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Movie Title Year Distributor Notes Rev Formats Best of Perfect Pink 1 2000 Jill Kelly Productions LezOnly 1 D Best of Perfect Pink 3 2003 Jill Kelly Productions LezOnly D Body Language 1999 Sin City NonSex 2 DO Perfect Pink 1: Soaking Wet 1999 Eurotique Entertainment LezOnly 1 O Perfect Pink 2: Purrfection 1999 Eurotique Entertainment LezOnly 2 O Perfect Pink 3: Perfect Pink in Paris 1999 Eurotique Entertainment LezOnly 1 O Perfect Pink 4: Wired Pink Gang Bang 1999 Eurotique Entertainment LezOnly 1 O Perfect Smiles 1999 VCA LezOnly 3 DRO Pretty Girls 1999 Sin City MastOnly 4 DRO 2D Plus Delta (also 2D+Delta) is a method of encoding 3D image listed as a part of MPEG2 and MPEG4 standards, specifically on the H.264 implementation of Multiview Video Coding extension. This technology originally started as a proprietary method for Stereoscopic Video Coding and content deployment that utilizes the Left or Right channel as the 2D version and the optimized difference or disparity (Delta) between that image channel view and a second eye image view is injected into the videostream as user_data, secondary stream, independent stream, enhancement layer or NALu for deployment. The Delta data can be either a spatial stereo disparity, temporal predictive, bidirectional or optimized motion compensation.[1]
Overview The technology was originally filed for protection World Wide via WIPO in 2003, submitted the patent statements to ISO in 2007 and listed as part of the MVC standard in 2008 and is now considered an Open Standard available for licensing and usage under a worldwide, non-discriminatory basis and on reasonable terms and conditions. The MVC initiative was started in June 2006. The resulting videostream has the following characteristics:[citation needed] Contains the full information to reconstruct the Left and Right stereoscopic views in full resolution per eye Requires an additional average bandwidth ranging from 30% to 60% regarding a 2D only stream depending on the encoding implementation Can be deployed over existing pipelines, starting from 16Mbit/s for 1080p@60fps per eye One single videostream services both: 3D viewers and 2D Legacy users Can be seamlessly decoded by 2D legacy decoders in full 2D HD without the need of any change or additional hardware 2D Plus Delta has been listed at ISO/ITU/IEC/MPEG2/MPEG4/MVC initiatives.



MPEG4 ISO/IEC 14496-10:2009 MPEG4 ISO/IEC 14496-10:2008 - 07 MPEG4 ISO/IEC 14496-10:2008/FDAmd 1 - 01 MPEG4 ISO/IEC 14496-10:2008/FDAmd 1 - 02 MPEG4 ISO/IEC 14496-15:2004/CD Amd 3 - 01 MPEG4 ISO/IEC 14496-15:2004/CD Amd 3 - 02 MPEG4 ISO/IEC 14496-4:2004/CD Amd 38 - 01 MPEG4 ISO/IEC 14496-4:2004/CD Amd 38 - 02 MPEG4 ISO/IEC 14496-5:2001/CD Amd 15 - 01 MPEG4 ISO/IEC 14496-5:2001/CD Amd 15 - 02 MPEG2 ISO/IEC 13818-1:2007/CD Amd 4 - 01 MPEG2 ISO/IEC 13818-1:2007/CD Amd 4 - 02 MPEG4 ISO/IEC 14496-10:2008 - 06 MPEG4 ISO/IEC 14496-10:2008 - 07 There are two ways for stereoscopic 3D deployment of content to the home (3D television): Frame compatible: Pixel subsampling like Side by Side, Checkerboard, Quincunx and Color shifting like Anaglyph Enhanced Videostream Coding: 2D+Delta/MVC and 2D plus depth Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision.[2] The word stereoscopy derives from Greek ste?e?? (stereos), meaning 'firm, solid', and s??p?? (skopeo), meaning 'to look, to see'.[3][4] Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. These two-dimensional images are then combined in the brain to give the perception of 3D depth. This technique is distinguished from 3D displays that display an image in three full dimensions, allowing the observer to increase information about the 3-dimensional objects being displayed by head and eye movements. Contents 1 Background 1.1 Visual requirements 2 Side-by-side 2.1 Freeviewing 2.2 Autostereogram 2.3 Stereoscope and stereographic cards 2.4 Transparency viewers 2.5 Head-mounted displays 2.6 Virtual retinal displays 3 3D viewers 3.1 Active 3.1.1 Shutter systems 3.2 Passive 3.2.1 Polarization systems 3.2.2 Interference filter systems 3.2.3 Color anaglyph systems 3.2.4 Chromadepth system 3.2.5 Pulfrich method 3.2.6 Over/under format 4 Other display methods without viewers 4.1 Autostereoscopy 4.1.1 Holography 4.1.2 Volumetric displays 4.1.3 Integral imaging 4.2 Wiggle stereoscopy 5 Stereo photography techniques 6 Stereo window 7 Uses 7.1 Art 7.2 Education 7.3 Space exploration 7.4 Clinical uses 7.5 Mathematical, scientific and engineering uses 8 See also 9 Bibliography 9.1 Footnotes 9.2 References 9.3 Sources 9.4 Further reading 10 External links 10.1 Archival collections 10.2 Other Background Stereoscopy creates the illusion of three-dimensional depth from given two-dimensional images.[5] Human vision, including the perception of depth, is a complex process, which only begins with the acquisition of visual information taken in through the eyes; much processing ensues within the brain, as it strives to make sense of the raw information. One of the functions that occur within the brain as it interprets what the eyes see is assessing the relative distances of objects from the viewer, and the depth dimension of those objects. The cues that the brain uses to gauge relative distances and depth in a perceived scene include[6] Stereopsis Accommodation of the eye Overlapping of one object by another Subtended visual angle of an object of known size Linear perspective (convergence of parallel edges) Vertical position (objects closer to the horizon in the scene tend to be perceived as farther away) Haze or contrast, saturation, and color, greater distance generally being associated with greater haze, desaturation, and a shift toward blue Change in size of textured pattern detail (All but the first two of the above cues exist in traditional two-dimensional images, such as paintings, photographs, and television.)[7] Stereoscopy is the production of the illusion of depth in a photograph, movie, or other two-dimensional image by the presentation of a slightly different image to each eye, which adds the first of these cues (stereopsis). The two images are then combined in the brain to give the perception of depth. Because all points in the image produced by stereoscopy focus at the same plane regardless of their depth in the original scene, the second cue, focus, is not duplicated and therefore the illusion of depth is incomplete. There are also mainly two effects of stereoscopy that are unnatural for human vision: (1) the mismatch between convergence and accommodation, caused by the difference between an object's perceived position in front of or behind the display or screen and the real origin of that light; and (2) possible crosstalk between the eyes, caused by imperfect image separation in some methods of stereoscopy. Although the term "3D" is ubiquitously used, the presentation of dual 2D images is distinctly different from displaying an image in three full dimensions. The most notable difference is that, in the case of "3D" displays, the observer's head and eye movement do not change the information received about the 3-dimensional objects being viewed. Holographic displays and volumetric display do not have this limitation. Just as it is not possible to recreate a full 3-dimensional sound field with just two stereophonic speakers, it is an overstatement to call dual 2D images "3D". The accurate term "stereoscopic" is more cumbersome than the common misnomer "3D", which has been entrenched by many decades of unquestioned misuse. Although most stereoscopic displays do not qualify as real 3D display, all real 3D displays are also stereoscopic displays because they meet the lower criteria also. Most 3D displays use this stereoscopic method to convey images. It was first invented by Sir Charles Wheatstone in 1838,[8][9] and improved by Sir David Brewster who made the first portable 3D viewing device.[10] Wheatstone mirror stereoscope Brewster-type stereoscope, 1870 Wheatstone originally used his stereoscope (a rather bulky device)[11] with drawings because photography was not yet available, yet his original paper seems to foresee the development of a realistic imaging method:[12] For the purposes of illustration I have employed only outline figures, for had either shading or colouring been introduced it might be supposed that the effect was wholly or in part due to these circumstances, whereas by leaving them out of consideration no room is left to doubt that the entire effect of relief is owing to the simultaneous perception of the two monocular projections, one on each retina. But if it be required to obtain the most faithful resemblances of real objects, shadowing and colouring may properly be employed to heighten the effects. Careful attention would enable an artist to draw and paint the two component pictures, so as to present to the mind of the observer, in the resultant perception, perfect identity with the object represented. Flowers, crystals, busts, vases, instruments of various kinds, &c., might thus be represented so as not to be distinguished by sight from the real objects themselves.[8] Stereoscopy is used in photogrammetry and also for entertainment through the production of stereograms. Stereoscopy is useful in viewing images rendered from large multi-dimensional data sets such as are produced by experimental data. Modern industrial three-dimensional photography may use 3D scanners to detect and record three-dimensional information.[13] The three-dimensional depth information can be reconstructed from two images using a computer by correlating the pixels in the left and right images.[14] Solving the Correspondence problem in the field of Computer Vision aims to create meaningful depth information from two images. Visual requirements Anatomically, there are 3 levels of binocular vision required to view stereo images: Simultaneous perception Fusion (binocular 'single' vision) Stereopsis These functions develop in early childhood. Some people who have strabismus disrupt the development of stereopsis, however orthoptics treatment can be used to improve binocular vision. A person's stereoacuity[15] determines


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