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Stained glass has been produced since ancient times. Both the Egyptians and the Romans excelled at the manufacture of small colored glass objects. Phoenicia was important in glass manufacture with its chief centres Sidon, Tyre and Antioch. The British Museum holds two of the finest Roman pieces, the Lycurgus Cup, which is a murky mustard color but glows purple-red to transmitted light, and the Portland vase which is midnight blue, with a carved white overlay. In early Christian churches of the 4th and 5th centuries, there are many remaining windows which are filled with ornate patterns of thinly-sliced alabaster set into wooden frames, giving a stained-glass like effect. Evidence of stained-glass windows in churches and monasteries in Britain can be found as early as the 7th century. The earliest known reference dates from 675 AD when Benedict Biscop imported workmen from France to glaze the windows of the monastery of St Peter which he was building at Monkwearmouth. Hundreds of pieces of coloured glass and lead, dating back to the late 7th century, have been discovered here and at Jarrow.[9] In the Middle East, the glass industry of Syria continued during the Islamic period with major centres of manufacture at Raqqa, Aleppo and Damascus and the most important products being highly transparent colourless glass and gilded glass, rather than coloured glass. A perfume flask from 100 BC to 200 AD The Portland Vase, a rare example of Roman flashed glass An alabaster window in Orvieto Cathedral, Italy In Southwest Asia The creation of stained glass in Southwest Asia began in ancient times. One of the region's earliest surviving formulations for the production of colored glass comes from the Assyrian city of Nineveh, dating to the seventh century BC. The Kitab al-Durra al-Maknuna, attributed to the 8th century alchemist Jabir ibn Hayyan, discusses the production of colored glass in ancient Babylon and Egypt. The Kitab al-Durra al-Maknuna also describes how to create colored glass and artificial gemstones made from high-quality stained glass.[10] The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Extensive stained glasses of Nasir-ol-Molk Mosque in Shiraz, Iran and the light passing through them Stained glass in Dowlat Abad Garden at Yazd, Iran From a mosque in Jerusalem, this window contains highly detailed text. Medieval glass in Europe See also: Poor Man's Bible and Medieval stained glass Stained glass, as an art form, reached its height in the Middle Ages when it became a major pictorial form used to illustrate the narratives of the Bible to a largely illiterate populace. In the Romanesque and Early Gothic period, from about 950 to 1240, the untraceried windows demanded large expanses of glass which of necessity were supported by robust iron frames, such as may be seen at Chartres Cathedral and at the eastern end of Canterbury Cathedral. As Gothic architecture developed into a more ornate form, windows grew larger, affording greater illumination to the interiors, but were divided into sections by vertical shafts and tracery of stone. This elaboration of form reached its height of complexity in the Flamboyant style in Europe, and windows grew still larger with the development of the Perpendicular style in England. Integrated with the lofty verticals of Gothic cathedrals and parish churches, glass designs became more daring. The circular form, or rose window, developed in France from relatively simple windows with openings pierced through slabs of thin stone to wheel windows, as exemplified by the west front of Chartres Cathedral, and ultimately to designs of enormous complexity, the tracery being drafted from hundreds of different points, such as those at Sainte-Chapelle, Paris and the "Bishop's Eye" at Lincoln Cathedral. While stained glass was widely manufactured, Chartres was the greatest centre of stained glass manufacture, producing glass of unrivalled quality.[11] Medieval glass in France Detail of a 13th-century window from Chartres Cathedral Charlemagne from a Romanesque window in Strasbourg Cathedral The Crucifixion window of Poitiers Cathedral Late Gothic Tree of Jesse window from Evreux Cathedral The South Transept windows from Chartres Cathedral Medieval glass in Germany and Austria King David from Augsburg Cathedral, early 12th century. One of the oldest examples in situ. Crucifixion with Ss Catherine, George and Margaret, Leechkirche, Graz, Austria The Crucifixion and Virgin and Child in Majesty, Cologne Cathedral, (1340) Ulm Munster, The Last Judgement by Hans Acker (1430) The windows of the choir of Cologne Cathedral, (early 14th century) Medieval glass in England Detail of a Tree of Jesse from York Minster (c. 1170), the oldest stained-glass window in England. The Poor Man's Bible Window from Canterbury Cathedral South Transept window at Canterbury Cathedral, 13th century

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