1873–1957), whose novel Pointed Roof (1915), is one of the earliest example of the stream of consciousness technique, and D. H. Lawrence (1885–1930), who published The Rainbow in 1915, though it was immediately seized by the police.[232] Then in 1922 Irishman James Joyce's important modernist novel Ulysses appeared. Ulysses has been called "a demonstration and summation of the entire movement".[233] Set during one day in Dublin, in it Joyce creates parallels with Homer's epic poem the Odyssey. William Faulkner's The Sound and the Fury (1929) is another significant modernist novel, that uses the stream of consciousness technique.
James Joyce, 1918
The modernist movement continued through the 1920s and 1930s and beyond. During the period between the World Wars, American drama came to maturity, thanks in large part to the works of Eugene O'Neill (1888–1953). O'Neill's experiments with theatrical form and his use of both Naturalist and Expressionist techniques had a major influence on American dramatists. His best-known plays include Anna Christie (Pulitzer Prize 1922), Desire Under the Elms (1924), Strange Interlude (Pulitzer Prize 1928), Mourning Becomes Electra (1931). In poetry Hart Crane published The Bridge in 1930 and E. E. Cummings and Wallace Stevens were publishing from the 1920s until the 1950s. Similarly William Faulkner continued to publish until the 1950s and was awarded a Nobel Prize in 1949. However, not all those writing in these years were modernists, this includes Americans novelists Theodore Dreiser, Dos Passos, Ernest Hemingway, Scott Fitzgerald (The Great Gatsby 1925), and John Steinbeck.
Virginia Woolf, 1927
Important British writers between the World Wars, include the Scottish poet Hugh MacDiarmid (1892–1978), who began publishing in the 1920s, and novelists Virginia Woolf (1882–1941), E. M. Forster (1879–1970) (A Passage to India, 1924), Evelyn Waugh (1903–66), P. G. Wodehouse (1881–1975) (who was not a modernist) and D. H. Lawrence. Lawrence's Lady Chatterley's Lover was published privately in Florence in 1928, though the unexpurgated version was not published in Britain until 1959.[231] Woolf was an influential feminist, and a major stylistic innovator associated with the stream-of-consciousness technique in novels like Mrs Dalloway (1925) and To the Lighthouse (1927). Her 1929 essay A Room of One's Own contains her famous dictum "A woman must have money and a room of her own if she is to write fiction".[234] In the 1930s W. H. Auden and Christopher Isherwood co-authored verse dramas, of which The Ascent of F6 (1936) is the most notable, that owed much to Bertolt Brecht. T. S. Eliot had begun this attempt to revive poetic drama with Sweeney Agonistes in 1932, and this was followed by The Rock (1934), Murder in the Cathedral (1935) and Family Reunion (1939). There were three further plays after the war. In Parenthesis, a modernist epic poem by David Jones (1895–1974) first published in 1937, is probably the best known contribution from Wales to the literature of the First World War., Jan 2015 Missing or empty |title= (help)
An important development, beginning in the 1930s and 1940s was a tradition of working class novels actually written by working-class background writers. Among these were coal miner Jack Jones, James Hanley, whose father was a stoker and who also went to sea as a young man, and coal miners Lewis Jones from South Wales and Harold Heslop from County Durham., Jan 2015 Missing or empty |title= (help)Aldous Huxley (1894–1963) published his famous dystopia Brave New World in 1932, the same year as John Cowper Powys's A Glastonbury Romance. Henry Miller's Tropic of Cancer then appeared in 1934, though it was banned for many years in both Britain and America.[235] Samuel Beckett (1906–89) published his first major work, the novel Murphy in 1938. This same year Graham Greene's (1904–91) first major novel Brighton Rock was published. Then in 1939 James Joyce's published Finnegans Wake, in which he creates a special language to express the consciousness of a dreaming character.[236] It was also in 1939 that another Irish modernist poet, W. B. Yeats, died. British poet W. H. Auden was another significant modernists in the 1930s.
1940 to the 21st century[edit]
Though some have seen modernism ending by around 1939,[237] with regard to English literature, "When (if) modernism petered out and postmodernism began has been contested almost as hotly as when the transition from Victorianism to modernism occurred".[238] In fact a number of modernists were still living and publishing in the 1950s and 1960, including T. S. Eliot, William Faulkner, Dorothy Richardson, and Ezra Pound. Furthermore, Basil Bunting, born in 1901, published little until Briggflatts in 1965 and Samuel Beckett, born in Ireland in 1906, continued to produce significant works until the 1980s, including Waiting for Godot (1953), Happy Days (1961), Rockaby (1981), though some view him as a post-modernist.[239]
George Orwell, 1933
Among British writers in the 1940s and 1950s were novelist Graham Greene whose works span the 1930s to the 1980s and poet Dylan Thomas, while Evelyn Waugh, W.H. Auden and T. S. Eliot continued publishing significant work. In 1947 Malcolm Lowry published Under the Volcano, while George Orwell's satire of totalitarianism, 1984, was published in 1949. One of the most influential novels of the immediate post-war period was William Cooper's naturalistic Scenes from Provincial Life, a conscious rejection of the modernist tradition.[240] Graham Greene was a convert to Catholicism and his novels explore the ambivalent moral and political issues of the modern world. Notable for an ability to combine serious literary acclaim with broad popularity, his novels include Brighton Rock (1938), The Power and the Glory (1940), The Heart of the Matter (1948), A Burnt-Out Case (1961), and The Human Factor (1978). Other novelists writing in the 1950s and later were: Anthony Powell whose twelve-volume cycle of novels A Dance to the Music of Time, is a comic examination of movements and manners, power and passivity in English political, cultural and military life in the mid-20th century; comic novelist Kingsley Amis is best known for his academic satire Lucky Jim (1954); Nobel Prize laureate William Golding's allegorical novel Lord of the Flies 1954, explores how culture created by man fails, using as an example a group of British schoolboys marooned on a deserted island who try to govern themselves, but with disastrous results. Philosopher Iris Murdoch was a prolific writer of novels throughout the second half of the 20th century, that deal especially with sexual relationships, morality, and the power of the unconscious, including Under the Net (1954), The Black Prince (1973) and The Green Knight (1993). Scottish writer Muriel Spark pushed the boundaries of realism in her novels. Her first, The Comforters (1957) concerns a woman who becomes aware that she is a character in a novel; The Prime of Miss Jean Brodie (1961), at times takes the reader briefly into the distant future, to see the various fates that befall its characters. Anthony Burgess is especially remembered for his dystopian novel A Clockwork Orange (1962), set in the not-too-distant future, which was made into a film by Stanley Kubrick in 1971. In the entirely different genre of Gothic fantasy Mervyn Peake (1911–68) published his highly successful Gormenghast trilogy between 1946 and 1959.[citation needed]
Doris Lessing from Southern Rhodesia, now Zimbabwe, published her first novel The Grass is Singing in 1950, after immigrating to England. She initially wrote about her African experiences. Lessing soon became a dominant presence in the English literary scene, frequently publishing right through the century, and won the nobel prize for literature in 2007. Her other works include a sequence of five novels collectively called Children of Violence (1952–69), The Golden Notebook (1962), The Good Terrorist (1985), and a sequence of five science fiction novels the Canopus in Argos: Archives (1979–83). Indeed, from 1950 on a significant number of major writers came from countries that had over the centuries been settled by the British, other than America which had been producing significant writers from at least the Victorian period. There had of course been a few important works in English prior to 1950 from the then British Empire. The South African writer Olive Schreiner's famous novel The Story of an African Farm was published in 1883 and New Zealander Katherine Mansfield published her first collection of short stories, In a German Pension, in 1911. The first major novelist, writing in English, from the Indian sub-continent, R. K. Narayan, began publishing in England in the 1930s, thanks to the encouragement of English novelist Graham Greene.[241] Caribbean writer Jean Rhys's writing career began as early as 1928, though her most famous work, Wide Sargasso Sea, was not published until 1966. South Africa's Alan Paton's famous Cry, the Beloved Country dates from 1948.[citation needed]
Doris Lessing, Cologne, 2006.
From Nigeria a number of writers have achieved an international reputation for works in English, including novelist Chinua Achebe, who published Things Fall Apart in 1958, as well as playwright Wole Soyinka and novelist Buchi Emecheta. Soyinka won the Nobel Prize for literature in 1986, as did South African novelist Nadine Gordimer in 1995. Other South African writers in English are novelist J.M. Coetzee (Nobel Prize 2003) and playwright Athol Fugard. Kenya's most internationally renown author is Ngugi wa Thiong'o who has written novels, plays and short stories in English. Poet Derek Walcott, from St Lucia in the Caribbean, was another Nobel Prize winner in 1992. Two Irishmen and an Australian were also winners in the period after 1940: novelist and playwright, Samuel Beckett (1969); poet Seamus Heaney (1995); Patrick White (1973), a major novelist in this period, whose first work was published in 1939. Another noteworthy Australian writer at the end of this period is poet Les Murray. Northern Ireland has produced major poets, including Paul Muldoon and Derek Mahon. While Scotland has in the late 20th century produced several important novelists, including James Kelman who like Samuel Beckett can create humour out of the most grim situations. How Late it Was, How Late, 1994, won the Booker Prize that year; A. L. Kennedy whose 2007 novel Day was named Book of the Year in the Costa Book Awards.[242] In 2007 she won the Austrian State Prize for European Literature;[243] Alasdair Gray whose Lanark: A Life in Four Books (1981) is a dystopian fantasy set in his home town Glasgow.[citation needed]
Among Canadian writers who have achieved an international reputation, are novelist and poet Margaret Atwood, poet, songwriter and novelist Leonard Cohen, short story writer Alice Munro, and more recently poet Anne Carson. Another admired Canadian novelist and poet is Michael Ondaatje, who was born in Sri Lanka.[citation needed]
An important cultural movement in the British theatre which developed in the late 1950s and early 1960s was Kitchen sink realism (or "kitchen sink drama"), a term coined to describe art (the term itself derives from an expressionist painting by John Bratby), novels, film and television plays. The term angry young men was often applied members of this artistic movement. It used a style of social realism which depicts the domestic lives of the working class, to explore social issues and political issues. The drawing room plays of the post war period, typical of dramatists like Terence Rattigan and Noël Coward were challenged in the 1950s by these Angry Young Men, in plays like John Osborne's Look Back in Anger (1956). Arnold Wesker and Nell Dunn also brought social concerns to the stage.[citation needed]
Again In the 1950s, the absurdist play Waiting for Godot (1955) (originally En attendant Godot, 1952), by Irish writer Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (born 1930), (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (born 1937) (Rosencrantz and Guildenstern are Dead, 1966). Stoppard's works are however also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. Both Pinter and Stoppard continued to have new plays produced into the 1990s. Michael Frayn (born 1933) is among other playwrights noted for their use of language and ideas. He is also a novelist.[citation needed]
Other Important playwrights whose careers began later in the century are: Caryl Churchill (Top Girls, 1982) and Alan Ayckbourn (Absurd Person Singular, 1972).[citation needed]
Anthony Burgess, 1986
An important new element in the world of British drama, from the beginnings of radio in the 1920s, was the commissioning of plays, or the adaption of existing plays, by BBC radio. This was especially important in the 1950s and 1960s (and from the 1960s for television). Many major British playwrights in fact, either effectively began their careers with the BBC, or had works adapted for radio. Most of playwright Caryl Churchill's early experiences with professional drama production were as a radio playwright and, starting in 1962 with The Ants, there were nine productions with BBC radio drama up until 1973 when her stage work began to be recognised at the Royal Court Theatre.[244] Joe Orton's dramatic debut in 1963 was the radio play The Ruffian on the Stair, which was broadcast on 31 August 1964.[245] Tom Stoppard's "first professional production was in the fifteen-minute Just Before Midnight programme on BBC Radio, which showcased new dramatists".[245] John Mortimer made his radio debut as a dramatist in 1955, with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme. But he made his debut as an original playwright with The Dock Brief, starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, later televised with the same cast, and subsequently presented in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre. Mortimer is most famous for Rumpole of the Bailey a British television series which starred Leo McKern as Horace Rumpole, an aging London barrister who defends any and all clients. It has been spun off into a series of short stories, novels, and radio programmes.[246][247]
Other notable radio dramatists included Brendan Behan, and novelist Angela Carter. Novelist Susan Hill also wrote for BBC radio, from the early 1970s.[248] Irish playwright Brendan Behan, author of The Quare Fellow (1954), was commissioned by the BBC to write a radio play The Big House (1956); prior to this he had written two plays Moving Outand A Garden Party for Irish radio.[249]
Among the most famous works created for radio, are Dylan Thomas's Under Milk Wood (1954), Samuel Beckett's All That Fall (1957), Harold Pinter's A Slight Ache (1959) and Robert Bolt's A Man for All Seasons (1954).[250] Samuel Beckett wrote a number of short radio plays in the 1950s and 1960s, and later for television. Beckett's radio play Embers was first broadcast on the BBC Third Programme on 24 June 1959, and won the RAI prize at the Prix Italia awards later that year.[251]
While poets TS Eliot, WH Auden and Dylan Thomas were still publishing in this period, new poets starting their careers in the 1950s and 1960s included Philip Larkin (1922–85) (The Whitsun Weddings, 1964), Ted Hughes (1930–98) (The Hawk in the Rain, 1957) and Irishman (Northern Ireland) Seamus Heaney (1939-2013) (Death of a Naturalist, 1966). Northern Ireland has also produced a number of other significant poets, including Derek Mahon and Paul Muldoon. In the 1960s and 1970s Martian poetry aimed to break the grip of 'the familiar', by describing ordinary things in unfamiliar ways, as though, for example, through the eyes of a Martian. Poets most closely associated with it are Craig Raine and Christopher Reid. Martin Amis, an important contemporary novelist, carried into fiction this drive to make the familiar strange. Another literary movement in this period was the British Poetry Revival was a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood. The Mersey Beat poets were Adrian Henri, Brian Patten and Roger McGough. Their work was a self-conscious attempt at creating an English equivalent to the Beats. Many of their poems were written in protest against the established social order and, particularly, the threat of nuclear war. Other noteworthy later 20th-century poets are Welshman R. S. Thomas, Geoffrey Hill, Charles Tomlinson and Carol Ann Duffy, who is the current poet laureate. Geoffrey Hill (born 1932) is considered one of the most distinguished English poets of his generation,[252] Although frequently described as a "difficult" poet, Hill has retorted that poetry supposed to be difficult can be "the most democratic because you are doing your audience the honour of supposing they are intelligent human beings".[253] Charles Tomlinson (born 1927) is another important English poet of an older generation, though "since his first publication in 1951, has built a career that has seen more notice in the international scene than in his native England; this may explain, and be explained by, his international vision of poetry".[254] The critic Michael Hennessy has described Tomlinson as "the most international and least provincial English poet of his generation".[255] His poetry has won international recognition and has received many prizes in Europe and the United States.[254]
One of Penguin Books most successful publications in the 1970s was Richard Adams's heroic fantasy Watership Down (1972). Evoking epic themes, it recounts the odyssey of a group of rabbits seeking to establish a new home. Another successful novel of the same era was John Fowles' The French Lieutenant's Woman (1969), with a narrator who freely admits the fictive nature of his story, and its famous alternative endings. This was made into a film in 1981 with a screenplay by Harold Pinter. Angela Carter (1940–92) was a novelist and journalist, known for her feminist, magical realism, and picaresque works. Writing from the 1960s until the 1980s, her novels include, The Infernal Desire Machines of Doctor Hoffman 1972 and Nights at the Circus 1984. Margaret Drabble (born 1939) is a novelist, biographer and critic, who published from the 1960s into the 21st century. Her older sister, A. S. Byatt (born 1936) is best known for Possession published in 1990.[citation needed]
Salman Rushdie is among a number of post Second World War writers from the former British colonies who permanently settled in Britain. Rushdie achieved fame with
March 1 – Civil Rights Act of 1875 signed.
The Mississippi Plan to intimidate blacks and suppress black voter registration and voting.
1876
Lewis Latimer prepared drawings for Alexander Graham Bell's application for a telephone patent.[22]
July 8 – The Hamburg Massacre occurs when local people riot against African Americans who were trying to celebrate the Fourth of July.
varied – White Democrats regain power in many southern state legislatures and pass the first Jim Crow laws.
1877
With the Compromise of 1877, Republican Rutherford B. Hayes withdraws federal troops from the South in exchange for being elected President of the United States, causing the collapse of the last three remaining Republican state governments. The compromise formally ends the Reconstruction era of the United States.
1879
Spring – Thousands of African Americans refuse to live under segregation in the South and migrate to Kansas. They become known as Exodusters.
1880
In Strauder v. West Virginia, the U.S. Supreme Court rules that African Americans could not be excluded from juries.
During the 1880s, African Americans in the South reach a peak of numbers in being elected and holding local offices, even while white Democrats are working to assert control at state level.
1881
April 11 – Spelman Seminary is founded as the Atlanta Baptist Female Seminary.
July 4 – Booker T. Washington opens the Tuskegee Normal and Industrial Institute in Tuskegee, Alabama.
1882
Lewis Latimer invented the first long-lasting filament for light bulbs and installed his lighting system in New York City, Philadelphia, and Canada. Later, he became one of the 28 members of Thomas Edison's Pioneers.[22]
A biracial populist coalition achieves power in Virginia (briefly). The legislature founds the first public college for African Americans, Virginia Normal and Collegiate Institute, as well as the first mental hospital for African Americans, both near Petersburg, Virginia. The hospital was established in December 1869, at Howard's Grove Hospital, a former Confederate unit, but is moved to a new campus in 1882.
1883
October 16 – In Civil Rights Cases, the U.S. Supreme Court strikes down the Civil Rights Act of 1875 as unconstitutional.
1884
Mark Twain's Adventures of Huckleberry Finn is published, featuring the admirable African-American character Jim.
Judy W. Reed, of Washington, D.C., and Sarah E. Goode, of Chicago, are the first African-American women inventors to receive patents. Signed with an "X", Reed's patent no. 305,474, granted September 23, 1884, is for a dough kneader and roller. Goode's patent for a cabinet bed, patent no. 322,177, is issued on July 14, 1885. Goode, the owner of a Chicago furniture store, invented a folding bed that could be formed into a desk when not in use.
Ida B. Wells sues the Chesapeake, Ohio & South Western Railroad Company for its use of segregated "Jim Crow" cars.
1886
Norris Wright Cuney becomes the chairman of the Texas Republican Party, the most powerful role held by any African American in the South during the 19th century.
1887
October 3 – The State Normal School for Colored Students, which would become Florida A&M University, is founded.
1890
Mississippi, with a white Democrat-dominated legislature, passes a new constitution that effectively disfranchises most blacks through voter registration and electoral requirements, e.g., poll taxes, residency tests and literacy tests. This shuts them out of the political process, including service on juries and in local offices.
By 1900 two-thirds of the farmers in the bottomlands of the Mississippi Delta are African Americans who cleared and bought land after the Civil War.[23]
1892
Ida B. Wells publishes her pamphlet Southern Horrors: Lynch Law in All Its Phases.
1893
Daniel Hale Williams performed open-heart surgery in 1893 and founded Provident Hospital in Chicago, the first with an interracial staff.[24]
1895
September 18 – Booker T. Washington delivers his Atlanta Compromise address at the Cotton States and International Exposition in Atlanta, Georgia.
W. E. B. Du Bois is the first African-American to be awarded a Ph.D by Harvard University.
1896
May 18 – In Plessy v. Ferguson, the U.S. Supreme Court upholds de jure racial segregation of "separate but equal" facilities. (see "Jim Crow laws" for historical discussion).
The National Association of Colored Women is formed by the merger of smaller groups.
As one of the earliest Black Hebrew Israelites in the United States, William Saunders Crowdy re-establishes the Church of God and Saints of Christ.
George Washington Carver is invited by Booker T. Washington to head the Agricultural Department at what would become Tuskegee University. His work would revolutionize farming – he found about 300 uses for peanuts.
1898
Louisiana enacts the first statewide grandfather clause that provides exemption for illiterate whites to voter registration literacy test requirements.
In Williams v. Mississippi the U.S. Supreme Court upholds the voter registration and election provisions of Mississippi's constitution because they applied to all citizens. Effectively, however, they disenfranchise blacks and poor whites. The result is that other southern states copy these provisions in their new constitutions and amendments through 1908, disfranchising most African Americans and tens of thousands of poor whites until the 1960s.
November 10 – Coup d'état begins in Wilmington, North Carolina, resulting in considerable loss of life and property in the African-American community and the installation of a white supremacist Democratic Party regime.
1899
September 18 – The "Maple Leaf Rag" is an early ragtime composition for piano by Scott Joplin.
20th century[edit]
1900–1924[edit]
1900
Since the Civil War, 30,000 African-American teachers had been trained and put to work in the South. The majority of blacks had become literate.[25]
1901
Booker T. Washington's autobiography Up from Slavery is published.
Benjamin Tillman, senator from South Carolina, comments on Theodore Roosevelt's dining with Booker T. Washington: “The action of President Roosevelt in entertaining that nigger will necessitate our killing a thousand niggers in the South before they learn their place again.”[26]
1903
September – W. E. B. Du Bois's article The Talented Tenth published.
W. E. B. Du Bois's seminal work The Souls of Black Folk is published.
1904
May 15 – Sigma Pi Phi, the first African-American Greek-letter organization, is founded by African-American men as a professional organization, in Philadelphia, Pennsylvania.
Orlando, Florida hires its first black postman.
1905
July 11 – First meeting of the Niagara Movement, an interracial group to work for civil rights.[27]
1906
The Brownsville Affair, which eventually involves President Roosevelt.[27]
December 4 – African-American men found Alpha Phi Alpha at Cornell University, the first intercollegiate fraternity for African-American men.
1907
National Primitive Baptist Convention of the U.S.A. formed.
1908
December 26 – Jack Johnson wins the World Heavyweight Title.
Alpha Kappa Alpha at Howard University; African-American college women found the first college sorority for African-American women.
1909
February 12 – Planned first meeting of group which would become the National Association for the Advancement of Colored People (NAACP), an interracial group devoted to civil rights. The meeting actually occurs on May 31, but February 12 is normally cited as the NAACP's founding date.
May 31 – The National Negro Committee meets and is formed; it will be the precursor to the NAACP.
1910
May 30 – The National Negro Committee chooses "National Association for the Advancement of Colored People" as its organization name.
September 29 – Committee on Urban Conditions Among Negroes formed; the next year it will merge with other groups to form the National Urban League.
The NAACP begins publishing The Crisis.
1911
January 5 – Kappa Alpha Psi Fraternity, Inc. was founded at Indiana University.
November 17 – Omega Psi Phi Fraternity, Inc., which is the first African-American Greek-lettered organization founded at an HBCU (Howard University).
1913
The Moorish Science Temple of America, a religious organization, is founded by Noble Drew Ali (Timothy Drew).
January 13 – Delta Sigma Theta Sorority, Inc., was founded at Howard University
1914 January 9 – Phi Beta Sigma Fraternity, Inc. was founded at Howard University by A. Langston Taylor, Leonard F. Morse, and Charles I. Brown
Newly elected president Woodrow Wilson orders physical re-segregation of federal workplaces and employment after nearly 50 years of integrated facilities.[28][29][30]
1915
February 8 – The Birth of a Nation is released to film theaters. The NAACP protests in cities across the country, convincing some not to show the film.
June 21 – In Guinn v. United States, the U.S. Supreme Court rules against grandfather clauses used to deny blacks the right to vote.
September 9 – Professor Carter G. Woodson founds the Association for the Study of African American Life and History in Chicago.
A schism from the National Baptist Convention, USA, Inc. forms the National Baptist Convention of America, Inc.
1916
January – Professor Carter Woodson and the Association for the Study of Negro Life and History begins publishing the Journal of Negro History, the first academic journal devoted to the study of African-American history.
March 23 – Marcus Garvey arrives in the U.S. (see Garveyism).
Los Angeles hires the country's first black female police officer.[citation needed]
The Great Migration begins and lasts until 1940. Approximately one and a half million African-Americans move from the Southern United States to the North and Midwest. More than five million migrate in the Second Great Migration from 1940 to 1970, which includes more destinations in California and the West.
1917
May–June – East St. Louis Riot
August 23 – Houston Riot
In Buchanan v. Warley, the U.S. Supreme Court upholds that racially segregated housing violates the 14th Amendment.
1918
Viola Pettus, an African-American nurse in Marathon, Texas, wins attention for her courageous care of victims of the Spanish Influenza, including members of the Ku Klux Klan.
Mary Turner was a 33-year-old lynched in Lowndes County, Georgia who was Eight months pregnant. Turner and her child were murdered after she publicly denounced the extrajudicial killing of her husband by a mob. Her death is considered a stark example of racially motivated mob violence in the American south, and was referenced by the NAACP's anti-lynching campaign of the 1920s, 1930s and 1940s.
1919
Summer – Red Summer of 1919 riots: Chicago, Washington, D.C.; Knoxville, Indianapolis, and elsewhere.
September 28 – Omaha Race Riot of 1919, Nebraska.
October 1–5 – Elaine Race Riot, Phillips County, Arkansas. Numerous blacks are convicted by an all-white jury or plead guilty. In Moore v. Dempsey (1923), the U.S. Supreme Court overturns six convictions for denial of due process under the Fourteenth Amendment.
1920
February 13 – Negro National League (1920–1931) established.
Fritz Pollard and Bobby Marshall are the first two African-American players in the National Football League (NFL). Pollard goes on to become the first African-American coach in the NFL.
January 16 – Zeta Phi Beta Sorority, Inc., was founded at Howard University
1921
May 23 – Shuffle Along is the first major African American hit musical on Broadway.
May 31 – Tulsa Race Riot, Oklahoma
Bessie Coleman becomes the first African American to earn a pilot's license.
1923
Garrett A. Morgan invented and patented the first automatic three-position traffic light.[31]
January 1–7 – Rosewood massacre: Six African Americans and two whites die in a week of violence when a white woman in Rosewood, Florida, claims she was beaten and raped by a black man.
February 19 – In Moore v. Dempsey, the U.S. Supreme Court holds that mob-dominated trials violate the Due Process Clause of the Fourteenth Amendment.
Jean Toomer's novel Cane is published.
1924
Knights of Columbus commissions and publishes The Gift of Black Folk: The Negroes in the Making of America by civil rights activist and NAACP cofounder W. E. B. Du Bois as part of the organization's Racial Contribution Series.
Spelman Seminary becomes Spelman College.
1925–1949[edit]
1925
Spring – American Negro Labor Congress is founded.
August 8 – 35,000 Ku Klux Klan members march in Washington, D.C. (see List of protest marches on Washington, D.C.)
Countee Cullen publishes his first collection of poems in Color.
Brotherhood of Sleeping Car Porters is organized.
The Harlem Renaissance (also known as the New Negro Movement) is named after the anthology The New Negro, edited by Alain Locke .
1926
The Harlem Globetrotters are founded.
Historian Carter G. Woodson proposes Negro History Week.
Corrigan v Buckley challenges deed restrictions preventing a white seller from selling to a black buyer. The U.S. Supreme Court rules in favor of Buckley, stating that the 14th Amendment does not apply because Washington, DC is a city and not a state, thereby rendering the Due Process Clause inapplicable. Also, that the Due Process Clause does not apply to private agreements.
1928
Claude McKay's Home to Harlem wins the Harmon Gold Award for Literature.
1929
The League of United Latin American Citizens, the first organization to fight for the civil rights of Latino Americans, is founded in Corpus Christi, Texas.
John Hope becomes president of Atlanta University. Graduate classes are offered in the liberal arts, and Atlanta University becomes the first predominantly black university to offer graduate education.
Unknown – Hallelujah! is released, one of the first films to star an all-black cast.
1930
August 7 – Thomas Shipp and Abram Smith were African-American men lynched in Marion, Indiana, after being taken from jail and beaten by a mob. They had been arrested that night as suspects in a robbery, murder and rape case. A third African-American suspect, 16-year-old James Cameron, had also been arrested and narrowly escaped being killed by the mob. He later became a civil rights activist.[32]
The League of Struggle for Negro Rights is founded in New York City.
Jessie Daniel Ames forms the Association of Southern Women for the Prevention of Lynching. She gets 40,000 white women to sign a pledge against lynching and for change in the South.[33]
1931
March 25 – Scottsboro Boys arrested in what would become a nationally controversial case.
Walter Francis White becomes the executive secretary of the NAACP.
1932
The Tuskegee Study of Untreated Syphilis in the Negro Male begins at Tuskegee University.
1933
Hocutt v. Wilson unsuccessfully challenged segregation in higher education in the United States.
1934
Wallace D. Fard, leader of the Nation of Islam, mysteriously disappears. He is succeeded by Elijah Muhammad.
1935
June 18 – In Murray v. Pearson, Thurgood Marshall and Charles Hamilton Houston of the NAACP successfully argue the landmark case in Maryland to open admissions to the segregated University of Maryland School of Law on the basis of equal protection under the Fourteenth Amendment.
Jesse Owens wins gold medals in front of Hitler.
1936
August – American sprinter Jesse Owens wins four gold medals at the 1936 Summer Olympics in Berlin.
1937
6.2.1 General works
6.2.2 Baseball
6.2.3 Boxing
6.2.4 Chess
6.2.5 Olympics
Athletes[edit]
Baseball[edit]
Ryan Braun, outfielder
(Milwaukee Brewers)
Ike Davis, first baseman
(Oakland Athletics)
Ian Kinsler, second baseman
(Detroit Tigers)
Ryan Lavarnway, catcher
(Atlanta Braves)
Jason Marquis, pitcher
(Cincinnati Reds)
Joc Pederson, outfielder
(Los Angeles Dodgers)
Kevin Youkilis, first and third baseman
Cal Abrams, US, outfielder[2]
Rubén Amaro, Jr., US, outfielder, general manager (Philadelphia Phillies)[2]
Morrie Arnovich, US, outfielder, All-Star[2]
Brad Ausmus, US, catcher, All-Star, 3x Gold Glove, manager of the Detroit Tigers[2]
José Bautista, Dominican-born, pitcher[2]
Robert "Bo" Belinsky, U.S., pitcher. Pitched no-hit game as rookie with Los Angeles Angels in 1962.[3]
Moe Berg, US, catcher & shortstop, and spy for US in World War II[2]
Ron Blomberg, US, DH/first baseman/outfielder, Major League Baseball's first designated hitter[4]
Lou Boudreau, US, shortstop, 8x All-Star, batting title, MVP, Baseball Hall of Fame, manager[2]
Ralph Branca, US, pitcher, 3x All-Star[5]
Ryan Braun, US, outfielder, 2007 Rookie of the Year, home run champion, 5x All-Star, 5x Silver Slugger, 2011 National League MVP (Milwaukee Brewers)[6]
Craig Breslow, US, relief pitcher (Boston Red Sox)[2]
Mark Clear, US, relief pitcher, 2x All-Star[7]
Andy Cohen, US, second baseman, coach
Harry Danning, US, catcher, 4x All-Star[2][8]
Ike Davis, US, first baseman (Oakland Athletics)[9]
Moe Drabowsky, US, pitcher[10]
Harry Eisenstat, US, pitcher[11]
Mike Epstein, US, first baseman[2]
Harry Feldman, US, pitcher[2]
Scott Feldman, US, pitcher (Houston Astros)[2]
Gavin Fingleson, South African-born Australian, Olympic silver medalist[12]
Nate Freiman, US, first baseman (Oakland Athletics)[13][14]
Sam Fuld, US, outfielder (Oakland Athletics)[15]
Sid Gordon, US, outfielder & third baseman, 2x All-Star[2]
John Grabow, US, relief pitcher[2]
Shawn Green, US, right fielder, 2x All-Star, Gold Glove, Silver Slugger[2]
Hank Greenberg, US, first baseman & outfielder, 5x All-Star, 4x home run champion, 4x RBI leader, 2x MVP, Baseball Hall of Fame[2]
Ken Holtzman, US, starting pitcher, 2x All-Star[2]
Joe Horlen, US, pitcher, All-Star, ERA leader[2]
Gabe Kapler, US, outfielder[2]
Ian Kinsler, US, second baseman, 3x All-Star (Detroit Tigers)[16]
Sandy Koufax, US, starting pitcher, 6x All-Star, 5x ERA leader, 4x strikeouts leader, 3x Wins leader, 2x W-L% leader, 1 perfect game, MVP, 3x Cy Young Award, Baseball Hall of Fame[2]
Barry Latman, US, pitcher[11]
Ryan Lavarnway, US, catcher (Atlanta Braves)[17]
Al Levine, US, relief pitcher[2]
Mike Lieberthal, US, catcher, 2x All-Star, Gold Glove[2]
Elliott Maddox, US, outfielder & third baseman[2]
Jason Marquis, US, starting pitcher, Silver Slugger, All Star (Cincinnati Reds)[2]
Erskine Mayer, US, pitcher[2]
Bob Melvin, US, catcher & manager of the Oakland Athletics[18]
Jon Moscot, US, pitcher (Cincinnati Reds)[19]
Jeff Newman, US, catcher & first baseman, All-Star, manager[2]
Joc Pederson, US, outfielder (Los Angeles Dodgers)[20]
Barney Pelty, US, pitcher[2]
Lipman Pike, US, outfielder, second baseman, & manager, 4x home run champion, RBI leader[2]
Kevin Pillar, US, outfielder (Toronto Blue Jays)
Aaron Poreda, US, pitcher (Yomiuri Giants)[2]
Scott Radinsky, US, relief pitcher[2]
Dave Roberts, US, pitcher[2]
Saul Rogovin, US, pitcher[2]
Al "Flip" Rosen, US, third baseman & first baseman, 4x All-Star, 2x home run champion, 2x RBI leader, MVP[2]
Goody Rosen, Canada, outfielder, All-Star[2]
Josh Satin, US, second baseman (Cincinnati Reds)[21]
Richie Scheinblum, US, outfielder, All-Star[2]
Scott Schoeneweis, US, pitcher[2]
Michael Schwimer, US, relief pitcher (Toronto Blue Jays)[22]
Art Shamsky, US, outfielder & first baseman[2]
Larry Sherry, US, relief pitcher[2]
Norm Sherry, US, catcher & manager[2]
Moe "the Rabbi of Swat" Solomon, US, outfielder[2]
George Stone, US, outfielder, 1x batting title[23]
Steve Stone, US, starting pitcher, All-Star, Cy Young Award[2]
Danny Valencia, US, third baseman (Oakland Athletics)[24]
Phil "Mickey" Weintraub, US, first baseman & outfielder
Josh Whitesell, US, first baseman (Saraperos de Saltillo)[25]
Steve Yeager, US, catcher[2]
Kevin Youkilis, US, first baseman, third baseman, & left fielder, 3x All-Star, Gold Glove, Hank Aaron Award[2]
Josh Zeid, US, pitcher for the Detroit Tigers
Basketball[edit]
Omri Casspi
Jordan Farmar
Gal Mekel
Jon Scheyer
Sam Balter, US, 5' 10" guard, Olympic champion[8][26]
Sue Bird, US & Israel, WNBA 5' 9" point guard, 2x Olympic champion, 4x All-Star (Seattle Storm)[27]
David Blatt, US & Israel, Israeli Premier League 6' 3.5" point guard, coached Russia National Basketball Team, Israel's Maccabi Tel Aviv to Euroleague Championship, Euroleague Coach of the Year, 4x Israeli Coach of the Year, Head Coach of Cleveland Cavaliers[28][29]
David Blu (formerly "Bluthenthal"), US & Israel, Euroleague 6' 7" forward (Maccabi Tel Aviv)[30]
Harry Boykoff, US, NBA 6' 10" center[31]
Tal Brody, US & Israel, Euroleague 6' 2" shooting guard[8]
Larry Brown, US, ABA 5' 9" point guard, 3x All-Star, 3x assists leader, NCAA National Championship coach (1988), NBA coach, Olympic champion, Hall of Fame[8][26]
Omri Casspi, Israel, 6' 9" small forward, drafted in 1st round of 2009 NBA Draft (Sacramento Kings)[32]
Shay Doron, Israel & US, WNBA 5' 9" guard (New York Liberty)[33]
Lior Eliyahu, Israel, 6' 9" power forward, NBA draft 2006 (Orlando Magic; traded to Houston Rockets), playing in the Euroleague (Hapoel Jerusalem)[34]
Jordan Farmar, US, NBA 6' 2" point guard (Los Angeles Clippers)[35]
Marty Friedman, US, 5' 7" guard & coach, Hall of Fame[8]
Ernie Grunfeld, Romania-born US, NBA 6' 6" guard/forward & GM, Olympic champion[36]
Yotam Halperin, Israel, 6' 5" guard, drafted in 2006 NBA draft by Seattle SuperSonics (Hapoel Jerusalem)[34]
Sonny Hertzberg, US, NBA 5' 9" point guard, original NY Knickerbocker[37]
Art Heyman, US, NBA 6' 5" forward/guard[37]
Nat Holman, US, ABL 5' 11" guard & coach, Hall of Fame[8]
Red Holzman, US, BAA & NBA 5' 10" guard, 2x All-Star, & NBA coach, NBA Coach of the Year, Hall of Fame[8]
Eban Hyams, India-Israel-Australia, 6' 5" guard formerly of the Australian National Basketball League, Israeli Super League, first ever Indian national to play in ULEB competitions[38]
Barry Kramer, first team All-American at NYU in 1963
Joel Kramer, US Phoenix Suns 6'7" forward
Sylven Landesberg, US, 6' 6" former UVA shooting guard (Maccabi Tel Aviv)[39]
Rudy LaRusso, US, NBA 6' 7" forward/center, 5x All-Star[40]
Nancy Lieberman, US, WNBA player, general manager, & coach, Olympic silver, Hall of Fame[26][41]
Gal Mekel, Israel, NBA 6' 3" point guard (Dallas Mavericks)[42]
Bernard Opper, US, NBL and ABL 5' 10" guard, All-American at University of Kentucky
Donna Orender (née Geils), US, Women's Pro Basketball League 5' 7" point guard, All-Star, current WNBA president[37]
Lennie Rosenbluth, US, NBA 6' 4" forward[36]
Danny Schayes, US, NBA 6' 11" center/forward (son of Dolph Schayes)[37]
Dolph Schayes, US, NBA 6' 7" forward/center, 3x FT% leader, 1x rebound leader, 12x All-Star, Hall of Fame, & coach (father of Danny Schayes)[8]
Ossie Schectman, US, NBA 6' 0" guard, scorer of first NBA basket[36]
Doron Sheffer, US (college), Maccabi Tel Aviv,Hapoel Jerusalem
Jon Scheyer, US, All-American Duke University 6' 5" shooting guard & point guard (Maccabi Tel Aviv)[43]
Barney Sedran, US, Hudson River League & New York State League 5' 4" guard, Hall of Fame[8]
Sidney Tannenbaum, US, BAA 6' 0" guard, 2x All-American, left as NYU all-time scorer[8]
Alex Tyus, US & Israel, 6' 8" power forward/center (Maccabi Tel Aviv)
Neal Walk, US, NBA 6' 10" center[37]
Max Zaslofsky, US, NBA 6' 2" guard/forward, 1x FT% leader, 1x points leader, All-Star, ABA coach[8]
Bowling[edit]
Barry Asher, 10 PBA titles, PBA Hall of Fame[7]
Marshall Holman, 22 PBA titles (11th all-time); PBA Hall of Fame[44]
Mark Roth, 34 PBA titles (5th all-time); PBA Hall of Fame[45]
Boxing[edit]
Yuri Foreman
Zab Judah
Dmitry Salita
Barney Aaron (Young), English-born US lightweight, Hall of Fame[46]
Abe Attell ("The Little Hebrew"), US, world champion featherweight, Hall of Fame[8]
Monte Attell ("The Knob Hill Terror"), US, bantamweight[47]
Max Baer ("Madcap Maxie"), US, world champion heavyweight. Wore a Star of David on his trunks; inducted into the International Jewish Sports Hall of Fame. Hall of Fame/[48]
Benny Bass ("Little Fish"), US, world champion featherweight & world champion junior lightweight, Hall of Fame[8]
Fabrice Benichou, France, world champion super bantamweight[34]
Jack Kid Berg (Judah Bergman), England, world champion junior welterweight, wore a Star of David on his trunks, Hall of Fame[8]
Maxie Berger, Canada, wore a Star of David on his trunks[49]
Samuel Berger, US, Olympic champion heavyweight[8]
Jack Bernstein (also "John Dodick", "Kid Murphy", and "Young Murphy"), US, world champion junior lightweight[8]
Nathan "Nat" Bor, US, Olympic bronze lightweight[26]
Mushy Callahan (Vincente Sheer), US, world champion light welterweight[47]
Joe Choynski ("Chrysanthemum Joe"), US, heavyweight, Hall of Fame[8][50]
Robert Cohen, French & Algerian, world champion bantamweight[8]
Al "Bummy" Davis (Abraham Davidoff), US, welterweight & lightweight, wore a Star of David on his trunks[47]
Louis "Red" Deutsch, US, heavyweight, later famous as the proprietor of the Tube Bar in Jersey City, NJ and inspiration for Moe Szyslak on "The Simpsons"
Carolina Duer ("The Turk"), Argentine, WBO world champion super flyweight and bantamweight[51]
John "Jackie" Fields (Jacob Finkelstein), US, world champion welterweight & Olympic champion featherweight, Hall of Fame[8]
Hagar Finer, Israel, WIBF champion bantamweight[52]
Yuri Foreman, Belarusian-born Israeli US middleweight and World Boxing Association champion super welterweight[53]
György Gedó, Hungary, Olympic champion light flyweight[41]
Abe Goldstein, US, world champion bantamweight[54]
Ruby Goldstein ("Ruby the Jewel of the Ghetto"), US, welterweight, wore a Star of David on his trunks[8]
Roman Greenberg ("The Lion from Zion"), Israel, International Boxing Organization's Intercontinental champion heavyweight[53]
Stéphane Haccoun, France, featherweight, super featherweight, and junior lightweight[55][56]
Alphonse Halimi ("La Petite Terreur"), France, world champion bantamweight[8]
Harry Harris ("The Human Hairpin"), US, world champion bantamweight[8]
Gary Jacobs, Scottish, British, Commonwealth, and European (EBU) champion welterweight[57]
Ben Jeby (Morris Jebaltowsky), US, world champion middleweight[47]
Yoel Judah, US, 3x world champion kickboxer and boxer & trainer[58]
Zab Judah ("Super"), US, world champion junior welterweight & world champion welterweight (Converted to Christianity)[58][59][60][61]
Louis Kaplan ("Kid Kaplan"), Russian-born US, world champion featherweight, Hall of Fame[8][50]
Solly Krieger ("Danny Auerbach"), US, world champion middleweight[8]
Julie Kogon US, 1947 New England Lightweight Champion. Inducted into the Connecticut Boxing Hall of Fame.
Benny Leonard (Benjamin Leiner; "The Ghetto Wizard"), US, world champion lightweight, Hall of Fame[8]
Battling Levinsky (Barney Lebrowitz), US, world champion light heavyweight, Hall of Fame[8]
King Levinsky (Harry Kraków), US, heavweight, also known as Kingfish Levinsky[8]
Harry Lewis (Harry Besterman), US, world champion welterweight[47]
Ted "Kid" Lewis (Gershon Mendeloff), England, world champion welterweight, Hall of Fame[8]
Sammy Luftspring, Canada, Canadian champion welterweight, Canada's Sports Hall of Fame[47]
Saoul Mamby, US, world champion junior welterweight[47]
Al McCoy (Alexander Rudolph), US, world champion middleweight[8]
Daniel Mendoza, England, world champion heavyweight, Hall of Fame[8]
Jacob Michaelsen, Denmark, Olympic bronze heavyweight[26]
Samuel Mosberg, US, Olympic champion lightweight[8]
Bob Olin, US, world champion light heavyweight[62]
Victor Perez ("Young"), Tunisian, world champion flyweight[8]
Harold Reitman ("The Boxing Doctor"), professional heavyweight that fought while working as surgeon, Golden Gloves champion.[63]
Charlie Phil Rosenberg ("Charles Green"), US, world champion bantamweight[8]
Dana Rosenblatt ("Dangerous"), US, world champion middleweight[64]
Maxie Rosenbloom ("Slapsie"), US, world champion light heavyweight, wore a Star of David on his trunks, Hall of Fame[8]
Barney Ross (Dov-Ber Rasofsky), US, world champion lightweight & junior welterweight, Hall of Fame[8]
Mike Rossman (Michael Albert DiPiano; "The Jewish Bomber"), US, world champion light heavyweight, wore Star of David on trunks[64]
Shamil Sabirov, Russia, Olympic champion light flyweight[26]
Dmitry Salita ("Star of David"), US, North American Boxing Association champion light welterweight[65]
Isadore "Corporal Izzy" Schwartz ("The Ghetto Midget"), US, world champion flyweight[8]
Al Singer ("The Bronx Beauty"), US, world champion lightweight[47]
"Lefty" Lew Tendler, US, bantamweight, lightweight, and welterweight, wore a Star of David on his trunks, Hall of Fame[8]
Sid Terris ("Ghost of the Ghetto"), US, lightweight, wore a Star of David on his trunks[54]
Matt Wels, England, champion of Great Britain lightweight and world champion welterweight
Canoeing[edit]
Jessica Fox
Shaun Rubenstein
László Fábián, Hungary, sprint canoer, Olympic champion (K-2 10,000 meter), 4x world champion (3x K-2 10,000 meter and 1x K-4 10,000 meter) and one silver (K-4 10,000 meter)[26]
Imre Farkas, Hungary, sprint canoer, 2x Olympic bronze (C-2 1,000 and 10,000 meter)[66]
Jessica Fox, French-born Australian, slalom canoer, Olympic silver (K-1 slalom), world championships bronze (C-1)[67]
Myriam Fox-Jerusalmi, France, slalom canoer, Olympic bronze (K-1 slalom), 5 golds at ICF Canoe Slalom World Championships (2x K-1, 3x K-1 team)[41]
Klára Fried-Bánfalvi, Hungary, sprint canoer, Olympic bronze (K-2 500 m), world champion (K-2 500 m)[26]
Leonid Geishtor, USSR (Belarus), sprint canoer, Olympic champion (Canadian pairs 1,000-meter)[41]
Joe Jacobi, US, slalom canoer, Olympic champion (Canadian slalom pairs)[41]
Michael Kolganov, Soviet (Uzbek)-born Israeli, sprint canoer, world champion, Olympic bronze (K-1 500-meter)[41]
Anna Pfeffer, Hungary, sprint canoer, Olympic 2x silver (K-2 500 m), bronze (K-1 500 m); world champion (K-2 500 m), silver (K-4 500 m), 2x bronze (K-2 500)[26]
Naum Prokupets, Moldovan-born Soviet, sprint canoer, Olympic bronze (C-2 1,000-meter), gold (C-2 10,000-meter) at ICF Canoe Sprint World Championships[41]
Leon Rotman, Romanian, sprint canoer, 2x Olympic champion (C-1 10,000 meter, C-1 1,000-meter) and bronze (C-1 1,000-meter), 14 national titles[41]
Shaun Rubenstein, South Africa, canoer, World Marathon champion 2006[68]
Cricket[edit]
Michael Klinger
Ben Ashkenazi, Australia (Victorian Bushrangers)
Ali Bacher, South Africa, batsman and administrator (relative of Adam Bacher)[69]
Mike Barnard, England, cricketer[69]
Mark Bott, England, cricketer[70]
Stevie Eskinazi, South African born, Australian raised, English wicketkeeper
Mark Fuzes. Australian all rounder played for Hong Kong. Father Peter Fuzes kept goal for Australian Soccer team (see)[71]
Dennis Gamsy, South Africa, Test wicket-keeper[72]
Darren Gerard, England, cricketer[73]
Norman Gordon, South Africa, fast bowler[69]
Steven Herzberg, English-born Australian, cricketer[74]
Sid Kiel, South Africa, opening batsman (Western Province)[75]
Michael Klinger, Australia, batsman (Western Warriors)[69]
Leonard "Jock" Livingston, Australia, cricketer[69]
Bev Lyon, England, cricketer[69]
Dar Lyon, England, cricketer (brother of Bev)[69]
Greg, Jason, and Lara Molins, two brothers and a cousin from the same Irish family[74]
Jon Moss, Australia, allrounder (Victorian Bushrangers)[69]
John Raphael, England, batsman[69]
Marshall Rosen, NSW Australia, cricketer and selector[76]
Lawrence Seeff, South Africa, batsmen[77]
Maurice Sievers, Australia, lower order batsman and fast-medium bowler[69]
Bensiyon Songavkar, India, cricketer, MVP of 2009 Maccabiah Games cricket tournament[78]
Fred Susskind, South Africa, Test batsman[69]
Fred Trueman, England, English test fast bowler (a lifelong Christian)[69]
Julien Wiener, Australia, Test cricketer[69]
Mandy Yachad, South Africa, Test cricketer[69]
Equestrian[edit]
Margie Goldstein-Engle
Robert Dover, US, 4x Olympic bronze, 1x world championship bronze (dressage)[79]
Margie Goldstein-Engle, US, world championship silver, Pan American Games gold, silver, and bronze (jumping)[80]
Edith Master, US, Olympic bronze (dressage)[26]
Fencing[edit]
Helene Mayer
Soren Thompson
Henri Anspach, Belgium (épée & foil), Olympic champion[26]
Paul Anspach, Belgium (épée & foil), 2x Olympic champion[26]
Norman Armitage (Norman Cohn), US (sabre), 17x US champion, Olympic bronze[26]
Albert "Albie" Axelrod, US (foil); Olympic bronze, 4x US champion[8]
Péter Bakonyi, Hungary (saber), Olympic 3x bronze[41]
Cliff Bayer, US (foil); youngest US champion[37]
Albert Bogen (Albert Bógathy), Austria (saber), Olympic silver[41]
Tamir Bloom, US (épée); 2x US champion[37]
Daniel Bukantz, US (foil); 4x US champion[37]
Sergey Sharikov, Russia (saber), 2x Olympic champion, silver, bronze[26]
Yves Dreyfus, France (épée), Olympic bronze, French champion[26]
Ilona Elek, Hungary (saber), 2x Olympic champion[26]
Boaz Ellis, Israel (foil), 5x Israeli champion[34]
Siegfried "Fritz" Flesch, Austria (sabre), Olympic bronze[26]
Dr. Dezsö Földes, Hungary (saber), 2x Olympic champion[26]
Dr. Jenö Fuchs, Hungary (saber), 4x Olympic champion[81]
Támas Gábor, Hungary (épée), Olympic champion[8]
János Garay, Hungary (saber), Olympic champion, silver, bronze, killed by the Nazis[8]
Dr. Oskar Gerde, Hungary (saber), 2x Olympic champion, killed by the Nazis[26]
Dr. Sándor Gombos, Hungary (saber), Olympic champion[62]
Vadim Gutzeit, Ukraine (saber), Olympic champion[82]
Johan Harmenberg, Sweden (épée), Olympic champion[26]
Delila Hatuel, Israel (foil), Olympian, ranked # 9 in world[83]
Lydia Hatuel-Zuckerman, Israel (foil), 6x Israeli champion[84][85]
Dr. Otto Herschmann, Austria (saber), Olympic silver[26]
Emily Jacobson, US (saber), NCAA champion[86]
Sada Jacobson, US (saber), ranked # 1 in the world, Olympic silver, 2x bronze[86]
Allan Jay, British (épée & foil), Olympic 2x silver, world champion[26]
Endre Kabos, Hungary (saber), 3x Olympic champion, bronze[26]
Roman Kantor, Poland (épée), Nordic champion & Soviet champion, killed by the Nazis[26]
Dan Kellner, US (foil), US champion[86]
Byron Krieger, US[87]
Grigory Kriss, Soviet (épée), Olympic champion, 2x silver[26]
Allan Kwartler, US (saber), 3x Pan American Games champion[10]
Alexandre Lippmann, France (épée), 2x Olympic champion, 2x silver, bronze[8]
Helene Mayer, Germany & US (foil), Olympic champion[26]
Ljubco Georgievski ????? ???????????
Kiro Gligorov ???? ????????
Nikola Gruevski ?????? ????????
Gjorge Ivanov ????? ??????
Gordana Jankuloska ??????? ??????????
Zoran Jolevski ????? ????????
Srgjan Kerim ????? ?????
Lazar Koliševski ????? ??????????
Hari Kostov ???? ??????
Trifun Kostovski ?????? ?????????
Ilinka Mitreva ?????? ???????
Lazar Mojsov ????? ??????
Tito Petkovski ???? ?????????
Lui Temelkovski ??? ???????????
Boris Trajkovski ????? ??????????
Vasil Tupurkovski ????? ???????????
Zoran Zaev ????? ????
Partisans World War II freedom fighters edit Mirce Acev ????? ????
Mihajlo Apostolski ????j?? ??????????
Cede Filipovski Dame ???? ?????????? ????
Blagoj Jankov Muceto ?????? ?????? ??????
Orce Nikolov ???? ???????
Strašo Pindžur ?????? ??????
Hristijan Todorovski Karpoš ????????? ?????????? ??????
Revolutionaries edit Yordan Piperkata ?????? ???????? ?????????
Goce Delcev ???? ?????
Petar Pop Arsov ????? ??? ?????
Dame Gruev ???? ?????
Jane Sandanski ???? ?????????
Dimitar Pop Georgiev Berovski ??????? ??? ???????? ????????
Ilyo Voyvoda ???? ??? ??????????
Pere Tošev ???? ?????
Pitu Guli ???? ????
Dimo Hadži Dimov ???? ???? ?????
Hristo Uzunov ?????? ??????
Literature edit Gjorgji Abadžiev ????? ???????
Petre M Andreevski ????? ? ??????????
Maja Apostoloska ???? ???????????
Dimitrija Cupovski ????????? ????????
Jordan Hadži Konstantinov Džinot ?????? ???? ???????????? ?????
Vasil Iljoski ????? ??????
Slavko Janevski ?????? ????????
Blaže Koneski ????? ???????
Risto Krle ????? ????
Vlado Maleski ????? ???????
Mateja Matevski ?????? ????????
Krste Misirkov ????? ?????????
Kole Nedelkovski ???? ???????????
Olivera Nikolova
Anton Panov ????? ?????
Gjorche Petrov ????? ??????
Vidoe Podgorec ????? ????????
Aleksandar Prokopiev ?????????? ?????????
Koco Racin ???? ?????
Jovica Tasevski Eternijan ?????? ???????? ?????????
Gane Todorovski ???? ??????????
Stevan Ognenovski ?????? ??????????
Music edit Classical music edit Composers edit Atanas Badev ?????? ?????
Dimitrije Bužarovski ????????? ??????????
Kiril Makedonski ????? ??????????
Toma Prošev ???? ??????
Todor Skalovski ????? ?????????
Stojan Stojkov ?????? ???????
Aleksandar Džambazov ?????????? ????????
Conductors edit Borjan Canev ?????? ?????
Instrumentalists edit Pianists
Simon Trpceski ????? ????????
Opera singers edit Blagoj Nacoski ?????? ???????
Boris Trajanov ????? ????????
Popular and folk music edit Composers edit Darko Dimitrov ????? ????????
Slave Dimitrov ????? ????????
Jovan Jovanov ????? ???????
Ilija Pejovski ????? ????????
Musicians edit Bodan Arsovski ????? ????????
Goran Trajkoski ????? ?????????
Ratko Dautovski ????? ?????????
Kiril Džajkovski ????? ?????????
Tale Ognenovski ???? ??????????
Vlatko Stefanovski ?????? ???????????
Stevo Teodosievski ????? ????????????
Aleksandra Popovska ?????????? ????????
Singers and Bands edit Lambe Alabakoski ????? ??????????
Anastasia ?????????
Arhangel ????????
Kristina Arnaudova ???????? ?????????
Kaliopi Bukle ???????
Dani Dimitrovska ???? ???????????
Riste Tevdoski ????? ????????
Karolina Goceva ???????? ??????
Vaska Ilieva ????? ??????
Andrijana Janevska ????????? ????????
Vlado Janevski ????? ????????
Jovan Jovanov ????? ???????
Leb i sol ??? ? ???
Aleksandar Makedonski ?????????? ??????????
Elvir Mekic ????? ?????
Mizar ?????
Jasmina Mukaetova ??????? ????e???? The Malagasy French Malgache are the ethnic group that forms nearly the entire population of Madagascar They are divided into two subgroups the "Highlander" Merina Sihanaka and Betsileo of the central plateau around Antananarivo Alaotra Ambatondrazaka and Fianarantsoa and the "coastal dwellers" elsewhere in the country This division has its roots in historical patterns of settlement The original Austronesian settlers from Borneo arrived between the third and tenth centuries and established a network of principalities in the Central Highlands region conducive to growing the rice they had carried with them on their outrigger canoes Sometime later a large number of settlers arrived from East Africa and established kingdoms along the relatively unpopulated coastlines
The difference in ethnic origins remains somewhat evident between the highland and coastal regions In addition to the ethnic distinction between highland and coastal Malagasy one may speak of a political distinction as well Merina monarchs in the late th and early th century united the Merina principalities and brought the neighboring Betsileo people under their administration first They later extended Merina control over the majority of the coastal areas as well The military resistance and eventual defeat of most of the coastal communities assured their subordinate position vis ŕ vis the Merina Betsileo alliance During the th and th centuries the French colonial administration capitalized on and further exacerbated these political inequities by appropriating existing Merina governmental infrastructure to run their colony This legacy of political inequity dogged the people of Madagascar after gaining independence in candidates ethnic and regional identities have often served to help or hinder their success in democratic elections
Within these two broad ethnic and political groupings the Malagasy were historically subdivided into specifically named ethnic groups who were primarily distinguished from one another on the basis of cultural practices These were namely agricultural hunting or fishing practices construction style of dwellings music hair and clothing styles and local customs or taboos the latter known in the Malagasy language as fady citation needed The number of such ethnic groups in Madagascar has been debated The practices that distinguished many of these groups are less prevalent in the st century than they were in the past But many Malagasy are proud to proclaim their association with one or several of these groups as part of their own cultural identity
"Highlander" ethnic groups
Merina
Sihanaka
Betsileo
Zafimaniry
Coastal ethnic groups
Antaifasy or Antefasy
Antaimoro or Temoro or Antemoro
Antaisaka or Antesaka
Antambahoaka
Antandroy or Tandroy
Antankarana
Antanosy or Tanosy Academia edit Afifi al Akiti
Khasnor Johan historian
Khoo Kay Kim
Jomo Kwame Sundaram
Danny Quah
Harith Ahmad
Architects edit Main article List of Malaysian architects
Artists edit Main article List of Malaysian artists
Business edit Tan Sri Syed Mokhtar Al Bukhary born
Tan Sri Dato Loh Boon Siew –
Tan Sri Jeffrey Cheah
Tan Sri William Cheng
Dato Choong Chin Liang born
Tan Sri Dato Tony Fernandes born
Lim Goh Tong –
Tan Sri Tiong Hiew King
Tan Sri Teh Hong Piow born
Chung Keng Quee –
Tan Sri Ananda Krishnan born
Robert Kuok born
Tan Sri Quek Leng Chan born
Shoba Purushothaman
Shah Hakim Zain
Halim Saad
Tan Sri Mohd Saleh Sulong
Tan Sri Vincent Tan born
Lillian Too born
Tan Sri Dr Francis Yeoh
Tun Daim Zainuddin born
Tan Sri Kong Hon Kong
Designers edit Bernard Chandran fashion designer
Jimmy Choo born shoe designer
Poesy Liang born artist writer philanthropist jewellery designer industrial designer interior architect music composer
Inventors edit Yi Ren Ng inventor of the Lytro
Entertainers edit Yasmin Ahmad – film director
Stacy Angie
Francissca Peter born
Jamal Abdillah born
Sudirman Arshad –
Loganathan Arumugam died
Datuk David Arumugam Alleycats
Awal Ashaari
Alvin Anthons born
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Ahmad Azhar born
Ning Baizura born
Kasma Booty died
Marion Caunter host of One In A Million and the TV Quickie
Ella born
Erra Fazira born
Sean Ghazi born
Fauziah Latiff born
Angelica Lee born
Daniel Lee Chee Hun born
Fish Leong born
Sheila Majid born
Amy Mastura born
Mohamad Nasir Mohamad born
Shathiyah Kristian born
Meor Aziddin Yusof born
Ah Niu born
Dayang Nurfaizah born
Shanon Shah born
Siti Nurhaliza born
Misha Omar born
Hani Mohsin –
Aziz M Osman born
Azmyl Yunor born
P Ramlee born
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Fasha Sandha born
Ku Nazhatul Shima Ku Kamarazzaman born
Nicholas Teo born
Pete Teo
Penny Tai born
Hannah Tan born
Jaclyn Victor born
Chef Wan
Adira Suhaimi
Michael Wong born
Victor Wong born
Dato Michelle Yeoh Hollywood actress born
James Wan director of Hollywood films like several Saw films Insidious The Conjuring Fast and Furious born
Ziana Zain born
Zee Avi
Shila Amzah
Yunalis Zarai
Zamil Idris born
Military edit Leftenan Adnan – Warrior from mainland Malaya
Antanum Warrior from Sabah Borneo
Rentap Warrior from Sarawak
Syarif Masahor Warrior from Sarawak
Monsopiad Warrior from Sabah Borneo
Haji Abdul Rahman Limbong Warrior from Telemong Terengganu
Mat Salleh Warrior from Sabah Borneo
Rosli Dhobi Warrior from Sarawak
Politicians edit Parameswara founder of Sultanate of Malacca
Tunku Abdul Rahman Putra Al Haj st Prime Minister of independent Malaya
Tun Abdul Razak nd Prime Minister
V T Sambanthan Founding Fathers of Malaysia along with Tunku Abdul Rahman and Tan Cheng Lock
Tun Dato Sir Tan Cheng Lock Founder of MCA
Tun Hussein Onn rd Prime Minister
Mahathir Mohammad th Prime Minister Father of Modernisation
Abdullah Ahmad Badawi th Prime Minister since
Najib Tun Razak Current Prime Minister since
Dato Seri Ong Ka Ting
Dato Seri Anwar Ibrahim
Dato Wan Hisham Wan Salleh
Nik Aziz Nik Mat
Raja Nong Chik Zainal Abidin Federal Territory and Urban Wellbeing Minister
Wan Azizah Wan Ismail
Karpal Singh
Lim Kit Siang
Lim Guan Eng
Tengku Razaleigh Hamzah
Religious edit Antony Selvanayagam Roman Catholic Bishop of the Diocese of Penang
Anthony Soter Fernandez Archbishop Emeritus of the Roman Catholic Archdiocese of Kuala Lumpur and Bishop Emeritus of the Diocese of Penang
Gregory Yong – Second Roman Catholic Archbishop of Singapore
Tan Sri Datuk Murphy Nicholas Xavier Pakiam Metropolitan archbishop of the Roman Catholic Archdiocese of Kuala Lumpur president of the Catholic Bishops Conference of Malaysia Singapore and Brunei and publisher of the Catholic weekly newspaper The Herald
Datuk Ng Moon Hing the fourth and current Anglican Bishop of West Malaysia
Sportspeople edit Squash edit Datuk Nicol Ann David
Ong Beng Hee
Azlan Iskandar
Low Wee Wern
Badminton edit Chan Chong Ming men s doubles
Dato Lee Chong Wei
Chew Choon Eng men s doubles
Wong Choong Hann
Chin Eei Hui women s doubles
Hafiz Hashim
Roslin Hashim
Wong Pei Tty women s doubles
Choong Tan Fook men s doubles
Lee Wan Wah men s doubles
Koo Kien Keat men s doubles
Tan Boon Heong men s doubles
Retired edit Tan Aik Huang
Eddy Choong
Punch Gunalan
Yap Kim Hock
Foo Kok Keong
Jalani Sidek
Misbun Sidek
Rashid Sidek
Razif Sidek
Cheah Soon Kit
Lee Wan Wah
Football soccer edit Brendan Gan Sydney FC
Shaun Maloney Wigan Athletic
Akmal Rizal Perak FA Kedah FA RC Strasbourg FCSR Haguenau
Norshahrul Idlan Talaha Kelantan FA
Khairul Fahmi Che Mat Kelantan FA
Mohd Safiq Rahim Selangor FA
Mohd Fadzli Saari Selangor FA PBDKT T Team FC SV Wehen
Rudie Ramli Selangor FA PKNS F C SV Wehen
Mohd Safee Mohd Sali Selangor FA Pelita Jaya
Baddrol Bakhtiar Kedah FA
Mohd Khyril Muhymeen Zambri Kedah FA
Mohd Azmi Muslim Kedah FA
Mohd Fadhli Mohd Shas Harimau Muda A FC ViOn Zlaté Moravce
Mohd Irfan Fazail Harimau Muda A FC ViOn Zlaté Moravce
Wan Zack Haikal Wan Noor Harimau Muda A FC ViOn Zlaté Moravce F C Ryukyu
Nazirul Naim Che Hashim Harimau Muda A F C Ryukyu
Khairul Izuan Abdullah Sarawak FA Persibo Bojonegoro PDRM FA
Stanley Bernard Stephen Samuel Sabah FA Sporting Clube de Goa
Nazmi Faiz Harimau Muda A SC Beira Mar
Ahmad Fakri Saarani Perlis FA Atlético S C
Chun Keng Hong Penang FA Chanthaburi F C
Retired edit Serbegeth Singh owner founder of MyTeam Blackburn Rovers F C Global dvisor
Mokhtar Dahari former Selangor FA and Malaysian player
Lim Teong Kim former Hertha BSC player