Diana Auvers : This Is An Un Official Fan Site Tribute
Donna X Tanja Ratler Verena Marius
Porn Queen Actress Superstar


Diana Auvers

A.A.A. ... Cercasi ragazza tutto fare 1986, Dir. Mara Bronzoni as Lucia Lucas Mofarej (possibly as Donna X) Alpine Sex alternative title for Sex Alpin - Skihaserl-bums Notes available Suppliers listed (as Verena Marius) Belle d'Amour 1987, Dir. Michel Ricaud DVD available Notes available Suppliers listed (credited under another name, plays one of the prostitutes) Josefine's Sexskole alternative title for Das Lustschloss der Josefine Mutzenbacher Notes available (uncredited, plays Susi, a female pupil, simulated sex) Die Liebesschule der Josefine Mutzenbacher alternative title for Das Lustschloss der Josefine Mutzenbacher Notes available (uncredited, plays Susi, a female pupil, simulated sex) Das Lustschloss der Josefine Mutzenbacher 1986, Dir. Hans Billian DVD available Notes available (uncredited, plays Susi, a female pupil, simulated sex) Mimi 1987, Dir. Patti Rhodes-Lincoln as Patti Rhodes Notes available Suppliers listed (as Tanja Ratler) Die Porno Druckerei c. 1986, Dir. Jürgen Enz (as?)
Residence 1986, Dir. Arduino Sacco as Dudy Steel Notes available (possibly as Donna X) Das Schloss der Josefine Mutzenbacher alternative title for Das Lustschloss der Josefine Mutzenbacher Notes available (uncredited, plays Susi, a female pupil, simulated sex) Secrets de femmes 1986, Dir. Michel Berny as Michel Barny DVD available Notes available Suppliers listed Sex Alpin - Skihaserl-bums 1986, Dir. Simon B. Jones DVD available Notes available Suppliers listed (as Verena Marius) Sex Mountain alternative title for Sex Alpin - Skihaserl-bums DVD available Notes available Suppliers listed (as Verena Marius) Ski, Sex, Mountain. alternative title for Sex Alpin - Skihaserl-bums Notes available Suppliers listed (as Verena Marius) Skihaserl-bums alternative title for Sex Alpin - Skihaserl-bums DVD available Notes available Suppliers listed (as Verena Marius) Teenies von A-Z 1980s



Due to tense relations between Japan and South Korea following the end of Japanese rule, the Korean government imposed various restrictions on the importation of cultural works from other countries—laws ostensibly meant to target Japan.[107] In September 1999, South Korea lifted its ban on live performances of Japanese music, but only in venues with a capacity smaller than 2000. In June 2000, it became legal to perform Japanese music in larger venues, and to sell music recordings originating from Japan. However, until January 2004, it remained illegal to sell recordings containing Japanese-language lyrics.[108][109][110] It remains illegal to broadcast Japanese music over terrestrial radio and television in South Korea.[111] To appeal to the country's conservatism, television broadcasters have sometimes pulled music videos from airplay for containing content they deem to be inappropriate, such as violent or sexually suggestive content. While Korea's three largest television networks—KBS, MBC, and SBS—have all banned videos at some point, the public broadcaster KBS is known for doing so more often due to its stricter content rules, which additionally ban songs that encourage inappropriate behaviour (especially among youth), or contain references to brand names or Japanese words. This results in some songs, such as Psy's "Gentleman" (which was banned by KBS for a scene in which the singer kicks over a traffic cone) being banned only by KBS, but still receiving airplay by other networks.[112][113][114][115][116][117] In 2010, the Supreme Court of South Korea ruled that it was illegal under the National Security Act to possess music that praises North Korea, even if instrumental, as it constitutes an "enemy-benefiting expression".[118] United Kingdom The Sex Pistols' "God Save the Queen" was banned by radio stations, and allegedly suppressed from being the number-one song in the UK, due to its criticism of the British government and monarchy.[119][120][121] See also: Censorship in the United Kingdom The telecommunications regulator Ofcom has the power to reprimand broadcasters for playing songs and music videos that breach its guidelines on harmful or offensive content pre-watershed.[122][123] The British Phonographic Industry (BPI) adopted the Recording Industry Association of America (RIAA) Parental Advisory label program; in July 2011, the BPI published guidance for use of the logo on digital streaming platforms.[124] The BBC was historically known for censoring various songs from being played on its radio and television stations; from the 1930s through 1960s, the BBC had banned songs such as "Hold My Hand" for its religious references, pop arrangements of classical tunes (though barring "Sabre Dance" because it was "not a well-loved classic whose perversion we would be encouraging"), and during World War II, songs that were "slushy in sentiment", such as "I'll Be Home for Christmas", due to concerns that it would affect the morale of soldiers. "Mack the Knife" was also banned from airplay outside of The Threepenny Opera, as the BBC felt it would be offensive outside of the context of the play.[125] The Kinks' "Lola" was briefly banned under the BBC's anti-product placement rules, as its lyrics contain references to the brand name Coca-Cola. In the midst of an American tour, lead singer Ray Davies flew back to London to re-record the offending lyric as "cherry cola".[126][127] The Sex Pistols' 1977 single "God Save the Queen" was controversial upon its release, as it was critical of the British government and monarchy (among other things, referring to the United Kingdom as a "fascist regime"), and was released during the year of Queen Elizabeth II's silver jubilee.[128] "God Save the Queen" was banned by the BBC and all independent local radio stations, but still peaked at #2 on the UK Singles Chart during the week of the official Jubilee celebration. It was alleged that the chart's rules were changed for that week only to exclude sales from record shops that sold their own records (in this case, Virgin), in a deliberate effort to prevent the controversial song from reaching the number-one spot and causing wider offence.[121][120][119] The Frankie Goes to Hollywood song "Relax" generated controversy due to its suggestive lyrics; the chorus contained double entendres such as "when you want to suck to it" and "when you want to come", which were interpreted as being oblique references to oral sex and ejaculation respectively.[129] On 11 January 1984, Radio 1 morning DJ Mike Read stopped the song on-air during a chart rundown to point out its "obscene" lyrics, and announced that he would no longer play the song during his show. The BBC subsequently restricted the song to evening airplay. When the band made statements in a Daily Express interview confirming the possibility of sexual connotations in the lyrics, the BBC banned "Relax" entirely. The ban only increased interest in the single, causing it to become the number-one song in Britain only two weeks later.[130][4][129] In December 2007, BBC Radio 1 began to play a version of The Pogues' popular Christmas song "Fairytale of New York" that censored the words "faggot" and "slut" from one of its verses. The BBC cited concerns over the homophobic slurs as reasoning, despite the song having historically been played without censorship. The BBC reversed the decision after it was criticized by listeners, the band itself, and the mother of the song's featured vocalist Kirsty MacColl. Radio 1 controller Andy Parfitt argued that "While we would never condone prejudice of any kind, we know our audiences are smart enough to distinguish between maliciousness and creative freedom. In the context of this song, I do not feel that there is any negative intent behind the use of the words, hence the reversal of the decision."[131][132] As the song's subject matter was deemed too inappropriate for airplay pre-watershed, BBC Radio 1 played an edited version of Rihanna's song "S&M" during the daytime hours, and referred to the song using the alternate title "Come On". As Rihanna objected to the censorship of the song's title, the BBC later compromised by referring to the song as "S&M (Come On)".[133][134] For the same reasons, Ofcom deemed the song's music video to be unfit for broadcast pre-watershed.[123] After the 2013 death of former Prime Minister Margaret Thatcher, "Ding-Dong! The Witch Is Dead" from the film The Wizard of Oz reached No. 2 on the UK Singles Chart, as the result of a social media campaign celebrating the death of the controversial PM. BBC Radio 1 did not play the full song during The Official Chart programme, and instead played a short snippet accompanied by a Newsbeat report about the campaign. The action led to complaints that the BBC were deliberately censoring the song due to its negativity in this context, noting that Notsensibles' "I'm in Love with Margaret Thatcher" (which also charted, as part of an effort to counter the "Witch" campaign)[135] was played in full earlier in the show. The BBC Trust's Editorial Standards Committee upheld its decision not to play the song, due to its context as a celebration of Thatcher's death.[136][137] "Liar Liar GE2017", a song released during the run-up to the 2017 general election that is critical of prime minister Theresa May, was not played by British radio stations due to broadcasting regulations in force during electoral campaigns, which forbid political advertising and require impartial coverage.[138] Despite the suppression, the song still managed to reach #4 on the UK Singles Chart.[139] United States The Parental Advisory label was voluntarily adopted by the U.S. music industry to designate recordings that may contain objectionable content. See also: Censorship in the United States While music can be classified as a protected form of expression under the First Amendment,[140] there have still been instances of voluntary censorship within the music industry, particularly in regards to protecting children from being exposed to age-inappropriate subject matter, corporate objections to an artist's work, and by radio and television stations to remain in compliance with the regulations of the Federal Communications Commission (FCC). The 1978 Supreme Court case FCC v. Pacifica Foundation established that the FCC had the power to regulate the broadcast of content considered "indecent" on terrestrial radio and television.[141][142][143] In 1985, the Parents Music Resource Center (PMRC), founded by Tipper Gore, published the "Filthy Fifteen"—a list of fifteen songs it deemed to be the most objectionable due to their references to drugs and alcohol, sexual acts, violence, or "occult" activities.[144][145] The group pushed for the adoption of a ratings system, and for lyrics to be printed on the back covers of albums so they could be previewed by parents.[144][145] The Recording Industry Association of America (RIAA) opposed these proposals; during a Senate hearing on the matter in September, musicians such as John Denver and Frank Zappa argued that such guidelines would inhibit free expression. Zappa, in particular, argued that the PMRC's proposal for a method to "assist baffled parents in the determination of the 'suitability' of records listened to by 'very young children'" would reduce American music to "the intellectual level of a Saturday morning cartoon".[144] Following the hearings, the RIAA introduced a standard Parental Advisory label (which took its current form, reading "Parental Advisory — Explicit Content", in 1994 following subsequent hearings), which is designed to be applied to the cover art of songs and albums which contain "strong language or depictions of violence, sex, or substance abuse to such an extent as to merit parental notification." The Parental Advisory label is a voluntary scheme; some retailers—particularly Walmart—adopted policies to enforce the label program by not stocking music releases which carried it.[146][144] Gangsta rap generated controversies due to its often-provocative subject matter. "Fuck tha Police", a song from N.W.A.'s debut album Straight Outta Compton, proved to be especially controversial; the song criticized police brutality and racial profiling, and contained lyrics condoning violence against police officers.[6][147] Civil rights activist C. Delores Tucker was also notable for her opposition to gangsta rap. She was known for distributing flyers outside record stores, as well as buying stock in media companies so she could protest the songs at shareholders' meetings. Tucker was notably dissed in other songs over her criticism of the genre, including Tupac's "How Do U Want It". Tucker sued Tupac's estate for emotional distress and slander over the song; the suit was later dismissed.[148][149][6][150] In 1990, Floridan political activist Jack Thompson targeted the Miami-based 2 Live Crew and their album As Nasty As They Wanna Be (which featured songs such as "Me So Horny"), claiming that it was obscene.[151] In March 1990, the group filed a lawsuit in a U.S. district court to overturn a Broward County ruling that declared the album obscene, but it was upheld by Judge Jose Alejandro Gonzalez Jr.[151][152][153][154] In 1992, the Eleventh Circuit Court of Appeals overturned the Gonzalez ruling, as the case presented insufficient evidence that the album met the definition of obscenity set by the Supreme Court (which includes a lack of artistic merit).[155] The television channel MTV was also known for censoring objectionable content from music videos, and restricting some particularly-controversial videos to late-night airplay—such as The Prodigy's "Smack My Bitch Up" due to its violent imagery and misogynistic lyrics, and Sir Mix-a-Lot's "Baby Got Back" for its suggestive subject matter.[156][157][158][159] Several Madonna videos have also been banned by the channel, including the sexually-explicit "Justify My Love" and "Erotica". Due to its violent content, MTV and sister channel VH1 only played "What It Feels Like for a Girl" once in late-night hours for its world premiere, and refused to add it to their regular rotation. Madonna's label subsequently sought other outlets for the video: the women's cable network Oxygen aired it during its music program Daily Remix, AOL streamed it online, and it was released on DVD.[160][161][162][163] On February 1, 2004 during the MTV-produced Super Bowl XXXVIII halftime show (which was televised by its corporate sister CBS), Janet Jackson's breast was exposed by Justin Timberlake at the conclusion of the show, in an apparent "wardrobe malfunction".[164] In response to the show, as well as other recent incidents surrounding unexpected uses of profanities during live television programs (fleeting expletives), the FCC launched a major crackdown against indecent material broadcast on terrestrial radio and television stations. Some rock radio stations removed or censored certain songs so they would not run afoul of the stricter enforcement


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