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Ava Lavinia Gardner
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Ava Lavinia Gardner (December 24, 1922 – January 25, 1990) was an American actress and singer. She first signed a contract with Metro-Goldwyn-Mayer (MGM) in 1941 and appeared mainly in small roles until Gardner drew critic attention with her performance in Robert Siodmak's The Killers (1946). She was nominated for an Academy Award for Best Actress for her performance in John Ford's Mogambo (1953), and for a Golden Globe Award for Best Actress in a Motion Picture – Drama and BAFTA Award for Best Actress in a Leading Role for her performance in John Huston's The Night of the Iguana (1964).
During the 1950s, Gardner established herself as a leading lady and one of era's top stars with films like Show Boat (1951), Pandora and the Flying Dutchman (1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956) and On the Beach (1959). She continued her film career for three more decades, appearing in films 55 Days at Peking (1963), Seven Days in May (1964), The Bible: In the Beginning... (1966), Mayerling (1968), Tam-Lin (1970), The Life and Times of Judge Roy Bean (1972), Earthquake (1974) and The Cassandra Crossing (1976). She continued to act regularly until 1986, four years before her death in 1990, at the age of 67.



In 1999, the American Film Institute ranked Gardner No. 25 on their greatest female screen legends of classic American cinema list.[1] Contents 1 Early life 2 Career 3 Personal life 3.1 Marriages 3.2 Relationships 3.3 Religion and political views 3.4 Death 4 Book 5 Accolades 6 Film portrayals 7 Filmography 7.1 Film 7.2 Television 8 References 9 Further reading 10 External links Early life Ava Lavinia Gardner was born on December 24, 1922, in Grabtown, North Carolina,[2] the youngest of seven children. She had two older brothers, Raymond and Melvin, and four older sisters, Beatrice, Elsie Mae, Inez and Myra. Her parents, Mary Elizabeth "Molly" (née Baker; 1883–1943) and Jonas Bailey Gardner (1878–1938), were poor cotton and tobacco farmers. While accounts of her background vary, Ava's only documented ancestry was English.[3][4][5] She was raised in the Baptist faith of her mother. While the children were still young, the Gardner's lost their property, forcing Jonas to work at a sawmill and Molly to begin working as a cook and housekeeper at a dormitory for teachers at the nearby Brogden School. When Gardner was seven years old, the family decided to try their luck in a larger city, Newport News, Virginia, where Molly found work managing a boarding house for the city's many shipworkers. While in Newport News, Jonas became ill and died from bronchitis in 1938, when Ava was 15 years old. After her father's death, the family moved to Rock Ridge near Wilson, North Carolina, where Molly ran another boarding house for teachers. Ava attended high school in Rock Ridge and she graduated from there in 1939. She then attended secretarial classes at Atlantic Christian College in Wilson for about a year.[6] Career Gardner in 1947 Gardner was visiting her sister Beatrice in New York City in 1941, when Beatrice's husband Larry Tarr, a professional photographer, offered to take her portrait. He was so pleased with the results that he displayed the finished product in the front window of his Tarr Photography Studio on Fifth Avenue.[6] A Loews Theatres legal clerk, Barnard Duhan, spotted Gardner's portrait in Tarr's studio. At the time, Duhan often posed as an Metro-Goldwyn-Mayer (MGM) talent scout to meet girls, using the fact that MGM was a subsidiary of Loews. Duhan entered Tarr's studio and tried to get Gardner's number, but was rebuffed by the receptionist. Duhan made the comment, "Somebody should send her info to MGM", and the Tarr's did so immediately. Shortly after, Gardner, who at the time was a student at Atlantic Christian College, traveled to New York to be interviewed at MGM's New York office by Al Altman, head of MGM's New York talent department. With cameras rolling, he directed the 18-year-old to walk towards the camera, turn and walk away, then rearrange some flowers in a vase. He did not attempt to record her voice because her strong Southern accent made understanding her difficult for him. Louis B. Mayer, head of MGM, however, sent a telegram to Altman: "She can't sing, she can't act, she can't talk, she's terrific!"[6] She was offered a standard contract by the studio and left school for Hollywood in 1941, with her sister Beatrice accompanying her. MGM's first order of business was to provide her with a speech coach, as her Carolina drawl was nearly incomprehensible to them.[7] Gardner in The Killers (1946) Her first appearance in a feature film was as a walk on in the Norma Shearer vehicle We Were Dancing (1942). Fifteen bit parts later she received her first screen billing in 3 Men in White (1944), a Dr. Kildare film in which she brings her mother to the hospital for treatment. After five years of bit parts, mostly at MGM and many of them uncredited, Gardner came to prominence in the Mark Hellinger production The Killers (1946), playing the femme fatale Kitty Collins. Gardner on the cover of Modern Screen magazine, January 1952 Other notable films are The Hucksters (1947), Show Boat (1951), The Snows of Kilimanjaro (1952), Lone Star (1952), Mogambo (1953), The Barefoot Contessa (1954), Bhowani Junction (1956), The Sun Also Rises (1957) and On the Beach (1959). Off-camera, she could be witty and pithy, as in her assessment of director John Ford, who directed Mogambo ("The meanest man on earth. Thoroughly evil. Adored him!").[8] In The Barefoot Contessa, she played the role of doomed beauty Maria Vargas, a fiercely independent woman who goes from Spanish dancer to international movie star with the help of a Hollywood director played by Humphrey Bogart, with tragic consequences. Gardner then played the role of Guinevere in Knights of the Round Table (1953), opposite actor Robert Taylor as Sir Lancelot. Indicative of her sophistication, she portrayed a duchess, a baroness and other ladies of royal lineage in her films of the 1950s. Gardner as Cynthia Green in The Snows of Kilimanjaro (1952) In 1960, she played the role of Soledad in The Angel Wore Red. She was billed between Charlton Heston and David Niven for 55 Days at Peking (1963), which was set in China during the Boxer Rebellion in 1900. The following year, she played her last major leading role in the critically acclaimed The Night of the Iguana (1964), based upon a Tennessee Williams play, and starring Richard Burton as an atheist clergyman and Deborah Kerr as a gentle artist traveling with her aged poet grandfather. John Huston directed the movie in Puerto Vallarta, Mexico, insisting on making the film in black and white – a decision he later regretted because of the vivid colors of the flora. Gardner received billing below Burton, but above Kerr. She was nominated for a Golden Globe Award for Best Actress in a Motion Picture – Drama and BAFTA Award for Best Actress in a Leading Role for her performance. Gardner in a trailer for Bhowani Junction (1956) She next appeared again with Burt Lancaster, her co-star from The Killers, this time along with Kirk Douglas and Fredric March, in Seven Days in May (1964), a thriller about an attempted military takeover of the US government. Gardner played a former love interest of Lancaster's who could have been instrumental in Douglas's preventing a coup against the President of the United States. John Huston chose Gardner for the part of Sarah, the wife of Abraham (played by George C. Scott), in the Dino De Laurentiis film The Bible: In the Beginning..., which was released in 1966.[9] In a 1964 interview, she talked about why she accepted the role: He [Huston] had more faith in me than I did myself. Now I'm glad I listened, for it is a challenging role and a very demanding one. I start out as a young wife, and age through various periods, forcing me to adjust psychologically to each age. It is a complete departure for me, and most intriguing. In this role, I must create a character, not just play one Two years later, in 1966, Gardner briefly sought the role of Mrs. Robinson in Mike Nichols' The Graduate (1967). She reportedly called Nichols and said, "I want to see you! I want to talk about this Graduate thing!" Nichols never seriously considered her for the part, preferring to cast a younger woman (Anne Bancroft was 35, while Gardner was 44), but he did visit her hotel, where he later recounted, "she sat at a little French desk with a telephone, she went through every movie star cliché. She said, 'All right, let's talk about your movie. First of all, I strip for nobody.'"[10] Gardner moved to London in 1968, undergoing an elective hysterectomy to allay her worries of contracting the uterine cancer that had claimed the life of her mother. That year, she appeared in Mayerling, in which she played the supporting role of Austrian Empress Elisabeth of Austria, opposite James Mason as Emperor Franz Joseph I. She appeared in a number of disaster films throughout the 1970s, notably Earthquake (1974) with Heston, The Cassandra Crossing (1976) with Lancaster, and the Canadian movie City on Fire (1979). She appeared briefly as Lillie Langtry at the end of The Life and Times of Judge Roy Bean (1972), and in The Blue Bird (1976). Her last movie was Regina Roma (1982). In the 1980s, she acted primarily on television, including the miniseries remake of The Long, Hot Summer and in a story arc on Knots Landing (both 1985). Personal life Marriages Gardner and Frank Sinatra (1951) Soon after Gardner arrived in Los Angeles, she met fellow MGM contract player Mickey Rooney; they married on January 10, 1942. The ceremony was held in the remote town of Ballard, California, because MGM studio head Louis B. Mayer was worried that fans would desert Rooney's Andy Hardy movie series if it became known that their star was married. Largely due to Rooney's serial adultery, Gardner divorced him in 1943, but agreed not to reveal the cause so as not to affect his career.[citation needed] Gardner's second marriage was equally brief, to jazz musician and bandleader Artie Shaw, from 1945 to 1946. Shaw had previously been married to Lana Turner. Gardner's third and last marriage was to singer and actor Frank Sinatra, from 1951 to 1957. She later said in her autobiography that he was the love of her life. Sinatra left his wife, Nancy, for Gardner, and their subsequent marriage made headlines.[citation needed] Sinatra was blasted by gossip columnists Hedda Hopper and Louella Parsons, the Hollywood establishment, the Roman Catholic Church, and by his fans for leaving his wife for a femme fatale. Gardner used her considerable influence, particularly with Harry Cohn, to get Sinatra cast in his Oscar-winning role in From Here to Eternity (1953). That role and the award revitalized both Sinatra's acting and singing careers.[citation needed] The Gardner-Sinatra marriage was tumultuous. Gardner confided to Artie Shaw, her second husband, that, "With him [Frank], it's impossible... It's like being with a woman. He's so gentle. It's as though he thinks I'll break, as though I'm a piece of Dresden china, and he's gonna hurt me."[11] During their marriage, Gardner became pregnant twice, but aborted both pregnancies. "MGM had all sorts of penalty clauses about their stars having babies", according to her autobiography, which was published 8 months after her death.[12] Gardner and Sinatra remained good friends for the rest of her life.[13] Of the support Sinatra gave Gardner, Ian McKellen commented that "If you have been married to Frank Sinatra, you don't need an agent".[14] Relationships Gardner at the Kastrup Airport CPH in Copenhagen (1955) Gardner became a friend of businessman and aviator Howard Hughes in the early to mid-1940s, and the relationship lasted into the 1950s. Gardner stated in her autobiography, Ava: My Story, that she was never in love with Hughes, but he was in and out of her life for about 20 years. Hughes' trust in Gardner was what kept their relationship alive. She described him as "painfully shy, completely enigmatic, and more eccentric ... than anyone [she] had ever met".[13] After Gardner divorced Sinatra in 1957, she went to Spain, where she began a friendship with writer Ernest Hemingway (she had starred in an adaptation of his The Sun Also Rises that year, and five years earlier, Hemingway had successfully urged producer Darryl F. Zanuck to cast Gardner in The Snows of Kilimanjaro, a film which adapted several of his short stories). While staying with Hemingway at his villa in San Francisco de Paula in Havana, Cuba, Gardner once swam alone without a swimsuit in his pool. After watching her, Hemingway ordered his staff: "The water is not to be emptied".[15] Her friendship with Hemingway led to her becoming a fan of bullfighting and bullfighters, such as Luis Miguel Dominguín, who became her lover. "It was a sort of madness, honey", she later said of the time.[13] Gardner was also involved in a relationship with her live-in boyfriend and companion, American actor Benjamin Tatar, who worked in Spain as a foreign-language dubbing director.[16] Tatar later wrote an autobiography in which he discussed his relationship with Gardner, though the book was never published


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