anri okita Un Official Fan Site Tribute

anri okita : This Is An Un Official Fan Site Tribute
anri okita
Porn Queen Actress Superstar

Anri Okita (Japanese: ????; born 28 October 1986) is an English born Japanese actress, singer, songwriter and former pornographic actress. Between 2011 and 2016 Okita was active as a popular AV idol before retiring in May 2016 to focus on a career in mainstream media. From 2016 to 2017, Okita was a member of the idol group Ebisu Muscats.[1] In 2017 debuting as a solo artist Okita's album GORILLA peaked at number 47 on Oricon Albums Daily Top 50 on 10 October 2017.[2][full citation needed] Okita has also acted in numerous mainstream Japanese language films, such as Naked Ambition 2 (2014), Assassination Classroom (2015), Scoop! (2016), and Diamond Dogs (2017). Contents 1 Early years 2 Career 2.1 AV career (2011–2016) 2.2 Mainstream career (2017–present) 3 Personal life 4 Filmography 5 Discography 5.1 Albums 5.2 Singles and EPs 6 See also 7 References 8 External links Early years Okita was born on 28 October 1986 in Birmingham, England, United Kingdom. At the age of eight, Okita and her family moved back to Japan.[3] Okita first began watching adult videos (AV) during her teenage years with her favorite performer being Japanese-German AV idol Saori Hara. Okita was an art student in England during her college years but she also started to take modelling jobs and became a gravure idol before her AV debut.
Career AV career (2011–2016) Okita entered the AV industry in 2011 at the age of 24. Her first adult film titled 1,000,000 Yen Body Best of All – Anri Okita was released on 7 February 2011 at the famed AV studio, S1 No. 1 Style. For the next two years Okita remained as an exclusive performer at S1[5] and was featured in twenty adult films with the studio, thus becoming a major player in the AV landscape as a newcomer. With her exotic looks and voluptuous figure Okita's popularity increased rapidly from mid-2011 onward in Japan as well as other Southeast Asian markets. In late 2012, Okita began to arise as a popular Japanese adult film star in Western markets like Australia and Europe and even in the US after dozens of her scenes were reupload to adult websites like XVideos, XNXX and Pornhub. In 2013 Okita's popularity exploded in the United States and Canada as well a Europe becoming the third watched Asian porn star after Hitomi Tanaka and Yui Hatano. In 2011 Okita was named Number 1 Newcomer from the Asian market by Internet Adult Film Database.[6]

In October 2012, Okita decided to transfer from S1 to Soft On Demand under the stage name of "Akane Mizuki"[7] but by early 2013 she decided to become a freelance actress (kikatan joyu) working with numerous other AV studios like Wanz Factory[8], Moodyz[9] or Fitch[10]. During her AV career Okita was part of several high-profiled projects. One was J & L – Two Pairs Of Huge Tits Take Real Creampies (released by Moodyz in 1 June 2015)[11] in which she co-starred with fellow AV actress and close friend Hitomi Tanaka. She was also part of Moodyz 15th anniversary work, Crimson Dream, an extravagant live action adaptation of a hentai manga with a runtime of six hours and a cast of other highly popular Japanese adult film actresses like Ai Uehara, Kaho Kasumi, Kurea Hasumi, Yui Hatano, Hibiki Otsuki and Shoko Akiyama.[12] Okita at the 2016 AVN Adult Entertainment Expo. Okita also made appearances at the AVN Adult Entertainment Expo in 2015 and 2016, as well as the 33rd AVN Awards.[13][14] In 2016 Okita announced her retirement from the adult industry and her last adult film Porn Retirement x Crimson – Anri Okita Captured by an Erotic Artist, directed by Kitorune Kawaguchi was released on 8 May 2016.[15][16][17] Over her career Okita has been featured in nearly 300 films (including original works and numerous compilations).[18][19][20][21] Mainstream career (2017–present) After retiring from adult films Okita remained highly popular in Japan, especially on social media and among the youth. In 2011 while still in the adult industry Okita appeared in seven episodes of the popular Japanese tokusatsu television series Garo: Makai Senki.[22] In 2016 Okita joined the popular pop rock group Ebisu Muscats touring with the group in November and December 2016. In mid-2017, Okita left the group to pursue a solo career. Releasing her first solo album GORILLA on 4 October 2017.[23][24] She also starred in several mainstream movie like the comedy Naked Ambition 2 or the action-thriller Diamond Dogs.[25] In late 2019 Okita started a YouTube channel where she uploads videos of her sketching and drawing. It is presented in a mix of English and Japanese as of 1 February 2020 it has 23,000 subscribers and over 800,000 total channel views.[26] Personal life In December 2017, Okita married a Japanese businessman. In early 2018, the couple announced they would be having a baby girl. In late August 2018, Okita announced that she had successfully delivered a healthy girl.[27][28] Okita is long time friends with fellow AV idol superstar Hitomi Tanaka.[29] Filmography Year Work Notes/Refs 2011– 2012 Garo: Makai Senki Appeared in seven episodes in season 1 and 2 2014 Naked Ambition 2 Credited as "Women number 2" 2015 Assassination Classroom 2016 Assassination Classroom: Graduation 2016 Scoop! 2016 14 no yoru 2017 Diamond Dogs Discography Albums Anri Okita albums Title Album details Peak positions Sales JPN TWN HK Anri Walk Released: 26 August 2015 Seven songs Run-time: 31 min — — — — Gorilla Released: 4 October 2017 Eight songs Run-time: 35 min 49 38 9 JPN: 20,100[30] Singles and EPs Anri Okita singles and EPs Title Year Peak positions Sales JPN Oricon JPN Hot 100 TWN East Asia HK Liar (EP) 2013 — — 89[31] — — Wanna Stay with You 2015 — — — — — Maboroshi Monster 2015 — — — — — Cat Walk 2016 47 77 70 31 JPN: 195,000 TWN: 34,300 HK: 29,720 One of the most prominent features of Gothic architecture was the use of stained glass window, which steadily grew in height and size and filled Gothic churches with light and colour. Nineteenth century art historians including Viollet-le-Duc, Focillon, Aubert, and Max Dvorák contended that this is one of the most universal features of the Gothic style.[90] Religious teachings in the Middle Ages, particularly the writings of Pseudo-Dionysius, a 6th-century mystic whose book, De Coelesti Hierarchia, was popular among monks in France, taught that all light was divine.[91] When the Abbot Suger ordered the reconstruction of choir of the his abbey church at Saint-Denis, he had the builders create seventy windows, admitting as much light as possible, as the means by which the faithful could be elevated from the material world to the immaterial world.[91] Many earlier Romanesque churches had stained glass windows, and many had round windows, called oculi, but these windows were necessarily small, due to the thickness of the walls. The primary interior decorations of Romanesque and Gothic churches were painted murals. In the Gothic style, the improvements in rib vaults and flying buttresses allowed cathedral walls to be higher, thinner and stronger, and windows were consequently considerably larger. The windows of churches in the late Gothic period, such as Sainte-Chapelle in Paris, filled the entire wall between the ribs of stone. Enormous windows were also an important element of York Minster and Gloucester Cathedral.[81][page needed] The main threat to large windows was the wind; frames had to be extremely strong to sustain wind load. The early windows were fit into openings cut into the stone. The small pieces of glass were coloured, and then had the color fixed by baking in an oven. Details such as faces were painted when the glass was cold. The pieces were joined together within lead frames into panels, which were then combined in larger and stronger lead frames. Then the finished window was set into the stone opening. Thin vertical and horizontal bars of iron, called vergettes or barlotierres, were placed inside the window to reinforce the glass against the wind.[92] The stories told in the glass were usually episodes from the Bible, but they also sometimes illustrated the professions of the guilds which had funded the windows, such as the drapers, stonemasons or the barrel-makers.[93] Much of the stained glass in Gothic churches today dates from later restorations, but a few, notably Chartres Cathedral and Bourges Cathedral, still have many of their original windows.[93] Abbey of Saint-Denis, Abbot Suger represented at feet of Virgin Mary (12th century) South transept rose window of Chartres Cathedral (1221–1230) Detail of the Apocalypse window, Bourges Cathedral, early 13th century South Oculus of Canterbury Cathedral. It contains fourteen of the original glass sections from the 12th century The Rayonnant north rose window of Notre-Dame de Paris (about 1250) Sculpture and decoration The exteriors and interiors of Gothic churches, were lavishly ornamented with sculpture and decoration on religious themes, designed for the great majority of parishioners who could not read. They were described as "Books for the poor."[citation needed] To add to the effect, all of the sculpture on the façades was originally painted and gilded.[94][page needed] Each feature of the chcurch had a symbolic meaning. The main portals at Notre-Dame de Paris, for instance, represented the entrance to paradise, with the Last Judgement depicted on the tympanum over the doors, showing Christ surrounded by the apostles, and by the signs of the zodiac, representing the movements of the heavens. The columns below the tympanum are in the form of statues of saints, literally reprinting them as "the pillars of the church."[95] Each saint had his own symbol: a winged lion stood for Saint Mark, an eagle with four wings meant Saint John the Apostle, and a winged bull symbolised Saint Luke. Sculpted angels had specific functions, sometimes as heralds, blowing trumpets, or holding up columns, as guardian angels; or holding crowns of thorns or crosses, as symbols of the crucifixion of Christ, or waving a container with incense, to illustrate their function at the throne of God. Floral and vegetal decoration was also very common, representing the Garden of Eden; grapes represented the wines of Eucharist.[95] The tympanum over the central portal on the west façade of Notre-Dame de Paris vividly illustrates the Last Judgement, with figures of sinners being led off to hell, and good Christians taken to heaven. The sculpture of the right portal shows the coronation of the Virgin Mary, and the left portal shows the lives of saints who were important to Parisians, particularly Saint Anne, the mother of the Virgin Mary.[84] The exteriors of Gothic churches were also decorated with sculptures of a variety of fabulous and frightening grotesques or monsters. These included the chimera, a mythical hybrid creature which usually had the body of a lion and the head of a goat, and the strix or stryge, a creature resembling an owl or bat, which was said to eat human flesh. The strix appeared in classical Roman literature; it was described by the Roman poet Ovid, who was widely read in the Middle Ages, as a large-headed bird with transfixed eyes, rapacious beak, and greyish white wings.[96] They were part of the visual message for the illiterate worshippers, symbols of the evil and danger that threatened those who did not follow the teachings of the church.[97] The gargoyles, which were added to Notre-Dame in about 1240, had a more practical purpose. They were the rain spouts of the church, designed to divide the torrent of water which poured from the roof after rain, and to project it outwards as far as possible from the buttresses and the walls and windows so that it would not erode the mortar binding the stone. To produce many thin streams rather than a torrent of water, a large number of gargoyles were used, so they were also designed to be a decorative element of the architecture. The rainwater ran from the roof into lead gutters, then down channels on the flying buttresses, then along a channel cut in the back of the gargoyle and out of the mouth away from the church.[94][page needed] Many of the statues, particularly the grotesques, were removed from the façade in the 17th and 18th century, or were destroyed during the French Revolution.[citation needed] They were replaced with figures in the Gothic style, designed by Eugene Viollet-le-Duc during the 19th-century restoration.[citation needed] Similar figures appear on the other major Gothic churches of France. Another common feature of Gothic cathedrals in France was a labyrinth or maze on the floor of the nave near the choir, which symbolised the difficult and often complicated journey of a Christian life before attaining paradise. Most labyrinths were removed by the 18th century, but a few, like the one at Amiens Cathedral, have been reconstructed, and the labyrinth at Chartres Cathedral still exists essentially in its original form.[98] Synagogues This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Gothic architecture" – news · newspapers · books · scholar · JSTOR (April 2020) (Learn how and when to remove this template message) Romanesque Worms Synagogue from the 11th century with Gothic windows (after 1355) Scolanova Synagogue, Trani (1247) Old New Synagogue, Prague (c. 1270) Main portal of the Old New Synagogue, Prague (c. 1270) Old Synagogue, Erfurt (c. 1270) Late Gothic vaulting of Pinkas Synagogue, Prague (1535) Renaissance interior of the Old Synagogue in Cracow using Gothic vaults (1570) Although Christianity played a dominant role in the Gothic sacred architecture, Jewish communities were present in many European cities during the Middle Ages and they also built their houses of prayer in the Gothic style. Unfortunately, most of the Gothic synagogues did not survive, because they were often destroyed in connection with persecution of the Jews (e. g. in Bamberg, Nürnberg, Regensburg, Vienna). One of the best preserved examples of a Gothic synagogue is the Old New Synagogue in Prague which was completed around 1270 and never rebuilt

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