Bella Blaze Un Official Fan Site Tribute

Bella Blaze : This Is An Un Official Fan Site Tribute
Bella Blaze
Porn Queen Actress Superstar

Born December 13, 1985 in Bay City, Michigan, USA Died March 11, 2016 in Detroit, Michigan, USA (accidental overdose) Birth Name Brittany Marie Glysz Height 5' 8" (1,73 m) Mini Bio (1) Slim, tall (5'8"), and extremely buxom brunette knockout Bella Blaze was born Brittany Glysz on December 13, 1985 in Bay City, Michigan. She's of mixed French and Polish descent. Blaze was discovered by the adult website Big Naturals and began modeling for various porn websites in November, 2009. Bella did her first hardcore sex scene in December, 2010. She had several tattoos and piercings in her tongue, navel, and left nostril. Blaze divided her time between Florida, New York, and Los Angeles, California. Bella died at age thirty from an accidental drug overdose on May 10, 2016 in Bay City, Michigan.
Sexuality in music videos has been evident since the 1980s. The extent to which stereotypes align with gender portrayal varies with each decade. Music video content has remained culturally relevant and subliminally influential on adolescent character development. In addition, the overlap between race and gender is evident throughout music video history. By analyzing the correlation between music video material and gender representation, conclusions can be drawn pertaining to how music television impacts young adults' perceptions of appropriate societal behavior. Women and men are portrayed differently. From the 1980s, when music videos were first released, men appeared more often than women and were more likely to be the lead character. Over time, the perception of women has changed. In contemporary music videos the implication is female characters are valued for their physical appearance and their ability to entertain and pleasure men. In many music videos, cameras point towards a woman's chest and legs. Women are often dressed in more revealing clothes to attract—especially the male audience.

Human sexuality not only includes gender but also people's behavior. Within music videos, certain songs impact listeners differently. Scientists have proven female adolescents are more likely to use music to reflect their emotional state. Men are more likely to use music as a source of energy or create a more positive image of themselves. Many artists include references to sex, drugs, violence, etc. in their music and portray these in their music videos. As more adolescents watch these videos, there has been an increase in negative behaviors. The human sexuality in music videos, as well as the behaviors portrayed by the artists, can give both positive and negative impressions to the viewing audience. Contents 1 Effects of Sexualization 2 1980s 3 1990s 4 2000s 4.1 Role of social media platforms 5 2010s 5.1 Expansion of social media 6 Depictions of race 7 See also 8 References Effects of Sexualization There are four different types of sexualization: favoring sexual self-objectification, relating sexual desirability to self-esteem, equating physical attractiveness with being sexy, and lastly contextualizing sexual boundaries.[1] The first type of sexualization, favoring sexual subjectification, is when a women treats herself as an sexual object, but the treatment is chosen by the woman. The second type of sexualization, equating physical attractiveness with being sexy, is that being physically attractive is the equivalent to looking sexy but they are not physically attractive unless they look sexy. If they're not physically attractive, they need to look sexy to appear physically attractive. The third type of sexualization, relating sexual desirability to self-esteem, is being sexually desirable to be satisfied.[2] For example, “she may base her self-esteem on other contingencies besides beings sexually desirable, such as others’ approval, but her self-esteem is also dependent on sexual desirability” [3]1365. And lastly, the fourth type of sexualization, contextualizing sexual boundary, is considered because it violates sexuality social norms. Either one of these types of sexualization will have a positive or a negative effect on the viewer. [4] Younger adults who had a greater exposure to rap videos are two times more likely to have multiple sexual partners and over 1.5 times more likely to have contributed a disease. Watching violent and sexist music videos affects young people's sexual and violent behaviors and attitudes towards their own gender sex roles as well as in intimate relationships with their partners. The main thing that everyone can obviously see is that in any media where women are sexualized is saying that women are "sex objects"”.[5] 1980s On August 1, 1981, MTV, the first 24-hour music video channel, began broadcasting.[6] Directed towards adolescents, it promoted societal trends through video content and advertisements. The material displayed helped the audience identify appropriate male and female roles, behaviors, and careers.[6] In the 1980s, typical feminine stereotypes included: submissive, performed household duties and emotional.[7] In contrast common male clichés were: dominant, professional occupations and aggressive.[7] Young adults watched MTV mainly because it was different from other programs; they were intrigued by the combination of visuals with music and watched them as "leisure time entertainment".[8] The Rolling Stones, AC/DC, Michael Jackson, and Guns N' Roses were significant musicians featured on MTV. Music Television had a commanding influence on its audience and heavily affected the ways adolescents viewed their role in society.[8] Music videos released in the 1980s typically depicted women as alluring objects. Aligning with typical stereotypes, women were portrayed as attractive, yet submissive. Although women's talents may be acknowledged, their skill never surpassed the male's; this concept is evident in AC/DC's video for "Sink the Pink".[7] In the video one of the main characters is a self-assured woman who is a skilled pool player. She uses her talent and sexuality as an attention-getter but is not shown as more talented than the male characters. In a 1987 study, thirty hours of MTV content was analyzed. The results suggested: 57% of music videos displayed women being objectified, 17% showed women's talents being accounted for yet her sexual role was highlighted, 14% did not align with typical stereotypes and12% acknowledged women's independence.[7] In addition to these results, touching was displayed in over 50% of music videos and women were often seen in seductive clothing.[8] 1990s Music remained an essential part of the cultural evolution of the 1990s. The music scene transitioned into a darker and more provocative sound with the rise of the genres of alternative, hip-hop and R&B. Popular music videos of the time came from artists such as Nirvana, Notorious B.I.G., Aaliyah, Weezer, Michael Jackson, and Radiohead. While the acclaimed artists and genres of the time differed from the previous decade, the visual depictions of this music and how they were delivered to the public remained the same. MTV continued to be socially relevant. Airing music videos continued youth culture's exposure to varied visual experiences. As music videos grew in popularity and cultural prominence, researchers began to look at the link between gender identities and mass media platforms. Several studies have been conducted regarding gender portrayals in music videos of the 1990s. In early 1990, MTV created a program standards department which aimed to reject music videos featuring extremely graphic and explicit content. It sought to prohibit any signs of female nudity and violence directed toward female figures. For example, MTV rejected Madonna's "Justify my Love" video due to its explicit content. After this program was implemented, a study was conducted to analyze the centrality and depiction of women in the 100 most popular videos of the decade. This study first sorted men and women in the categories of either leading or supporting figures in the videos revealing men outnumbered women in lead roles by a five-to-one margin.[9] Secondly, the study categorized the lead roles into seven main portrayals: artist, poser, comic, actress, superhuman, dancer, or crowd-pleaser. The analysis found that a majority of women in leadership roles were portrayed as either posers (35%) or dancers (29%), while men in lead roles were more equally disbursed among the seven categories.[9] Portraying women predominately as dancers or posers implied that, in the 90s, women needed not display musical talent, but instead physical talent that emphasized a sexual attitude. Meanwhile, the equal disbursement of men among the categories suggested that men could better exhibit skills of musical and performing prowess

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