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Background edit Premise edit Tiny Toon Adventures is a cartoon set in the fictional town of Acme Acres where most of the Tiny Toons and Looney Tunes characters live The characters attend Acme Looniversity a school whose faculty primarily consists of the mainstays of the classic Warner Bros cartoons such as Bugs Bunny Daffy Duck Porky Pig Sylvester the Cat Wile E Coyote and Elmer Fudd In the series the university is founded to teach cartoon characters how to become funny The school is not featured in every episode as not all of its storylines revolve around the school
Like the Looney Tunes the series makes use of cartoon violence e g anvils falling on someone liberal use of explosives and slapstick The series parodies and references the current events of the early s and Hollywood culture Occasionally episodes delve into veiled ethical and morality stories of ecology self esteem and crime
Characters edit
Artwork displaying a majority of the Tiny Toon cast Main article List of Tiny Toon Adventures characters
The series centers on a group of young cartoon characters who attend a school called Acme Looniversity to be the next generation of Looney Tunes characters Most of the Tiny Toons characters were designed to resemble younger versions of Warner Bros most popular Looney Tunes animal characters by exhibiting similar traits and looks
The two main characters are both rabbits Buster Bunny a blue male rabbit and Babs Bunny a pink female rabbit Other major characters in the cast are generally nonhuman as well These include Plucky Duck a green male duck Hamton J Pig a pink male pig Fifi La Fume a purple and white female skunk Shirley the Loon a white female loon Dizzy Devil a purple tasmanian devil Furrball a blue cat Sweetie Pie a pink canary Calamity Coyote a bluish gray coyote Little Beeper a red orange roadrunner and Gogo Dodo a zany green dodo Two human characters Montana Max and Elmyra Duff are regarded as
the main villains of the series and also are students of Acme Looniversity As villains Elmyra is seen as an extreme pet lover while Montana Max is a spoiled rich brat who either owns lots of toys or polluting factories Supporting characters included Li l Sneezer a gray mouse with powerful sneezes Concord Condor a purple condor Byron Basset a usually sleeping basset hound Bookworm a green worm with glasses Arnold the Pit Bull a muscular white pit bull Fowlmouth a white rooster with horrid language Barky Marky a brown dog and Mary Melody a young African American human girl
Feeding off the characters are the more traditional Looney Tunes such as Bugs Bunny Daffy Duck and Porky Pig among others Most of the adults teach classes at Acme Looniversity and serve as mentors to the Tiny Toons while others fill secondary positions as needed
Production edit Writers edit The series and the show s characters were developed by series producer head writer and cartoonist Tom Ruegger division leader Jean MacCurdy associate producer and artist Alfred Gimeno and story editor writer Wayne Kaatz Among the first writers on the series were Jim Reardon Tom Minton and Eddie Fitzgerald The character and scenery designers included Alfred Gimeno Ken Boyer Dan Haskett Karen Haskett and many other artists and directors
"Buster and Babs Go To Hawaii" was co written by three then teenage girls who were fans of the show
Casting info edit Voice director Andrea Romano auditioned over voices for the series and chose more than a dozen main voice actors The role of Buster Bunny was given to Charlie Adler who gave the role as producer Tom Ruegger said "a great deal of energy" The role of Babs Bunny was given to Tress MacNeille Writer Paul Dini said that MacNeille was good for the role because she could do both Babs voice and the voices of her impressions Voice actors Joe Alaskey and Don Messick were given the roles of Plucky Duck and Hamton J Pig respectively Danny Cooksey played Montana Max and according to Paul Dini was good for the role because he could do a "tremendous mean voice " Cooksey was also the only voice actor in the cast who was not an adult Cree Summer played the roles of Elmyra Duff and Mary Melody former Saturday Night Live cast member Gail Matthius played Shirley the Loon and Kath Soucie had the roles of Fifi La Fume and Li l Sneezer Other actors for the series included Maurice LaMarche as the voice of Dizzy Devil Candi Milo as the voice of Sweetie Frank Welker as the voice of Gogo Dodo Furrball Byron Basset Calamity Coyote Little Beeper Barky Marky and other voices and Rob Paulsen as the voice of Fowlmouth Arnold the Pit Bull Concord Condor and other characters
During production of the series third season Adler left the show due to a conflict with the producers Adler was upset that he had not landed a role in Animaniacs while voice actors with smaller roles in Tiny Toon Adventures like Rob Paulsen Maurice LaMarche and Frank Welker were given starring roles in the new series John Kassir replaced Adler for the remainder of the show s run Joe Alaskey the voice of Plucky Duck also left Tiny Toons for financial reasons but returned when an agreement was reached with the studio
Animation edit In order to complete episodes for the first season Warner Bros and Amblin Entertainment contracted several different animation houses These animation studios included Tokyo Movie Shinsha now known as TMS Entertainment Wang Film Productions AKOM Freelance Animators New Zealand Encore Cartoons StarToons and Kennedy Cartoons Tokyo Movie Shinsha also animated the series opening sequence Warner Bros staff disliked working with Kennedy Cartoons due to the studio s inconsistent quality and episodes that they animated were often subject to multiple re takes In other cases such as the debut episode "The Looney Beginning" portions of Kennedy animated episodes were re animated by another studio Kennedy Cartoons was dropped after the end of the first season
Tiny Toon Adventures was made with a higher production value than standard television animation It had a cel count that was more than double that of most television animation The series had about cels per episode instead of the standard making it unique in that characters moved more fluidly Pierre DeCelles an animation producer described storyboarding for the series as "fun but a big challenge because I always had a short schedule and it s not always easy to work full blast nonstop"
Music edit During the development of the show Steven Spielberg said that Warner Bros would use a full orchestra which some thought too expensive and impossible but they ended up agreeing Warner Bros selected Bruce Broughton to write the theme for which he would win a Daytime Emmy along with Tom Ruegger and Wayne Kaatz who both worked with Broughton on the lyrics and serve as music supervisor In addition to scoring episodes Broughton chose other composers to score each different episode
Julie Bernstein episode
Steve Bernstein episodes
Steven Bramson episodes
Don Davis episodes
John Debney episodes
Ron Grant episodes
Les Hooper episode
Carl Johnson episode
Elliot Kaplan episode
Arthur Kempel episodes
Ralph Kessler episode
Albert Lloyd Olson episodes
Hummie Mann episodes
Dennis McCarthy episodes
Joel McNeely episodes
Peter Myers episode
Laurence Rosenthal episode
William Ross episodes
Arthur B Rubinstein episodes
J Eric Schmidt episode
David Slonaker episode
Fred Steiner episodes
Morton Stevens episodes
Richard Stone episodes
Stephen James Taylor episode
Mark Watters episodes
The composers conducted their own music Of these composers Broughton Bramson Davis Olson Stone Taylor and Watters wrote the score to Tiny Toon Adventures How I Spent My Vacation
Episodes edit Main article List of Tiny Toon Adventures episodes
Principal cast edit Charlie Adler – Buster Bunny episodes big part from episode film Tiny Toon Adventures How I Spend My Vacation march video game Tiny Toon Adventure Defenders of the Universe Yosemite Sam in "The Wide World of Elmyra"
Joe Alaskey – Plucky Duck Batman in "Gang Busters" George Washington s Ghost Hugo in "What Makes Toons Tick" Marvin the Martian Pete Puma in "Going Places" Porky Pig in "Music Day" Speedy Gonzales Steven Spielberg in "K ACME TV" Sylvester Wile E Coyote Yosemite Sam in "Gang Busters"
Danny Cooksey – Montana Max
John Kassir – Buster Bunny episodes end from episode video games Tiny Toon Adventures The Great Beanstalk Tiny Toon Adventures Buster and the Beanstalk
Maurice LaMarche – Dizzy Devil Abraham Lincoln s Ghost Dick Clark Jackster Orson Whales Robin Killems Tim Burton Tom Ruegger Yosemite Sam
Tress MacNeille – Babs Bunny Babs Mom Baby Duff Barbara Bush Julia Roberts Madonna Mama Bear Monty s Mother Plucky s Mother Roseanne Barr Whoopi Goldberg Witch Hazel in "What Makes Toons Tick"
Gail Matthius – Shirley the Loon Monty s Mother in "Love Disconnection" Sherri Stoner Shirley McVain
Don Messick – Hamton J Pig Bosko
Candi Milo – Sweetie
Rob Paulsen – Arnold the Pitbull Banjo the Woodpile Possum Blink Winkleman Concord Condor Cooper DeVille Fowlmouth Foxy Sneezer s Dad Peter Hastings Porky Pig in "The Wacko World of Sports" Vanilla Lice
Kath Soucie – Fifi La Fume Sneezer Gazootite Macaulay Culkin Gnome Margot Mallard
Cree Summer – Elmyra Duff Mary Melody Michelle Pfeiffer Oprah Winfrey
Frank Welker – Gogo Dodo Animator in "The Looney Beginning" Barky Marky Big Bee Bookworm Byron Basset Calamity Coyote Little Beeper Dustin Hoffman George Bush Gossamer Gremlin Hugo in "Cinemaniacs" MC Hammerhead Shark Mac Duff in "You Asked For It Again" Monty s Father One Eyed Jack Papa Bear Ralph the Guard Road Runner Roger Rabbit Ronald Reagan Steven Spielberg in "Thirteensomething" and "Foxtrot" Ticklepuss Wolverine X Bird Coyote Kid
Additional voices edit Jeff Altman – Dr Gene Splicer
Orson Bean – Geppetto
Michael Bell – Batman in "Hollywood Plucky"
Jeff Bennett – Batman in "The Return of Batduck" Kevin Costner
Bob Bergen – Porky Pig in "Animaniacs" and "Hero Hamton"
Jeff Bergman – Bugs Bunny Daffy Duck Foghorn Leghorn Dr I Q Hi Duck Vader Elmer Fudd in "Her Wacky Highness " "Psychic Fun omenon Day " "Tiny Toon Music Television " and "Viewer Mail Day" Sylvester in "Viewer Mail Day" Tweety in "Animaniacs" and "Let s Do Lunch" Yosemite Sam in "Son of Looniversity Daze"
Stephen Bishop – Mailman
Noel Blanc – Bugs Bunny Porky Pig in "Fields of Honey" and "The Acme Bowl" Tasmanian Devil in "You Asked For It" Pt
Susan Blu – Sphinxy
Valri Bromfield – Fran Mary Hartless
Julie Brown – Julie Bruin
Rodger Bumpass – Ronald Grump
Greg Burson – Bugs Bunny in "Buster and Babs Go Hawaiian" and "Best of Buster Day" Daffy Duck in "Two Tone Town" Elmer Fudd Foghorn Leghorn in "Buster and Babs Go Hawaiian" Pepé Le Pew Tasmanian Devil in "Best of Buster Day"
Pat Buttram – Bicycle Bob
Hamilton Camp – Scottish Flea
Dan Castellaneta – Jeffries Lars Thorwald
Jim Cummings – Iodizer Jack Nicholson Melvin the Monster Mike Tyson Papa Flea
Tim Curry – Prince Charles Reginald
Louise DuArt – Barbara Walters
Pat Fraley – Chef Travel Agent
Stan Freberg – Junior Bear Pete Puma
Matt Frewer – Mac Duff in "Take Elmyra Please" and "Grandma s Dead"
Soleil Moon Frye – Amanda Duff
June Foray – Granny Witch Hazel In "Night Ghoulery"
Ben Ryan Ganger – Duncan
Danny Gans – Donald Trump Johnny Carson
Joan Gerber – Gotcha Grabmore
Phillip Glasser – Pedro
Desirée Goyette – Roxy
Edan Gross – Tyrone the Turtle
Phil Hartman – Octavius
Whitby Hertford – Duncan Duff Fleo
John Hillner – Michigan J Frog
Carol Kane – Ollie
Jim MacGeorge Announcer
James Mates Narrator
Edie McClurg – Winnie Pig
Cindy McGee – Mary Melody in "Furrball Follies"
Brian Stokes Mitchell – Vinnie
Robert Morse – Goopy Geer
Vincent Price – Edgar Allan Poe
Clive Revill – William Shakespeare
Andrea Romano – Andrea Romano the Magnificent
Roger Rose – David Letterman Ninja Turtle
Maggie Roswell – Mary Vain
Nathan Ruegger – Baby Plucky Duck
Fran Ryan – Grandma Duff
Jean Smart Announcer
Steven Spielberg – Himself in "Buster and Babs Go Hawaiian" Roger Rabbit
Sally Struthers – Rhoda Sandy Witch
B J Ward – Honey
Lennie Weinrib Honey Jr
Vernee Watson Announcer Joker
Jonathan Winters – Stanley Elephant Wade Pig
Henny Youngman – Himself
Films and television specials edit A feature length movie was released direct to video in entitled Tiny Toon Adventures How I Spent My Vacation This was later re edited and aired as part of the series The length of the movie is minutes Fox aired It s a Wonderful Tiny Toons Christmas Special in primetime on December This episode is a parody of It s a Wonderful Life Although the Christmas episode is called a special it is only called this as it is Christmas themed and is just a regular episode The Tiny Toon Spring Break Special was aired on Fox during primetime on March Fox aired Tiny Toons Night Ghoulery in primetime on May
Spin offs edit Main articles The Plucky Duck Show and Pinky Elmyra the Brain
In The Plucky Duck Show was produced as a spin off for Fox Kids based on the character Plucky Duck Except for the premiere episode The Return of Batduck the show was composed of recycled Plucky centric episodes from the series
In a spin off entitled Pinky Elmyra the Brain debuted on Kids WB This series featured the Elmyra character as well as Pinky and the Brain two characters who were originally on Animaniacs before receiving their own series also entitled Pinky and the Brain Pinky Elmyra the Brain picks up after Pinky leaves off where Pinky and the Brain become Elmyra s pets after Brain accidentally destroys their original home ACME Labs during an experiment Pinky Elmyra the Brain lasted for thirteen episodes
According to Kirk Tingblad in an updated version of Tiny Toons was in development at Warner Bros and it was extremely close to getting a green light for production Cartoon Network asked for a teenage version of Tiny Toons similar to the likes of That s Show or The Archies Gary Hartle and Kirk Tingblad were going to be the show s producers directors However it was later turned down by Cartoon Network executives who instead wanted a show with the classic Looney Tunes characters which resulted in a Duck Dodgers movie which later became a TV series There only exist character designs and character situation art done by Spike Brandt and Tony Cervone As Warner Bros had no other venue at the time it was put into a box and packed away into the Warner Bros vault
Response edit Awards and nominations edit Year Award Category Nominee Result
Daytime Emmy Awards Outstanding Animated Program Steven Spielberg Tom Ruegger Ken Boyer Art Leonardi Art Vitello Paul Dini and Sherri Stoner Won
Outstanding Music Direction and Composition William Ross for "Fields of Honey" Won
Outstanding Original Song Bruce Broughton Wayne Kaatz and Tom Ruegger for the main title theme Won
Outstanding Animated Program Steven Spielberg Tom Ruegger Sherri Stoner Rich Arons and Art Leonardi Nominated
Outstanding Music Direction and Composition Mark Watters for "The Love Disconnection" Won
Outstanding Writing in an Animated Program Nicholas Hollander Tom Ruegger Paul Dini and Sherri Stoner Won
Outstanding Animated Program Steven Spielberg Tom Ruegger Sherri Stoner Rich Arons Byron Vaughns Ken Boyer Alfred Gimeno and David West Won
Outstanding Music Direction and Composition Steven Bramson for “The Horror of Slumber Party Mountain” Won
Annie Awards
Nominated for Best Animated Television Program Cartoon Network Australia is an Australian version of the original American Cartoon Network television channel in the United States and was a cable and satellite television channel created by Turner Broadcasting a unit of Time Warner which primarily shows animated programming
The Australian version is available on Pay TV Foxtel and Optus It is also on as a part of its new mobile TV service for a month although this feed is merely a heavily repeated media stream of Cartoon Network s best shows Telstra also broadcasts Cartoon Network on mobile service though this is the same feed as seen on Foxtel Neighbourhood Cable broadcasts the network in yet another feed in regional Victoria SKY Network Television has broadcast the network in New Zealand on January originally during the day on SKY UHF preset channel with Orange later SKY and now The Box broadcasting during the evenings The Cartoon Network became a separate hour channel in New Zealand in when the SKY Digital service was launched Cartoon Network Australia and Asia adopted the broadcasting hours earlier on July
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jane-lindsay
jane-lixx
janet-jacme
janey-robbins
jasmine-delatori
jayden-simone
jaylyn-rose
jayna-woods
jazella-moore
jazmin-luna-gold
jean-afrique
jeanette-littledove
jeanie-marie-sullivan
jean-jennings
jeanna-fine
jeannie-pepper
jenna-jameson
jenna-jane
jenna-presley
jenna-wells
jennifer-haussmann
jennifer-janes
jennifer-jordan
jennifer-morante
jennifer-noxt
jennifer-stewart
jennifer-welles
jennifer-west
jenny
jenny-feeling
jenny-fields
jenny-wings
jersey-jaxin
jesie-st-james
jesse-capelli
jessica-bangkok
jessica-bogart
jessica-darlin
jessica-fiorentino
jessica-gabriel
jessica-laine
jessica-may
jessica-road
jessica-wylde
jessi-foster
jill-ferari
jill-kelly
joana-redgrave
joan-devlon
joanna-storm
joanna-sweet
jody-maxwell
joelle-lequement
joelle-petinot
johnni-black
jordana-james
jordan-green
jordan-nevaeh
jordan-star
josephine-carrington
joslyn-james
julia-chanel
julia-dal-fuoco
juliana-grandi
julia-paes
julia-parton
julia-perrin
julia-swen
julia-thomas
julie-meadows
julie-rage
julie-simone
juliet-anderson
juliet-graham
juliette-carelton
kacey-jordan
kagney-linn-karter
kaitlyn-ashley
kalena-rios
kami-andrews
kamila-smith
kandee-licks
kandi-barbour
kapri-styles
kara-nox
karen-summer
kari-foxx
karine-gambier
karin-schubert
karli-sweet
karmen-kennedy
karol-castro
kascha
kassi-nova
kat
kate-frost
kate-jones
kathia-nobili
kathleen-gentry
kathleen-white
kathy-divan
kathy-harcourt
kathy-heart
kathy-kash
katie-cummings
katja-love
kat-langer
katrina-isis
katrina-kraven
katy-borman
katy-caro
kaycee-dean
kayla-kupcakes
kay-parker
k-c-valentine
keama-kim
keira-moon
keisha
keli-richards
kelli-tyler
kelly-adams
kelly-blue
kelly-broox
kelly-hearn
kelly-kay
kelly-kline
kelly-nichols
kelly-royce
kelly-skyline
kendra-kay
kenzi-marie
keri-windsor
ketthy-divan
kianna-dior
kiley-heart
kim-alexis
kimber-blake
kimberly-carson
kimberly-kane
kimberly-kyle
kim-de-place
kim-holland
kimi-gee
kimkim-de
kim-kitaine
kimmie-lee
kimmy-nipples
kina-kara
kira-eggers
kira-red
kirsty-waay
kitty-langdon
kitty-lynxxx
kitty-marie
kitty-shayne
kitty-yung
kora-cummings
kris-lara
krista-lane
krista-maze
kristara-barrington
kristarah-knight
kristi-klenot
kristina-blonde
kristina-king
kristina-klevits
kristina-soderszk
kristine-heller
kristin-steen
krisztina-ventura
krystal-de-boor
krystal-steal
kylee-karr
kylee-nash
kylie-brooks
kylie-channel
kylie-haze
kylie-wylde
kym-wilde
kyoto-sun
lachelle-marie
lacy-rose
lady-amanda-wyldefyre
lady-stephanie
laetitia-bisset
lana-burner
lana-cox
lana-wood
lara-amour
lara-roxx
lara-stevens
lataya-roxx
latoya
laura-clair
laura-lazare
laura-lion
laura-may
laura-orsolya
laura-paouck
laura-zanzibar
lauren-black
laurence-boutin
lauren-montgomery
laurien-dominique
laurien-wilde
laurie-smith
lauryl-canyon
lauryn-may
leah-wilde
lea-magic
lea-martini
leanna-foxxx
lee-caroll
leigh-livingston
leilani
lenora-bruce
leslie-winston
lesllie-bovee
letizia-bruni
lexi-lane
lexi-matthews
lezley-zen
lia-fire
liliane-gray
liliane-lemieuvre
lili-marlene
lily-gilder
lily-labeau
lily-rodgers
lily-valentine
linda-shaw
linda-vale
linda-wong
linnea-quigley
lisa-bright
lisa-de-leeuw
lisa-k-loring
lisa-lake
lisa-melendez
lisa-sue-corey
lise-pinson
little-oral-annie
liza-dwyer
liza-harper
lizzy-borden
logan-labrent
lois-ayres
lola-cait
long-jean-silver
loni-bunny
loni-sanders
loona-luxx
lorelei-lee
lorelei-rand
lorena-sanchez
lori-alexia
lori-blue
lorrie-lovett
luci-diamond
lucie-doll
lucie-theodorova
lucy-van-dam
lydia-baum
lynn-franciss
lynn-lemay
lynn-ray
lynn-stevens
lynx-canon
lysa-thatcher
madelina-ray
madison-parker
magdalena-lynn
maggie-randall
mai-lin
mandi-wine
mandy-bright
mandy-malone
mandy-may
mandy-mistery
mandy-starr
marcia-minor
maren
margit-ojetz
margitta-hofer
margo-stevens
margot-mahler
mariah-cherry
marianne-aubert
maria-tortuga
marie-anne
marie-christine-chireix
marie-christine-veroda
marie-claude-moreau
marie-dominique-cabannes
marie-france-morel
marie-luise-lusewitz
marie-sharp
marilyn-chambers
marilyne-leroy
marilyn-gee
marilyn-jess
marilyn-martyn
marilyn-star
marina-hedman
marion-webb
marita-ekberg
marita-kemper
marlena
marlene-willoughby
marry-queen
martine-grimaud
martine-schultz
maryanne-fisher
mary-hubay
mary-ramunno
mary-stuart
mascha-mouton
maud-kennedy
mauvais-denoir
maxine-tyler
maya-black
maya-france
megan-leigh
megan-martinez
megan-reece
mei-ling
melanie-hotlips
melanie-scott
melba-cruz
melinda-russell
melissa-bonsardo
melissa-del-prado
melissa-golden
melissa-martinez
melissa-melendez
melissa-monet
mercedes-dragon
mercedes-lynn
merle-michaels
mesha-lynn
mia-beck
mia-lina
mia-smiles
michele-raven
michelle-aston
michelle-ferrari
michelle-greco
michelle-maren
michelle-maylene
michelle-monroe
micki-lynn
mika-barthel
mika-tan
mikki-taylor
mimi-morgan
mindy-rae
ming-toy
miranda-stevens
miss-bunny
miss-meadow
miss-pomodoro
missy
missy-graham
missy-stone
missy-vega
misti-jane
mistress-candice
misty-anderson
misty-dawn
misty-rain
misty-regan
mona-lisa
mona-page
moni
monica-baal
monica-swinn
monika-peta
monika-sandmayr
monika-unco
monique-bruno
monique-cardin
monique-charell
monique-demoan
monique-gabrielle
monique-la-belle
morgan-fairlane
morrigan-hel
moxxie-maddron
mulani-rivera
mysti-may
nadege-arnaud
nadia-styles
nadine-bronx
nadine-proutnal
nadine-roussial
nadi-phuket
nanci-suiter
nancy-hoffman
nancy-vee
natacha-delyro
natalia-wood
natalli-diangelo
natascha-throat
natasha-skyler
naudia-nyce
nessa-devil
nessy-grant
nesty
nicki-hunter
nicky-reed
nicole-berg
nicole-bernard
nicole-black
nicole-grey
nicole-london
nicole-parks
nicole-scott
nicole-taylor
nicolette-fauludi
nicole-west
nika-blond
nika-mamic
niki-cole
nikita-love
nikita-rush
nikki-charm
nikki-grand
nikki-king
nikki-knight
nikki-randall
nikki-rhodes
nikki-santana
nikki-steele
nikki-wilde
niko
nina-cherry
nina-deponca
nina-hartley
nina-preta
oana-efria
obaya-roberts
olesja-derevko
olga-cabaeva
olga-conti
olga-pechova
olga-petrova
olivia-alize
olivia-del-rio
olivia-flores
olivia-la-roche
olivia-outre
ophelia-tozzi
orchidea-keresztes
orsolya-blonde
paige-turner
paisley-hunter
pamela-bocchi
pamela-jennings
pamela-mann
pamela-stanford
pamela-stealt
pandora
paola-albini
pascale-vital
pat-manning
pat-rhea
patricia-dale
patricia-diamond
patricia-kennedy
patricia-rhomberg
patrizia-predan
patti-cakes
patti-petite
paula-brasile
paula-harlow
paula-morton
paula-price
paula-winters
pauline-teutscher
penelope-pumpkins
penelope-valentin
petra-hermanova
petra-lamas
peyton-lafferty
phaedra-grant
pia-snow
piper-fawn
pipi-anderson
porsche-lynn
porsha-carrera
precious-silver
priscillia-lenn
purple-passion
queeny-love
rachel-ashley
rachel-love
rachel-luv
rachel-roxxx
rachel-ryan
rachel-ryder
racquel-darrian
rane-revere
raven
reagan-maddux
rebecca-bardoux
regan-anthony
regine-bardot
regula-mertens
reina-leone
reka-gabor
renae-cruz
renee-foxx
renee-lovins
renee-morgan
renee-perez
renee-summers
renee-tiffany
rhonda-jo-petty
rikki-blake
riley-ray
rio-mariah
rita-ricardo
roberta-gemma
roberta-pedon
robin-byrd
robin-cannes
robin-everett
robin-sane
rochell-starr
rosa-lee-kimball
rosemarie
roxanne-blaze
roxanne-hall
roxanne-rollan
ruby-richards
sabina-k
sabre
sabrina-chimaera
sabrina-dawn
sabrina-jade
sabrina-johnson
sabrina-love-cox
sabrina-mastrolorenzi
sabrina-rose
sabrina-scott
sabrina-summers
sacha-davril
sahara
sahara-sands
sai-tai-tiger
samantha-fox
samantha-ryan
samantha-sterlyng
samantha-strong
samueline-de-la-rosa
sandra-cardinale
sandra-de-marco
sandra-kalermen
sandra-russo
sandy-lee
sandy-pinney
sandy-reed
sandy-samuel
sandy-style
sandy-summers
sara-brandy-canyon
sara-faye
sarah-bernard
sarah-cabrera
sarah-hevyn
sarah-mills
sarah-shine
sara-sloane
sasha
sasha-hollander
sasha-ligaya
sasha-rose
satine-phoenix
satin-summer
savannah-stern
savanna-jane
scarlet-scarleau
scarlet-windsor
seka
selena
serena
serena-south
severine-amoux
shana-evans
shanna-mccullough
shannon-kelly
shannon-rush
shantell-day
sharon-da-vale
sharon-kane
sharon-mitchell
shaun-michelle
shawna-sexton
shawnee-cates
shay-hendrix
shayne-ryder
sheena-horne
sheer-delight
shelby-star
shelby-stevens
shelly-berlin
shelly-lyons
sheri-st-clair
sheyla-cats
shonna-lynn
shyla-foxxx
shy-love
sierra-sinn
sierra-skye
sigrun-theil
silver-starr
silvia-bella
silvia-saint
silvie-de-lux
silvy-taylor
simone-west
sindee-coxx
sindy-lange
sindy-shy
siobhan-hunter
skylar-knight
skylar-price
skyler-dupree
smokie-flame
smoking-mary-jane
solange-shannon
sonya-summers
sophia-santi
sophie-call
sophie-duflot
sophie-evans
sophie-guers
stacey-donovan
stacy-lords
stacy-moran
stacy-nichols
stacy-silver
stacy-thorn
starla-fox
starr-wood
stefania-bruni
stella-virgin
stephanie-duvalle
stephanie-rage
stephanie-renee
stevie-taylor
summer-knight
summer-rose
sunny-day
sunset-thomas
sunshine-seiber
susan-hart
susanne-brend
susan-nero
susi-hotkiss
suzanne-mcbain
suzan-nielsen
suzie-bartlett
suzie-carina
suzi-sparks
sweet-nice
sweety-pie
sybille-rossani
sylvia-benedict
sylvia-bourdon
sylvia-brand
sylvia-engelmann
syreeta-taylor
syren-de-mer
syvette
szabina-black
szilvia-lauren
tai-ellis
taija-rae
taisa-banx
talia-james
tamara-lee
tamara-longley
tamara-n-joy
tamara-west
tami-white
tammy
tammy-lee
tammy-reynolds
tania-lorenzo
tantala-ray
tanya-danielle
tanya-fox
tanya-foxx
tanya-lawson
tanya-valis
tara-aire
tasha-voux
tatjana-belousova
tatjana-skomorokhova
tawnee-lee
tawny-pearl
tayla-rox
taylor-wane
teddi-austin
teddi-barrett
tera-bond
tera-heart
tera-joy
teresa-may
teresa-orlowski
teri-diver
teri-weigel
terri-dolan
terri-hall
tess-ferre
tess-newheart
thais-vieira
tia-cherry
tianna
tiara
tiffany-blake
tiffany-clark
tiffany-duponte
tiffany-rayne
tiffany-rousso
tiffany-storm
tiffany-towers
tiffany-tyler
tiger-lily
tigr
timea-vagvoelgyi
tina-blair
tina-burner
tina-evil
tina-gabriel
tina-loren
tina-marie
tina-russell
tish-ambrose
tommi-rose
tonisha-mills
topsy-curvey
tori-secrets
tori-sinclair
tori-welles
tracey-adams
traci-lords
traci-topps
traci-winn
tracy-duzit
tracy-love
tracy-williams
tricia-devereaux
tricia-yen
trinity-loren
trisha-rey
trista-post
trixie-tyler
ultramax
ursula-gaussmann
ursula-moore
uschi-karnat
valentina
valerie-leveau
valery-hilton
vanessa-chase
vanessa-del-rio
vanessa-michaels
vanessa-ozdanic
vanilla-deville
velvet-summers
veri-knotty
veronica-dol
veronica-hart
veronica-hill
veronica-rayne
veronica-sage
veronika-vanoza
via-paxton
vicky-lindsay
vicky-vicci
victoria-evans
victoria-gold
victoria-knight
victoria-luna
victoria-paris
victoria-slick
victoria-zdrok
viper
virginie-caprice
vivian-valentine
vivien-martines
wendi-white
wendy-divine
whitney-banks
whitney-fears
whitney-wonders
wonder-tracey
wow-nikki
xanthia-berstein
yasmine-fitzgerald
yelena-shieffer
yvonne-green
zara-whites
zsanett-egerhazi
zuzie-boobies
Sister channels
Boomerang
Adult Swim
Notes
References
External links
History edit Cartoon Network started its broadcast in Australia in as the dual channel TNT Cartoon Network as part of the Foxtel cable TV launch operating from a m to p m with Turner Classic Movies formerly TNT taking the remainder of the daily schedule On July Cartoon Network Australia became a separate hour channel with exclusive local feeds for Sydney Melbourne Brisbane Perth Adelaide Newcastle Darwin etc It originally aired only Hanna Barbera cartoons such as Yogi Bear Top Cat The Flintstones etc The channel quickly started to develop though airing for the first time MGM cartoons Tom and Jerry Droopy and Spike and Tyke on January and after Time Warner s purchase of Turner in Warner Bros shows Looney Tunes and several other Looney Tunes related cartoons on January In Mid Cartoon Network started to air its first original shows Space Ghost Coast to Coast Dexter s Laboratory and The Moxy Show however The Moxy Show was soon cancelled On August Cartoon Network introduced a new rebrand introducing new bumpers new shows and a new powerhouse theme
In April the channel was added to TransTV In addition Cartoon Network for a brief period would show segments of kids getting prizes during the holidays but this was axed from poor viewer response Cartoon Network had up until mid been tied with the Disney Channel as Australia s most popular family network The removal of older programming from the network during this period led to a fall in average audience share during as fans of older cartoons moved to Boomerang Cartoon Network had slipped to second spot among Australian family networks behind the Disney Channel by the end of the Powerhouse Era
On August the bumpers were replaced with D animations of a "City" that all the Cartoon Network toons lived in Show specific bumpers were replaced with D animations of a well known scene from the particular show Between January and May Cartoon Network phased out all Hanna Barbera animation and shows previously labelled Cartoon Cartoons In February Adult swim relaunched on The Comedy Channel airing shows such as Robot Chicken and Harvey Birdman Attorney at Law On August the format of Cartoon Network s bumpers and commercials changed and the Cartoon Network Theatre and Fridays Flicks were renamed to Cartoon Network Popcorn This mimics a similar decision made by Cartoon Network Southeast Asia with the major visual theme being the recurring dynamic line on the network s official website and also in all the Station IDs bumpers etc
Cartoon Network also transferred from to broadcasting on November as part of Foxtel s plan to convert all of its channels to widescreen before the end of The last show shown in this era was What s New Scooby Doo on Good Morning Scooby On September Cartoon Network Australia advertised the premiere of The Amazing World of Gumball October along with a new theme On October Cartoon Network introduced its new branding and logo Designed by Brand New School it makes heavy use of a black and white checkerboard motif as well as various CMYK color variations and patterns The slogan It s a Fun Thing was also introduced As of August Cartoon Network has once again assumed the mantle of being the most watched children s network on Australian subscription TV albeit tied with the Disney Channel and the equal th most watched subscription channel overall The network has not held this position on a consistent basis since
Cartoon Network Popcorn edit Cartoon Network Popcorn Cinema offers some series in Hoyts Village and Event Cinemas The films are distributed by Fourth Wall Distribution
Programming edit Current programming edit Adventure Time
The Amazing World of Gumball
Ben Omniverse
Beyblade Metal Fusion
DreamWorks Dragons Riders of Berk
George of the Jungle
Hungry Heart Wild Striker
Lego Legends of Chima
Lego Ninjago Masters of Spinjitzu
Max Steel
Pokémon Black White Rival Destinies
Regular Show
Sonic Boom
Steven Universe
Teen Titans Go
The Tom Jerry Show
Total Drama All Stars
Transformers Prime
Transformers Robots in Disguise
Uncle Grandpa
Wakfu Madman Entertainment is an Australian company that distributes Australian and international films as well as Japanese anime and manga in Australia and New Zealand Madman is one of the major entertainment companies in Australia It employs approx people and has an annual turnover of around A million Its headquarters is in Richmond Victoria
Madman has secured the local release rights to popular titles including One Piece Dragon Ball Neon Genesis Evangelion Akira and almost all of Studio Ghibli s catalogue In addition to DVD sales Madman manages the theatrical release of some of their titles particularly the Studio Ghibli movies According to market research Madman accounts for of the total anime DVD market in Australia citation needed
Contents
History Video on demand display VOD are systems which allow users to select and watch listen to video or audio content when they choose to rather than having to watch at a specific broadcast time IPTV technology is often used to bring video on demand to televisions and personal computers
Television VOD systems can either stream content through a set top box a computer or other device allowing viewing in real time or download it to a device such as a computer digital video recorder also called a personal video recorder or portable media player for viewing at any time The majority of cable and telco based television providers offer both VOD streaming including pay per view and free content whereby a user buys or selects a movie or television program and it begins to play on the television set almost instantaneously or downloading to a DVR rented from the provider or downloaded onto a PC for viewing in the future Internet television using the Internet is an increasingly popular form of video on demand
Some airlines offer VOD as in flight entertainment to passengers through individually controlled video screens embedded in seatbacks or armrests or offered via portable media players Some video on demand services such as Netflix use a subscription model that requires users to pay a monthly fee to access a bundled set of content Other services use an advertising based model where access is free for users and the platforms rely on selling advertisements as a main revenue stream
Contents
Early development
Functionality
History
Role of piracy and peer to peer
Types of VOD
Catch up TV Music On Demand is a music distribution model conceived with the growth of two way computing telecommunications and the Internet in the early s Primarily high quality music is made available to purchase access and play back using software on the Apple Macintosh Microsoft Windows set top boxes and mobile devices from an available distribution point such as a computer host or server located at a telephone cable TV or wireless data center facility
In computer modem speeds were limited to less than thousand bits per second kbit s compared with uncompressed music on compact disc CD that required thousand bytes per second As a result additional bandwidth is required to accommodate delivering audio at CD quality standards bit frame kHz sampling rate stereophonic two channel audio This prompted telephony CATV cellular and satellite providers to consider changing standards assisting in creating the information superhighway in terms of building higher capacity for existing telecommunications infrastructures
Early attempts at designing and developing music on demand technology in accordance with the laws of the United States such as the Home Recording Act of include Access Media Network AMN by inventor Dale Schalow Schalow born in Virginia was an independent audio engineer and programmer in Los Angeles California who helped record albums and music scores for David Bowie Tin Machine Cypress Hill House of Pain Beastie Boys Interscope and Warner Brothers A multiplexed music on demand model was deployed using PCM audio sampling devices Apple IIci the KERMIT computer file transfer protocol and SCSI storage systems by Schalow to validate processing bit multi channel audio from point to point in a professional recording studio environment including his own independently operated Dascha company and Fresh Recordings The model conceived was introduced by Schalow to Apple Computer in after he submitted an entry into the "I Changed the World" contest essentially describing how an Apple computer helped shape and change the world forever based upon its usage Apple acknowledged the "Accessible Music Network" AMN by awarding Schalow Honorable Mention and sending him a simple gray T shirt with the Apple logo on it Stand alone software created by AMN for consumer based access was then developed for the Microsoft Windows computer operating system as well as set top box design prototypes conceptualized with D prototype imaging that required a telephone connector located next to a coaxial cable TV connector to converge low speed data uplinking with high speed downloading interactive communications
Presently music on demand is still the center of controversy with a focus on illegal music downloading peer to peer file swapping and the lag of legislation for rapidly changing technology on the Internet Record labels represented by the RIAA as well as publishers and song writers have vigorously defended copyrighted materials and have been successful in enforcing current laws for protecting their intellectual property As of the new music industry has seen a rapid growth in overall revenues for legal digital music sales that has resulted in hitting and surpassing one billion dollars annually
Bibliography edit TIME Magazine April Coming to Your TV Screen The Info Highway
"I Changed the World" Apple Computer Contest Spring Cupertino CA
Eisenmann Thomas R "The U S Cable Television Industry Managerial Capitalism in Eclipse" Business History Review –
Stern Christopher July "Bell Atlantic first with video dialtone" Broadcasting Cable doi
"AccessMusicNetwork com Announces Internet Radio Toolkit for Professionals" Nov PRNewswire via Reuters and James Madison University Harrisonburg Virginia Alumni Newsroom Public Relations
Subscription models The Business History Review is a scholarly quarterly published by Cambridge University Press for Harvard Business School Business History Review is a peer reviewed academic journal covering the field of business history It was established in by Harvard University Press as the continuation of the Bulletin of the Business Historical Society
The journal is one of the leading scholarly journals in the field of business history alongside Enterprise Society and Business History
The Business History Review traces it origins to with the publication of Harvard s Bulletin of the Business Historical Society The Bulletin aimed “to encourage and aid the study of the evolution of business in all periods and in all countries” and devoted much space to describing the growing archival collections of Harvard s Baker Library Henrietta Larson whose Guide to Business History also documented the scope of available research materials was editor from to
In the Bulletin changed its name to Business History Review and took its current format of publishing peer reviewed research articles and book reviews In these years the intellectual framework of the field of business history was defined by the work of Alfred D Chandler Jr who published research articles in the journal One of the most popular with Google Scholar cites was his piece “The Beginnings of Big Business in American Industry ” which explored the question of why large vertically integrated corporations were formed in the late nineteenth century and why they took the structure they did Another highly cited article Google Scholar cites from was “The Emerging Organizational Synthesis in American History” by Louis Galambos which also focused on explaining the growth of bureaucratic structures in the United States
In Business History Review published its first special issue on the multinational corporation Included in the issue was an article on oil companies operating in South America by Mira Wilkins who pioneered the field of international business history The journal also expanded its focus beyond the workings of business enterprise to cover business government relations In Thomas K McCraw who edited the journal from to published “Regulation in America A Review Article ” In the current editors Walter A Friedman and Geoffrey Jones academic listed the BHR s core subjects as innovation globalization entrepreneurship business and the environment business and government and business and democracy In the journal had an impact factor of with a year impact factor of and was rated as a by the British Academic Journal Guide a is the highest rating
Near video on demand Geoffrey G Jones is a British born business historian He became a U S citizen in He is currently Isidor Straus Professor of Business History at Harvard Business School The previous holders of this Chair which was the first in the world in business history being founded in included Alfred D Chandler Jr and Thomas K McCraw
Jones s works have concentrated on the historical evolution of globalization international banking and trading and foreign direct investment by multinationals He has published histories of Unilever and is now writing a history of green entrepreneurship since the nineteenth century
Contents The Journal of International Business Studies is a double blind peer reviewed academic journal and the official publication of the Academy of International Business It is published by Palgrave Macmillan and covers research on international business The journal was established in and is edited by John Cantwell Rutgers University According to the Journal Citation Reports its impact factor is ranking it th out of in the "Business" category and th out of in the "Management" category
Contents
Editors
Most cited articles The impact factor IF of an academic journal is a measure reflecting the average number of citations to recent articles published in that journal It is frequently used as a proxy for the relative importance of a journal within its field with journals with higher impact factors deemed to be more important than those with lower ones The impact factor was devised by Eugene Garfield the founder of the Institute for Scientific Information Impact factors are calculated yearly starting from for those journals that are indexed in the Journal Citation Reports
Contents
Calculation
Use
Criticisms
Validity as a measure of importance
Reliance on integrity of authors
Editorial policies that affect the impact factor
Responses
Other measures of impact
Journal level
PageRank algorithm
Other level metrics
References
Further reading
External links
Calculation edit In any given year the impact factor of a journal is the average number of citations received per paper published in that journal during the two preceding years For example if a journal has an impact factor of in then its papers published in and received citations each on average in The impact factor of a journal would be calculated as follows
impact factor A B
where
A the number of times that all items published in that journal in and were cited by indexed publications during
B the total number of "citable items" published by that journal in and "Citable items" for this calculation are usually articles reviews proceedings or notes not editorials or letters to the editor
Note that impact factors are actually published in they cannot be calculated until all of the publications have been processed by the indexing agency
New journals which are indexed from their first published issue will receive an impact factor after two years of indexing in this case the citations to the year prior to Volume and the number of articles published in the year prior to Volume are known zero values Journals that are indexed starting with a volume other than the first volume will not get an impact factor until they have been indexed for three years Occasionally Thomson Reuters assigns an impact factor to new journals with less than two years of indexing based on partial citation data Annuals and other irregular publications sometimes publish no items in a particular year affecting the count The impact factor relates to a specific time period it is possible to calculate it for any desired period and the Journal Citation Reports JCR also includes a five year impact factor The JCR shows rankings of journals by impact factor if desired by discipline such as organic chemistry or psychiatry
Use edit The impact factor is used to compare different journals within a certain field The ISI Web of Knowledge indexes more than science and social science journals
It is possible to examine the impact factor of the journals in which a particular person has published articles This use is widespread but controversial Garfield warns about the "misuse in evaluating individuals" because there is "a wide variation from article to article within a single journal" Impact factors have a large but controversial influence on the way published scientific research is perceived and evaluated
Some companies are producing false impact factors
Criticisms edit Numerous criticisms have been made of the use of an impact factor For one thing the impact factor might not be consistently reproduced in an independent audit There is a more general debate on the validity of the impact factor as a measure of journal importance and the effect of policies that editors may adopt to boost their impact factor perhaps to the detriment of readers and writers Other criticism focuses on the effect of the impact factor on behavior of scholars editors and other stakeholders Another reason that can invalidate this technique is that there is a general tendency on the part of a citing individual to be influenced by the already indicated IF
Validity as a measure of importance edit It s been stated that impact factors and citation analysis in general are affected by field dependent factors which may invalidate comparisons not only across disciplines but even within different fields of research of one discipline The percentage of total citations occurring in the first two years after publication also varies highly among disciplines from – in the mathematical and physical sciences to – in the biological sciences Thus impact factors cannot be used to compare journals across disciplines
The impact factor is based on the arithmetic mean number of citations per paper yet citation counts follow a Bradford distribution i e a power law distribution and therefore the arithmetic mean is a statistically inappropriate measure For example about of Nature s impact factor was based on only a quarter of its publications and thus the importance of any one publication will be different from and in most cases less than the overall number Furthermore the strength of the relationship between impact factors of journals and the citation rates of the papers therein has been steadily decreasing since articles began to be available digitally
This problem is exacerbated when the use of impact factors is extended to evaluate not only the journals but the papers therein The Higher Education Funding Council for England was urged by the House of Commons Science and Technology Select Committee to remind Research Assessment Exercise panels that they are obliged to assess the quality of the content of individual articles not the reputation of the journal in which they are published The effect of outliers can be seen in the case of the article "A short history of SHELX" which included this sentence "This paper could serve as a general literature citation when one or more of the open source SHELX programs and the Bruker AXS version SHELXTL are employed in the course of a crystal structure determination" This article received more than citations As a consequence the impact factor of the journal Acta Crystallographica Section A rose from in to in more than Nature at and Science at The second most cited article in Acta Crystallographica Section A in only had citations
Finally journal rankings constructed based solely on impact factors only moderately correlate with those compiled from the results of expert surveys
It is important to note that impact factor is a journal metric and should not be used to assess individual researchers or institutions
Reliance on integrity of authors edit A E Cawkell sometime Director of Research at the Institute for Scientific Information remarked that the Science Citation Index SCI on which the impact factor is based would work perfectly if every author meticulously cited only the earlier work related to his theme if it covered every scientific journal published anywhere in the world and if it were free from economic constraints
Editorial policies that affect the impact factor edit It has been suggested that this section be split into a new article titled Citation manipulation Discuss November
A journal can adopt editorial policies to increase its impact factor For example journals may publish a larger percentage of review articles which generally are cited more than research reports Thus review articles can raise the impact factor of the journal and review journals will therefore often have the highest impact factors in their respective fields Some journal editors set their submissions policy to "by invitation only" to invite exclusively senior scientists to publish "citable" papers to increase the journal impact factor
Journals may also attempt to limit the number of "citable items"—i e the denominator of the impact factor equation—either by declining to publish articles such as case reports in medical journals that are unlikely to be cited or by altering articles by not allowing an abstract or bibliography in hopes that Thomson Scientific will not deem it a "citable item" As a result of negotiations over whether items are "citable" impact factor variations of more than have been observed Items considered to be uncitable—and thus are not incorporated in impact factor calculations—can if cited still enter into the numerator part of the equation despite the ease with which such citations could be excluded This effect is hard to evaluate for the distinction between editorial comment and short original articles is not always obvious For example letters to the editor may refer to either class
Another less insidious tactic journals employ is to publish a large portion of its papers or at least the papers expected to be highly cited early in the calendar year This gives those papers more time to gather citations Several methods not necessarily with nefarious intent exist for a journal to cite articles in the same journal which will increase the journal s impact factor
Beyond editorial policies that may skew the impact factor journals can take overt steps to game the system For example in the specialist journal Folia Phoniatrica et Logopaedica with an impact factor of published an editorial that cited all its articles from to in a protest against the "absurd scientific situation in some countries" related to use of the impact factor The large number of citations meant that the impact factor for that journal increased to As a result of the increase the journal was not included in the and Journal Citation Reports
Coercive citation is a practice in which an editor forces an author to add spurious self citations to an article before the journal will agree to publish it in order to inflate the journal s impact factor A survey published in indicates that coercive citation has been experienced by one in five researchers working in economics sociology psychology and multiple business disciplines and it is more common in business and in journals with a lower impact factor However cases of coercive citation have occasionally been reported for other scientific disciplines
Responses edit Because "the impact factor is not always a reliable instrument" in November the European Association of Science Editors EASE issued an official statement recommending "that journal impact factors are used only—and cautiously—for measuring and comparing the influence of entire journals but not for the assessment of single papers and certainly not for the assessment of researchers or research programmes"
In July the International Council for Science ICSU Committee on Freedom and Responsibility in the Conduct of Science CFRS issued a "statement on publication practices and indices and the role of peer review in research assessment" suggesting many possible solutions—e g considering a limit number of publications per year to be taken into consideration for each scientist or even penalising scientists for an excessive number of publications per year—e g more than
In February the Deutsche Forschungsgemeinschaft German Research Foundation published new guidelines to evaluate only articles and no bibliometric information on candidates to be evaluated in all decisions concerning "performance based funding allocations postdoctoral qualifications appointments or reviewing funding proposals where increasing importance has been given to numerical indicators such as the h index and the impact factor" This decision follows similar ones of the National Science Foundation US and the Research Assessment Exercise UK citation needed
In response to growing concerns over the inappropriate use of journal impact factors in evaluating scientific outputs and scientists themselves the American Society for Cell Biology together with a group of editors and publishers of scholarly journals created the San Francisco Declaration on Research Assessment DORA Released in May DORA has garnered support from thousands of individuals and hundreds of institutions who have endorsed the document on the DORA website
Other measures of impact edit Main article Citation metrics Social media is computer mediated tool that allow people to create share or exchange information career interests ideas and pictures videos in virtual communities and networks Social media is defined as "a group of Internet based applications that build on the ideological and technological foundations of Web and that allow the creation and exchange of user generated content " Furthermore social media depends on mobile and web based technologies to create highly interactive platforms through which individuals and communities share co create discuss and modify user generated content They introduce substantial and pervasive changes to communication between businesses organizations communities and individuals These changes are the focus of the emerging field of technoself studies Social media differ from traditional or industrial media in many ways including quality reach frequency usability immediacy and permanence Social media operates in a dialogic transmission system many sources to many receivers This is in contrast to traditional media that operates under a monologic transmission model one source to many receivers
"Social media has been broadly defined to refer to the many relatively inexpensive and widely accessible electronic tools that enable anyone to publish and access information collaborate on a common effort or build relationships "
There are many effects that stem from internet usage According to Nielsen internet users continue to spend more time with social media sites than any other type of site At the same time the total time spent on social media in the U S across PC and mobile devices increased by percent to billion minutes in July compared to billion minutes in July For content contributors the benefits of participating in social media have gone beyond simply social sharing to building reputation and bringing in career opportunities and monetary income as discussed in Tang Gu and Whinston
Contents
Classification of social media
Virality
Mobile social media and business potential
Distinction from other media
Managing social media
Honeycomb framework of social media
Building "social authority" and vanity
Social media mining
Global usage
Effects of using social media for news purposes
History and memory effects
Criticisms of social media
Disparity
Trustworthiness
Concentration
Few real impacts
Reliability
Ownership of social media content
Privacy
Effects on interpersonal relationships
Positive impact of social networking
Employment impact
College admission
Political effects of social media
Social media use by extremist groups
Social media and the LGBTQ community
Patents
Social media in the classroom
Wikipedia
Facebook and the classroom
Twitter
YouTube
Advertising on social media
Tweets containing advertising
Censorship incidents
See also
References
Further reading
External links
Classification of social media edit
Classification of social media and overview of how important different types of social media e g blogs are for each of a company s operational functions e g marketing Social media technologies take on many different forms including blogs business networks enterprise social networks forums microblogs photo sharing products services review social bookmarking social gaming social networks video sharing and virtual worlds
The development of social media started off with simple platforms such as sixdegrees com Unlike instant messaging clients such as ICQ and AOL s AIM sixdegrees com was the first online business that was created for real people using their real names However the first social networks were short lived because their users lost interest The Social Network Revolution has led to the rise of the networking sites Research shows that the audience spends percent of their time on social networking sites thus proving how popular social media platforms have become
Virality edit Some social media sites have greater virality defined as a greater likelihood that users will reshare content posted by another user to their social network Many social media sites provide specific functionality to help users reshare content for example Twitter s retweet button Pinterest pin or Tumblr s reblog function Businesses may have a particular interest in viral marketing nonprofit organisations and activists may have similar interests in virality
Mobile social media refers to the combination of mobile devices and social media This is a group of mobile marketing applications that allow the creation and exchange of user generated content Due to the fact that mobile social media run on mobile devices they differ from traditional social media by incorporating new factors such as the current location of the user location sensitivity or the time delay between sending and receiving messages time sensitivity According to Andreas Kaplan mobile social media applications can be differentiated among four types
Space timers location and time sensitive Exchange of messages with relevance for one specific location at one specific point in time e g Facebook Places Foursquare
Space locators only location sensitive Exchange of messages with relevance for one specific location which are tagged to a certain place and read later by others e g Yelp Qype
Quick timers only time sensitive Transfer of traditional social media applications to mobile devices to increase immediacy e g posting Twitter messages or Facebook status updates
Slow timers neither location nor time sensitive Transfer of traditional social media applications to mobile devices e g watching a YouTube video or reading a Wikipedia entry
Mobile social media and business potential edit Although traditional social media offer a variety of opportunities for companies in a wide range of business sectors Economic Sector mobile social media makes use of the location and time sensitivity aspects of it in order to engage into marketing research communication sales promotions discounts and relationship development loyalty programs
Marketing research Mobile social media applications offer data about offline consumer movements at a level of detail heretofore limited to online companies Any firm can now know the exact time at which a customer entered one of its outlets as well as comments made during the visit
Communication Mobile social media communication takes two forms the first of which is company to consumer in which a company may establish a connection to a consumer based on its location and provide reviews about locations nearby The second type of communication is user generated content For example McDonald s offered and gift cards to users randomly selected among those checking in at one of the restaurants This promotion increased check ins by from to resulted in over articles and blog posts and prompted several hundred thousand news feeds and Twitter messages
Sales promotions and discounts Although in the past customers had to use printed coupons mobile social media allows companies to tailor promotions to specific users at specific times For example when launching its California Cancun service Virgin America offered users who checked in through Loopt at one of three designated Border Grill taco trucks in San Francisco and Los Angeles between am and pm on August two tacos for and two flights to Mexico for the price of one
Relationship development and loyalty programs In order to increase long term relationships with customers companies are able to create loyalty programs that allow customers who check in regularly at a location to earn discounts or perks For example American Eagle Outfitters remunerates such customers with a tiered or discount on their total purchase
E Commerce Mobile social media applications such as Amazon com and Pinterest are influencing an upward trend in the popularity and accessibility of e commerce or online purchases
According to the Nielsen Company s "The U S Digital Consumer Report" almost half of smartphone owners visit social networks every day via mobile applications With the rapid adoption of mobile devices social media has a symbiotic relationship with the mobile consumer
Distinction from other media edit E commerce businesses may refer to social media as consumer generated media CGM A common thread running through all definitions of social media is a blending of technology and social interaction for the co creation of value
People obtain information education news and other data from electronic and print media Social media are distinct from industrial or traditional media such as newspapers television and film as they are comparatively inexpensive and accessible They enable anyone even private individuals to publish or access information Industrial media generally require significant resources to publish information as in most cases the articles go through many revisions before being published
One characteristic shared by both social and industrial media is the capability to reach small or large audiences for example either a blog post or a television show may reach no people or millions of people Some of the properties that help describe the differences between social and industrial media are
Quality In industrial traditional publishing—mediated by a publisher—the typical range of quality is substantially narrower than in niche unmediated markets The main challenge posed by content in social media sites is the fact that the distribution of quality has high variance from very high quality items to low quality sometimes abusive content
Reach Both industrial and social media technologies provide scale and are capable of reaching a global audience Industrial media however typically use a centralized framework for organization production and dissemination whereas social media are by their very nature more decentralized less hierarchical and distinguished by multiple points of production and utility
Frequency The number of times an advertisement is displayed on social media platforms
Accessibility The means of production for industrial media are typically government and or corporate privately owned social media tools are generally available to the public at little or no cost
Usability Industrial media production typically requires specialized skills and training Conversely most social media production requires only modest reinterpretation of existing skills in theory anyone with access can operate the means of social media production
Immediacy The time lag between communications produced by industrial media can be long days weeks or even months compared to social media which can be capable of virtually instantaneous responses
Permanence Industrial media once created cannot be altered once a magazine article is printed and distributed changes cannot be made to that same article whereas social media can be altered almost instantaneously by comments or editing
Community media constitute a hybrid of industrial and social media Though community owned some community radio TV and newspapers are run by professionals and some by amateurs They use both social and industrial media frameworks
Social media have also been recognized for the way they have changed how public relations professionals conduct their jobs They have provided an open arena where people are free to exchange ideas on companies brands and products As stated by Doc Searls and David Wagner two authorities on the effects of Internet on marketing advertising and PR "The best of the people in PR are not PR types at all They understand that there aren t censors they re the company s best conversationalists " Social media provides an environment where users and PR professionals can converse and where PR professionals can promote their brand and improve their company s image by listening and responding to what the public is saying about their product
Managing social media edit There is an increasing trend towards using social media monitoring tools that allow marketers to search track and analyze conversation on the web about their brand or about topics of interest This can be useful in PR management and campaign tracking allowing the user to measure return on investment competitor auditing and general public engagement Tools range from free basic applications to subscription based more in depth tools
The honeycomb framework defines how social media services focus on some or all of seven functional building blocks These building blocks help explain the engagement needs of the social media audience For instance LinkedIn users are thought to care mostly about identity reputation and relationships whereas YouTube s primary features are sharing conversations groups and reputation Many companies build their own social containers that attempt to link the seven functional building blocks around their brands These are private communities that engage people around a more narrow theme as in around a particular brand vocation or hobby rather than social media containers such as Google Facebook and Twitter PR departments face significant challenges in dealing with viral negative sentiment directed at organizations or individuals on social media platforms dubbed "sentimentitis" which may be a reaction to an announcement or event
Honeycomb framework of social media edit In a article Jan H Kietzmann Kristopher Hermkens Ian P McCarthy and Bruno S Silvestre
present a framework that defines social media by using seven functional building blocks identity conversations sharing presence relationships reputation and groups
Identity This block represents the extent to which users reveal their identities in a social media setting This can include disclosing information such as name age gender profession location and also information that portrays users in certain ways
Conversations This block represents the extent to which users communicate with other users in a social media setting Many social media sites are designed primarily to facilitate conversations among individuals and groups These conversations happen for all sorts of reasons People tweet blog et cetera to meet new like minded people to nd true love to build their self esteem or to be on the cutting edge of new ideas or trending topics Yet others see social media as a way of making their message heard and positively impacting humanitarian causes environmental problems economic issues or political debates
Sharing This block represents the extent to which users exchange distribute and receive content The term social often implies that exchanges between people are crucial In many cases however sociality is about the objects that mediate these ties between people—the reasons why they meet online and associate with each other
Presence This block represents the extent to which users can know if other users are accessible It includes knowing where others are in the virtual world and or in the real world and whether they are available
Relationships This block represents the extent to which users can be related to other users Two or more users have some form of association that leads them to converse share objects of sociality meet up or simply just list each other as a friend or fan
Reputation This block represents the extent to which users can identify the standing of others including themselves in a social media setting Reputation can have different meanings on social media platforms In most cases reputation is a matter of trust but because information technologies are not yet good at determining such highly qualitative criteria social media sites rely on mechanical Turks tools that automatically aggregate user generated information to determine trustworthiness Reputation management is another aspect and use of social media
Groups This block represents the extent to which users can form communities and sub communities The more social a network becomes the bigger the group of friends followers and contacts
Building "social authority" and vanity edit Social media becomes effective through a process called "building social authority" One of the foundational concepts in social media has become that you cannot completely control your message through social media but rather you can simply begin to participate in the "conversation" expecting that you can achieve a significant influence in that conversation
However this conversation participation must be cleverly executed because although people are resistant to marketing in general they are even more resistant to direct or overt marketing through social media platforms This may seem counterintuitive but it is the main reason building social authority with credibility is so important A marketer can generally not expect people to be receptive to a marketing message in and of itself In the Edelman Trust Barometer report in the majority of the respondents reported they most trusted company or product information coming from "people like me" inferred to be information from someone they trusted In the Trust Report the majority switched to preferring their information from industry experts and academics According to Inc Technology s Brent Leary "This loss of trust and the accompanying turn towards experts and authorities seems to be coinciding with the rise of social media and networks "
Social media mining edit Main article Social media mining
Social Media Mining is the process of representing analyzing and extracting actionable patterns from social media data Social Media Mining introduces basic concepts and principal algorithms suitable for investigating massive social media data it discusses theories and methodologies from different disciplines such as computer science data mining machine learning social network analysis network science sociology ethnography statistics optimization and mathematics It encompasses the tools to formally represent measure model and mine meaningful patterns from large scale social media data
Global usage edit According to the article "The Emerging Role of Social Media in Political and Regime Change" by Rita Safranek "The Middle East and North Africa region has one of the most youthful populations in the world with people under making up between of the population in each country They make up the majority of social media users including about million Facebook users Twitter accounts and active blogs according to the Arab Advisors Group
Effects of using social media for news purposes edit Just as television turned a nation of people who listened to media content into watchers of media content the emergence of social media has created a nation of media content creators According to Pew Research data nearly of American adults are online and nearly of them use social networking sites More Americans get their news via the Internet than from newspapers or radio as well as three fourths who say they get news from e mail or social media sites updates according to a report published by CNN The survey suggests that Facebook and Twitter make news a more participatory experience than before as people share news articles and comment on other people s posts According to CNN in of people got their news forwarded through e mail or social media posts whereas of people shared a news item via Facebook or Twitter
In the United States of people say they look online for news of the weather first and foremost National news at for sports news and for entertainment or celebrity news Based on this study done for the Pew Center two thirds of the sample s online news users were younger than and were younger than The survey involved tracking daily the habits of adults or older of young adults get news from social networks watched TV news and read print or digital content of Americans got news from Facebook Google or LinkedIn of those who get news from social network got it yesterday from survey More than of Twitter users use accounts to follow news organizations or journalists of users say they got information from news organizations of journalists TV remains most popular source of news but audience is aging only of young people
of those younger than said they got no news yesterday either digitally or traditional news platforms Only under said they follow news about political figures and events in DC Only of respondents could answer all four questions about which party controls the House current unemployment rate what nation Angela Merkel leads and which presidential candidate favors taxing higher income Americans Facebook and Twitter now pathways to news but are not replacements for traditional ones get social media news from friends and family on Facebook
Social media fosters communication An internet research company PewResearch Center claims that “more than half of internet users use two or more of the social media sites measured Facebook Twitter Instagram Pinterest to communicate with their family or friends
For children using social media sites can help promote creativity interaction and learning It can also help them with homework and class work Moreover social media enable them to stay connected with their peers and help them to interact with each other Some can get involved with developing fundraising campaigns and political events However it can impact social skills due to the absence of face to face contact Social media can affect mental health of teens Teens who use Facebook frequently and especially who are susceptible may become more narcissistic antisocial and aggressive Teens become strongly influenced by advertising and it influences buying habits for in the future Since the creation of Facebook in it has become a distraction and a way to waste time for many users
In a recent study conducted high school students ages and younger were examined in an effort to find their preference for receiving news Based on interviews with teenagers conducted from December to February most of the teen participants reported reading print newspapers only “sometimes ” with fewer than reading them daily The teenagers instead reported learning about current events from social media sites such as Facebook MySpace YouTube and blogs Another study showed that social media users read a set of news that is different from what newspaper editors feature in the print press
Using nanotechnology as an example Runge et al studied tweets from Twitter and found that some of the discourse about nanotechnology focused on its negative impacts suggesting that a portion of the public may be concerned with how various forms of nanotechnology are used in the future Although optimistic sounding and neutral sounding tweets were equally likely to express certainty or uncertainty the pessimistic tweets were nearly twice as likely to appear certain of an outcome than uncertain These results imply the possibility of a preconceived negative perception of many news articles associated with nanotechnology Alternatively these results could also imply that posts of a more pessimistic nature that are also written with an air of certainty are more likely to be shared or otherwise permeate groups on Twitter Similar biases need to be considered when the utility of new media is addressed as the potential for human opinion to over emphasize any particular news story is greater despite the general improvement in addressed potential uncertainty and bias in news articles than in traditional media
On October the most common hashtag throughout the United States was “ governmentshutdown ” as well as ones focusing on political parties Obama and healthcare Most news sources have Twitter and Facebook pages like CNN and the New York Times providing links to their online articles getting an increased readership Additionally several college news organizations and administrators have Twitter pages as a way to share news and connect to students
According to "Reuters Institute Digital News Report " in the US among those who use social media to find news of these people are under years old and are above years old However social media as a main news gateway does not follow the same pattern across countries For example in this report in Brazil of the respondents said social media was one of the five most important ways to find news online in Spain in the UK in Italy in France in Denmark in the U S and in Japan Moreover there are differences among countries about commenting on news in social networks of the respondents in Brazil said they commented on news in social network in a week These percentages are in the U S and in the UK The authors argued that differences among countries may be due to culture difference rather than different levels of access to technical tools
History and memory effects edit News media and television journalism have been instrumental in the shaping of American collective memory for much of the twentieth century Indeed since the United States colonial era news media has influenced collective memory and discourse about national development and trauma In many ways mainstream journalists have maintained an authoritative voice as the storytellers of the American past Their documentary style narratives detailed exposes and their positions in the