Caroll Ann Jackson Un Official Fan Site Tribute

Caroll Ann Jackson : This Is An Un Official Fan Site Tribute
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Caroll Ann Jackson

Movie Title Year Distributor Notes Rev Formats Any Time Any Place 1981 VCX Facial DRO Best of VCX Classics 2 2005 VCX 1 DO Blue Vanities 28 1990 Blue Vanities LezOnly Fast Cars Fast Women 1981 Essex Video / Electric Hollywood O Golden Girls 1 1982 Caballero Home Video Golden Girls 2 1981 Vidco Entertainment Facial DR Golden Girls Film 15 1981 Caballero Home Video Golden Girls Film 8 1981 Caballero Home Video O Kay Parker Collection 2 2005 Alpha Blue Archives LezOnly DRO Lovin' Spoonfuls 1 1987 4-Play Video Facial DO Lusty Ladies 1983 Film Collectors Facial Lusty Ladies 2 1983 Film Collectors LezOnly Sexboat 1980 VCX 5 DRO Swedish Erotica Hard 22 1993 Odyssey Facial D Very Best of Seka 2000 VCX Facial
Nora Ephron was known for her romantic comedy films and was nominated three times for the Academy Award for Best Writing: for Silkwood (1983), When Harry Met Sally... (1989), and Sleepless in Seattle (1993). Her last film was Julie & Julia (2009). More recently films Return to Me, (2000) What a Girl Wants, (2003) Bride and Prejudice, (2004) Bridget Jones: The Edge of Reason, (2004) 27 Dresses, (2008) I Hate Valentine's Day, (2009) The Proposal, (2009) Friends with Kids, (2011) Obvious Child, (2014) Sleeping with Other People, (2015) Everything, Everything (2017), Always Be My Maybe, (2019) A Simple Wedding, (2019) and Little Women (2019) have been made with a swathed unabashed feel-good tone. Girlfriend flicks While the plot of a chick flick is typically expected to be centered around a romantic conquest, Alison Winch ("We Can Have It All") writes about films she calls "girlfriend flicks."[34] These movies emphasize the relationships between friends instead of focusing on a love connection, and examples include Baby Mama, (2008) Bride Wars (2009), Laggies (2014) and I Am Mother (2019).

According to Winch, Girlfriend flicks often have savvy, “nervous,” female voice-overs mirroring typical romantic comedies, but addressing female spectators in their assumption of the mutual minefield of negotiating relationships, body, work, family, depression—issues prevalent in conduct, diet, and self-help books marketed specifically to women. [34] Winch also states that the girlfriend flicks are meant to criticize "second wave feminism’s superficial understanding of female solidarity" by showing "conflict, pain, and betrayal acted out between women."[34] By emphasizing the "complexities of women's relationships," the girlfriend flick breaks the mold for the usual chick flick and allows the genre to gain a bit of depth.[34] The Sisterhood of the Traveling Pants is an example of a girlfriend flick in which four friends (Blake Lively, America Ferrera, Alexis Bledel, Amber Tamblyan) discover a pair of pants that fits them all despite their different body types. The Pitch Perfect series is a girlfriend flick focusing on a group of girls in an a cappella group travelling together to compete in singing competitions. The film franchise stars Anna Kendrick and is directed by Elizabeth Banks. Female buddy film Main article: Female buddy film A female buddy film is a film where the main characters are female and the plot focuses on their situations. The cast is often mostly female, depending on the plot like the film A League of Their Own. Ghostbusters (2016) directed by Paul Fieg and starring Melissa McCarthy was a remake of the movie Ghostbusters (1984) where the main cast was changed from all male to all female. Ocean's 8 directed by Gary Ross and starring Sandra Bullock, Cate Blanchett, and Anne Hathaway was another film where the cast was changed from male to female. Films such as the Bachelorette, (2012) Bombshell, (2019) Like a Boss, (2020) and Birds of Prey (2020) lands squarely in the space between the familiar and the fresh, between “saw that coming” and “hmm, nice!” Writing partners Sam Pitman and Adam Cole-Kelly cadging more than a little from “Bridesmaids,” which has become the grail for a certain kind of female-friendship comedy. Notable individuals Film directors Main article: List of female film and television directors According to Dr. Martha Lauzen, the executive director of the Center for the Study of Women in Television and Film, "If men are directing the vast majority of our films, the majority of those films will be about males from a male point of view."[35] The female presence in filmmaking is more significant than just employment, it contributes to a greater cultural issue. Even though there is a huge gender disparity in filmmaking, there are notable exceptions, women who have figuratively broken through the celluloid ceiling and become pioneers in their field. Leni Riefenstahl, Kathryn Bigelow, Jane Campion, Gina Prince-Bythewood, Claire Denis, Sofia Coppola, Patty Jenkins, Ava DuVernay, Catherine Hardwick, Amy Heckerling, Julie Taymor, Nora Ephron, Greta Gerwig, and Lulu Wang are some significant female names in filmmaking today and in history.[36] Alice Guy-Blaché is considered to be the first ever female film director, as well as the first director of a fiction film. Blaché directed her first film in 1896, La Fée aux Choux and founded Solax Studios in 1910. Over her lifetime, "she directed between 40 to 50 films and supervised nearly 300 other productions".[37] Kathryn Bigelow is an American film director, producer, screenwriter, and television director. She became the first woman to win an Academy Award for Best Director for The Hurt Locker, the Directors Guild of America Award for Outstanding Directing, the BAFTA Award for Best Direction, and the Critics' Choice Award for Best Director as well as the Saturn Award for Best Director.[38] Jane Campion is a New Zealand film director, screenwriter, and producer. She is the second of five women directors to ever be nominated for an Academy Award for Best Director, and was the first female director to win the Palme d'Or, the most prestigious award at the Cannes Film Festival.[39] Catherine Hardwicke is best known as the director of the teen vampire romance film Twilight, with the highest grossing opening weekend of $69.6 million, the highest-ever opening for a female director.[36] Amy Heckerling is best known for the films Fast Times at Ridgemont High, European Vacation and Clueless. She has been awarded the Franklin J. Schaffner Medal from the American Film Institute as well as the Crystal Award from Women in Film (WIF).[36] Patty Jenkins is best known for the film Wonder Woman. The film grossed $821,847,012 worldwide making it the fifth highest grossing DC superhero film.[40] The Wachowski sisters, Lana Wachowski and Lilly Wachowski, are best known for The Matrix (1999) which was viewed as a game changer in the film industry. Their latest series was a television show called Sense8 on Netflix.[41] In 2019, the BBC polled 368 film experts from 84 countries to name the 100 best films by women directors. The top three named were (in ascending order) Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, directed by Chantal Akerman; Cléo from 5 to 7, directed by Agnès Varda; and The Piano, directed by Jane Campion. Varda was the most-named director, with six different films on the list.[42] Cinematographers About 2% of cinematographers are women. Notable cinematographers include: Sue Gibson (born 1952) is a British cinematographer and director of photography known for the film Mrs. Dalloway (1997). Gibson is also the first female member of the British Society of Cinematographers, and later became the first female president of the society in 2008.[43] Nancy Schreiber (born 1949)[44] is an American cinematographer known for her work on Chain of Desire, Dead Beat,[45] The Celluloid Closet, November, and The Nines. During the 1990s, Schreiber was an adjunct professor at the American Film Institute and taught advanced cinematography.[46] In 1995, she became an official member of the American Society of Cinematographers and was the fourth woman to join it.[46] Throughout her career, Schreiber has been on the board of governors of the American Society of Cinematographers, a board member of the Women in Film Foundation, and a member of the Academy of Motion Picture Arts and Sciences.[46] She won the Women in Film's Kodak Vision Award in 1997 and the Sundance Film Festival award for Excellence in Dramatic Cinematography in 2004 for her work on November. Rachel Morrison (born 1978) is the first woman to be nominated for an Academy Award for Best Cinematography for her work on the film Mudbound.[47] She has also worked on such commercially and critically successful films such as Fruitvale Station (2013) and Black Panther (2018). Studio executives Amy Pascal is the Sony studio chief and is the only female head of a major studio.[48] In 1988, Pascal joined Columbia Pictures; she left in 1994 and went to work for Turner Pictures as the president of the company. In her first years at Columbia she worked on films such as Groundhog Day, Little Women, and A League of Their Own. When Pascal first started her career she was the Vice President of production at 20th Century Fox in 1986–1987. Before Pascal joined Fox, she was a secretary for Tony Garnett who was an independent producer with Warner Bros.[49] Organizations and awards Alliance of Women Film Journalists The Alliance of Women Film Journalists (AWFJ) is a non-profit founded in 2006 and based out of New York City, United States, dedicated to supporting work by and about women in the film industry.[50] The AWFJ is composed of 76 professional female movie critics, journalist, and feature writers working in print, broadcast and online media. The British Film Institute describes the AWFJ as an organization that collects articles by its (mainly US-based) members, gives annual awards, and "supports films by and about women".[51] Beginning in 2007, the group began giving annual awards to the best (and worst) in film, as voted on by its members. These awards have been reported on in recent years by number of mainstream media sources including TIME, USA Today, and Variety, and are also included in The New York Times' movie reviews awards lists.[52][53][54][55] In 2007, AWFJ released a Top 100 Films List in response to the American Film Institute revision of their 100 Years, 100 Films list.[56] The AWFJ created their list to see if their members would come up with a substantially different list from AFI. In addition to awards for achievement granted regardless of gender, the AWFJ has "Female Focus Awards" (Best Woman Director, Best Woman Screenwriter, Kick Ass Award For Best Female Action Star, Best Animated Female, Best Breakthrough Performance, Best Newcomer, Women's Image Award, Hanging in There Award for Persistence, Actress Defying Age and Agism, Lifetime Achievement Award, Award for Humanitarian Activism, Female Icon Award, and This Year's Outstanding Achievement by a Woman in the Film Industry) and "EDA Special Mention Awards" (e.g., Most Egregious Age Difference Between Leading Man and Love Interest).[57] Geena Davis Institute on Gender in Media The Hollywood actress Geena Davis in a speech at the Millennium Development Goals Countdown event in the Ford Foundation Building in New York, addressing gender roles and issues in film (24 September 2013) The Geena Davis Institute on Gender in Media is an organisation that has been lobbying the industry for years to expand the roles of women in film.[58] The organization itself says they have the research spanning over 28+ years, on “gender prevalence in family entertainment.” Some of their “key findings,” from over the years include; “Gender Bias in Advertising,” “Female Characters in Film and TV Motivate Women to Be More Ambitious, More Successful, and Courageous,” “Representations of Women in STEM Characters in Med

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