anksa kara : This Is An Un Official Fan Site Tribute
Anksa
Porn Queen Actress Superstar


anksa kara

PERFORMER AKA Anksa BIRTHDAY March 24, 1985 (35 years old) ASTROLOGY Aries BIRTHPLACE Cameroon YEARS ACTIVE 2007-2014 (Started around 22 years old)
Anksa Kara (born March 24, 1985) is a Cameroonian-born pornographic actress. Contents 1 Biography 2 Filmography 2.1 Erotic and pornographic films 2.2 Cinema 2.3 TV performances 2.4 Clips 3 Publications 4 Awards 5 See also 6 References 7 External links Biography She arrived in France in 1993. In 2005, she started working as a stripper in several Parisian clubs. She later became a nude model and a pornographic actress. In June 2009, Anksa Kara was featured in the porn trade magazine Hot Vidéo (No. 220). Later that year, she was nominated for the Hot d'Or for Best starlet. Also in 2009, she created her own company, Anksa Kara & Co, with the aim of promoting Black adult actresses in France. She has since appeared in various French porn productions. She also appeared in several television shows broadcast on the French channel Paris Première and in mainstream productions, including several films directed by Jean-Pierre Mocky.



Filmography Erotic and pornographic films 2007 : Kama Sutra black by Jean-Pierre Charmontel (Java Consulting) 2007 : Taxi de nuit by Fabien Lafait (JTC Video) 2007 : Défonce Anale à La Lhermite Volume 1 by Philippe Lhermite (Telsev) 2007 : Les Castings de Lhermite Volume 29 by Philippe Lhermite (Telsev) 2007 : Les Inclassables de Lhermite Volume 5 by Philippe Lhermite (Telsev) 2007 : Soumission Promise Volume 2 by Philippe Lhermite (Telsev) 2008 : Allumeuses 2 by Fabien Lafait (JTC Video) 2008 : Disco Sex by Fabien Lafait (JTC Video) 2008 : Les Castings de Fred Coppula, Acte 1 by Fred Coppula (Fred Coppula Productions) 2008 : X Amat Special Blacks by Fabien Lafait (JTC Video) 2009 : Cinémax by Max Antoine (Fred Coppula Productions) 2010 : Dark Dreams - More Dirty Fantasies by Thomas S. Allan (Magmafilm [de]) 2011 : Dans Ton Cul 4 : Au boulot by Luka (Saucisson Prod) 2011 : Journal d'une Femme de Chambre by Max Antoine (Fred Coppula Productions) 2011 : Orgy The XXX Championship by Hervé Bodilis (Marc Dorcel) 2012 : Ça Baise au Sauna by Luka (Marc Dorcel) 2012 : La Journaliste by Pascal Lucas (Marc Dorcel) 2013 : Patrouille de nuit by Kris Bakelit (Marc Dorcel) Cinema 2010 : Eject by Jean-Marc Vincent : Pam, the black prostitute[4] 2011 : Le Dossier Toroto by Jean-Pierre Mocky : Irma, l'intendante[5] 2012 : Le Mentor by Jean-Pierre Mocky[6] 2013 : Le Bonheur by Fabrice Grange[7] TV performances 2007 : Les Tabous de... Le plaisir féminin TV program of Karine Le Marchand (France 2, November 14, 2007) 2007 : First interview of Anksa Kara with Anna Martin and Fabien Lafait in Noctambule on Pigalle, Paris (Paris Dernière, December 27, 2007)[8] 2009 : Photoshoot of Anksa Kara & Co. on April 2009 for « Black Power! Yes We Can » (Hot Vidéo, June 2009)[9] 2009 : Anksa Kara chez Magloire (Cap 24, August 2009)[10] 2009 : Anksa Kara & Co. on Hot d'Or ceremony in Paris (October 20, 2009)[11] 2010 : Enquêtes très spéciales (Direct Star, September 7, 2010) 2010 : Interview of Anksa Kara during Hot Vidéo night party (Hot Vidéo, December 21, 2010)[12] 2011 : Exclusive Video DSK Sofitel with Anksa Kara and Josué Rocher (YouTube)[13] 2011 : Les scandaleuses d'Anksa Kara & Co. setting a hot mood in salon du Louvre (Paris Dernière, November 2011)[14] 2012 : Rive droite - Dîner libertin TV program of Guillaume Durand with Anksa Kara (Paris Première, January 28, 2012)[15] 2012 : Les Jouets d'Anksa Kara (Paris Dernière, May 2012)[16] 2013 : Myster Mocky présente season 3 : Auto-Stop (Canal Jimmy, June 4, 2013)[17] 2013 : Myster Mocky présente season 3 : Derrière la porte close (Canal Jimmy, June 4, 2013)[18] Clips 2009 : Hombre Que Soy (Shaka Ponk)[19] 2010 : Bistouflex (Seth Gueko)[20] 2019 Video Marc Dorcel O Allumeuses 2 2008 JTC Video MastOnly O Amateur Francais 17: Blackettes pour blanches quequettes 2014 Video Marc Dorcel Anal Facial IR O Ca Baise au Sauna 2012 Video Marc Dorcel Castings de Fred Coppula 1 2008 JTC Video Anal IR O Cinemax 2009 Video Marc Dorcel NonSex O Dans ton cul 4: Au bureau 2010 Saucisson Prod IR Disco Sex 2008 JTC Video Anal Facial IR O Elite Ladies to Share 2016 Video Marc Dorcel O Journal d'une femme de chambre 2011 Video Marc Dorcel Anal IR O Journaliste 2012 Video Marc Dorcel IR DRO Orgy Anthology 2013 Video Marc Dorcel DRO Orgy: The XXX Championship 1 2011 Video Marc Dorcel IR DRO Patrouille de Nuit 2014 Video Marc Dorcel NonSex DRO Taxi de nuit 2007 JTC Video Anal IR O Vive les francaises 2013 Video Marc Dorcel Anal IR O X Amat: Special Blacks 2008 JTC Video Anal Facial In 1981, United Artists Classics, which had formerly been a division of the company that re-released library titles, was turned into a first-run art film distributor by Nathaniel T. Kwit, Jr. Tom Bernard was hired as the division's head of sales and Ira Deutchman[25][26] as head of marketing. Later the division added Michael Barker and Donna Gigliotti. Deutchman left to form Cinecom, and Barker and Bernard formed Orion Classics and Sony Pictures Classics. The label mostly released foreign and independent films such as Ticket to Heaven and The Grey Fox, and occasional first-run reissues from the UA library, such as director's cuts of Head Over Heels and Cutter's Way. When Barker and Bernard left to form Orion, the label was briefly rechristened MGM/UA Classics before it ceased operating in the late 1980s.[citation needed] MGM/UA Entertainment Company The merged companies became MGM/UA Entertainment Company and in 1982 began launching new subsidiaries: the MGM/UA Home Entertainment Group, MGM/UA Classics and MGM/UA Television Group. Kerkorian also bid for the remaining, outstanding public stock, but dropped his bid, facing lawsuits and vocal opposition.[8] After the purchase, David Begelman's duties were transferred from MGM to MGM/UA. Under Begelman, MGM/UA produced unsuccessful films and he was fired in July 1982. Of the 11 films he put into production, by the time of his termination only Poltergeist proved to be a hit.[27] As part of the consolidation, in 1983, MGM closed and marketed United Artists' long time headquarters at 729 Seventh Avenue in New York City.[28] MGM/UA sold the former UA music publishing division to CBS Songs in 1983.[29] WarGames and Octopussy made substantial profits for the new MGM/UA in 1983, but were not sufficient for Kerkorian. A 1985-restructuring led to independent MGM and UA production units with the combined studio leaders each placed in charge of a single unit. Speculation from analysts was that one of the studios, most likely UA, would be sold to fund the other's (MGM) stock buy-back to take that studio private. However, soon afterwards, one unit's chief was fired and the remaining executive, Alan Ladd, Jr., took charge of both.[8] Turner On August 7, 1985, Ted Turner announced that his Turner Broadcasting System would buy MGM/UA. As film licensing to television became more complicated, Turner saw the value of acquiring MGM's film library for his superstation WTBS.[30] Under the terms of the deal, Turner would immediately sell United Artists back to Kerkorian.[24] In anticipation, Kerkorian installed film producer Jerry Weintraub as the chairman and chief executive of United Artists Corporation in November 1985.[31] Former American Broadcasting Company executive Anthony Thomopoulos was recruited as UA's president[32] Weintraub's tenure at UA was brief; he left the studio in April 1986, replaced by former Lorimar executive Lee Rich.[33] On March 25, 1986, Turner finalized his acquisition of MGM/UA in a cash-stock deal for $1.5 billion and renamed it MGM Entertainment Co.[30][34][35][36][37][38] Kerkorian then repurchased most of United Artists' assets for roughly $480 million.[34][35] As a result of this transaction, the original United Artists ceased to exist. Kerkorian, for all intents and purposes, created an entirely new company implementing the inherited assets; thus, the present day UA is not the legal successor to the original incarnation, though it shares similar assets.[39] MGM/UA Communications Company Logo from 1987 to 1994. Due to financial community concerns over his debt load, Ted Turner was forced to sell MGM's production and distribution assets to United Artists for $300 million on August 26, 1986.[34][35][40][41] The MGM lot and lab facilities were sold to Lorimar-Telepictures.[40] Turner kept the pre-May 1986 MGM film and television library, along with the Associated Artists Productions library, Gilligan's Island and its animated spin-offs, and the RKO Pictures films that United Artists had previously purchased.[40] United Artists was renamed MGM/UA Communications Company (MUCC) and organized into three main units: one television production and two film units. David Gerber headed up the TV unit with Anthony Thomopoulous at UA, and Alan Ladd, Jr. at MGM. Despite a resurgence at the box office in 1987 with Spaceballs, The Living Daylights, and Moonstruck, MUCC lost $88 million.[8] In April 1988, Kerkorian's 82 percent of MUCC was up for sale. MGM and UA were split by July. Eventually, 25 percent of MGM was offered to Burt Sugarman, and producers Jon Peters and Peter Guber, but the plan fell-through. Rich, Ladd, Thomopoulous and other executives grew tired of Kerkorian's antics and began to leave.[8] By summer 1988, the mass exodus of executives started to affect productions, with many film cancellations. The 1989 sale of MGM/UA to the Australian company Qintex/Australian Television Network (owners of the Hal Roach library, which both MGM and UA had distributed in the 1930s) also fell-through, due to the company's bankruptcy later that year. On November 29, 1989, Turner Broadcasting System (the owners of the pre-May 1986 MGM library) attempted to buy entertainment assets from Tracinda Corporation, including MGM/UA Communications Co. (which also included United Artists, MGM/UA Home Video, and MGM/UA Television Productions), but failed.[42] UA was essentially dormant after 1990 and released no films for several years. The 1990s Eventually, in 1990, Italian promoter Giancarlo Parretti purchased UA. He purchased a small company and renamed it Pathé Communications anticipating a successful purchase of Pathé, the original French company. But his attempt failed and instead he merged MGM/UA with his former company, resulting in MGM-Pathé Communications Co. During the transaction, Parretti overstated his own financial condition and within a year defaulted to his primary lender, Crédit Lyonnais, which foreclosed on the studio in 1992.[43][23] This resulted in the sale or closure of MGM/UA's string of US theaters. On July 2, 1992, MGM-Pathé Communications was again named Metro-Goldwyn-Mayer, Inc. In an effort to make MGM/UA saleable, Credit Lyonnais ramped up production and convinced John Calley to run UA. Under his supervision, Calley revived the Pink Panther and James Bond franchises and highlighted UA's past by giving the widest release ever to a film with an NC-17 rating, Showgirls. Credit Lyonnais sold MGM in 1996, again to Kirk Kerkorian's Tracinda, leading to Calley's departure.[23] In 1999, filmmaker Francis Ford Coppola attempted to buy UA from Kerkorian who rejected the offer. Coppola signed a production deal with the studio instead.[20] The 2000s to present In 1999, UA was repositioned as a specialty studio. MGM had just acquired The Samuel Goldwyn Company, which had been a leading distributor of arthouse films. After that name was retired, MGM folded UA into Metro-Goldwyn-Mayer Pictures. G2 Films, the renamed Goldwyn Company and MGM's specialty London operations, was renamed United Artists International.[44] The distributorship, branding, and copyrights for two of UA's main franchises (Pink Panther, and Rocky) were moved to MGM, although select MGM releases (notably the James Bond franchise co-held with Danjaq, LLC and the Amityville Horror remake) carry a United Artists copyright. The first arthouse film to bear the UA name was Things You Can Tell Just by Looking at Her. United Artists hired Bingham Ray to run the company on September 1, 2001.[23] Under his supervision, the company produced and distributed many art films, including Bowling for Columbine, 2002's Nicholas Nickleby, and the winner of that year's Academy Award for Best Foreign Language Film, No Man's Land; and 2004's Undertow, and Hotel Rwanda, a co-production of UA and Lions Gate Entertainment, and made deals with companies like American Zoetrope and Revolution Films.[45] Ray stepped down from the company in 2004.[46] In 2005, a partnership of Comcast, Sony and several merchant banks bought United Artists and its parent, MGM, for $4.8 billion.[23] Though only a minority investor, Sony closed MGM's distribution system and folded most of its staff into its own studio. The movies UA had completed and planned for release—Capote, Art School Confidential, The Woods, and Romance and Cigarettes[citation needed]—were reassigned to Sony Pictures Classics.[23] In March 2006, MGM announced that it would return again as a domestic distribution company. Striking distribution deals with The Weinstein Company, Lakeshore Entertainment, Bauer Martinez Entertainment, and other independent studios, MGM distributed films from these companies. MGM continued funding and co-producing projects released in conjunction with Sony's Columbia TriStar Motion Picture Group on a limited basis and produced tent-poles for its own distribution company, MGM Distribution. Sony had a minority stake in MGM, but otherwise MGM and UA operated under the direction of Stephen Cooper (CEO and minority owner of MGM). United Artists Entertainment On November 2, 2006, MGM announced that Tom Cruise and his long-time production partner Paula Wagner were resurrecting UA.[47][48] This announcement came after the duo were released from a fourteen-year production relationship at Viacom-owned Paramount Pictures. Cruise, Wagner and MGM Studios created United Artists Entertainment LLC and the producer/actor and his partner owned a 30 percent stake in the studio,[49] with the approval by MGM's consortium of owners. The deal gave them control over production and development. Wagner was named CEO, and was allotted an annual slate of four films with varying budget ranges, while Cruise served as a producer for the revamped studio and the occasional star. UA became the first motion picture studio granted a Writers Guild of America, West (WGA) waiver in January 2008 during the Writers' Strike.[50] On August 14, 2008, MGM announced that Wagner would leave UA to produce films independently.[51] Her output as head of UA was two films, both starring Cruise, Lions for Lambs[52] and Valkyrie.[53] Wagner's departure led to speculation that a UA overhaul was imminent.[51] Since then, UA has served as a co-producer with MGM for two releases: the 2009 remake of Fame and Hot Tub Time Machine—these are the last original films to date to bear the UA banner. A 2011 financial report revealed that MGM reacquired its 100 percent stake in United Artists.[49] MGM stated that it might continue to make new films under the UA brand.[49] United Artists Media Group On September 22, 2014, MGM acquired a 55 percent interest in One Three Media and Lightworkers Media, both operated by Mark Burnett and Roma Downey and partly owned by Hearst Entertainment. The two companies were consolidated into a new television company, United Artists Media Group (UAMG), a revival of the UA brand. Burnett became UAMG's CEO and Downey became president of Lightworkers Media, the UAMG family and faith division. UAMG became the distributing studio for Mark Burnett Productions programming such as Survivor. UAMG was to form an over-the-top faith-based channel.[23][54] On December 14, 2015, MGM announced that it had acquired the remaining 45 percent stake of UAMG it did not already own and folded UAMG into MGM Television. Hearst, Downey, and Burnett received stakes in MGM collectively valued at $233 million. Additionally, Burnett was promoted to CEO of MGM TV, replacing the outgoing Roma Khanna. The planned over-the-top faith service (later to be branded as a combined OTT/digital subchannel service known as Light TV) became a separate entity owned by MGM, Burnett, Downey and Hearst.[55] United Artists Digital Studios By August 2018, MGM relaunched the United Artists brand as a digital production and distribution company aimed at creating original motion pictures, television programs, short-form content and digital series as well as building upon MGM's existing IP for distribution across digital platforms. Known as United Artists Digital Studios, the company's projects include mid-form original series Stargate Origins, interactive digital series #WarGames, and scripted series The Baxters (which is also the first for LightWorkers Media) and Weekend at Bernie's.[56] In early October 2018, MGM and Walmart agreed to a partnership for MGM Digital to create exclusive content for Walmart's Vudu and Movies On Us service to begin showing in the first quarter 2019.[57] MGM's and Annapurna Pictures' Mirror distribution venture was rebranded as United Artists Releasing on February 5, 2019, 100 years to the day of United Artists' founding


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