Jenny Baxter : This Is An Un Official Fan Site Tribute
Janis Bevel, Mimi Dauche, Annie Blaker, Bonnie Clatch, Cindi Rhodes, Jenny Kate, Lucy Woods, Renee Verlaine, Janis King, Roxanne Louis, Randa Lee, Michelle DuMee, Helen Bubbles, Stephany Dennis, Cindy Reems, Joanne Iverson, Janet Beaver, Janet Baldwin, Karen Regis, Laura Hunt, Sarah Barnes
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Jenny Baxter

Movie Title Year Distributor Notes Rev Formats Betty Baby 1975 Blue Video Productions Anal IR Blow Some My Way 1975 Video Home Library Anal Facial DRO Bordello Girls 1975 Something Weird Video Come to Me 1986 Air Video Facial DO Double Pleasures 2007 Alpha Blue Archives DRO Executive Secretary 1974 Caballero Home Video Anal Facial O French Classmates 1978 AB Video DRO Fury in Alice 1976 Video Home Library Anal Facial DP O Ganja Express 1978 Film America NonSex Honey Cup 1975 DistribPix Hot Nurses 1976 Caballero Home Video BJOnly 1 DRO Hot Wired Vanessa 1985 Horizon Hot Wives 1976 Unknown DRO Jailbait 1976 Command Video LezOnly DRO Kinkorama 1976 Blue Video Productions DO Lady Vanessa 1985 Horizon Facial O Legends of Porn 1 1987 Metro Facial 3 DO Love in Strange Places 1976 Caballero Home Video RO Magic Girls 1985 Horizon Facial O Maraschino Cherry 1978 Video-X-Pix Anal Facial 5 DRO Midnight Desires 1976 Video-X-Pix Anal 1 DRO Miss Kinsey's Report 1975 Gourmet Video Collection Anal DRO New York City Woman 1979 VCA Clip Opening of Misty Beethoven 1975 DistribPix BJOnly 15 DRO Secret Dreams of Mona Q 1976 Arrow Productions Anal Facial O Secret Dreams of Mona Q (new) 1976 Arrow Productions Anal Facial Summer of Suzanne 1976 Video Home Library Anal CumSwap 1 Superlady 1975 Alpha Blue Archives Anal IR O That Lady from Rio 1976 Video-X-Pix DRO That's Erotic 1979 VCX BJOnly Facial DRO Touch of Desire 1978 VCR MastOnly DO Travails of June 1975 Alpha Blue Archives Facial DP 1 Trouble With Young Stuff 1976 VCX 1 DRO Turbo Sex 1983 VCA Clip D Vanessa's Bed of Pleasure 1985 Horizon IR O Vanessa's Hot Nights 1985 Horizon O Virgin Snow 1976 Video-X-Pix DRO Wet Shots 1981 VCR
Portraits Marian Hooper Adams (1843–1885) was one of America's earliest portrait photographers taking portraits of family, friends and politicians from 1883 and doing all the developing herself.[83] Sarah Choate Sears (1858–1935) gained international attention as an amateur photographer after she began producing fine portraits and flower studies. She soon became a member of London's Linked Ring and New York's Photo-Secession.[84] Elizabeth Buehrmann from Chicago (c. 1886–1963) specialized in taking portraits of leading businessmen and prominent society women in their own homes at the beginning of the 20th century, becoming a member of the famous Paris Photo-Club in 1907.[85] Caroline Gurrey (1875–1927) is remembered for her series on mixed-race children taken in Hawaii from 1904. Many were exhibited at the Alaska–Yukon–Pacific Exposition in Seattle.[86] Doris Ulmann (1884–1934) started out as an amateur pictorialist photographer but became a professional in 1918. In addition to portraits of prominent intellectuals, she documented the mountain peoples of the south, especially the Appalachians.[87] In the 1930s, Consuelo Kanaga (1894–1978) photographed many well-known artists and writers becoming one of the few photographers to produce artistic portraits. Her photograph of a slender black women and her children was included in Edward Steichen's Family of Man exhibition in 1955.[88] Ruth Harriet Louise (1903–1940) was first woman photographer active in Hollywood where she ran Metro-Goldwyn-Mayer's portrait studio from 1925 to 1930 photographing numerous stars including as Greta Garbo and Joan Crawford.



Sarah Choate Sears: Young woman with lilies (c. 1900) Caroline Gurrey: Portrait of a Japanese-Hawaiian and a Portuguese-Hawaiian Boy (1909) Marian Hooper Adams: H. Adams & Marquis (c. 1883) Doris Ulmann: Southern Mountaineer (c. 1928) Ruth Harriet Louise: Greta Garbo (1927) African-American women in photography History Photographs are pictures about and of things (Birt). As society has evolved, African-American photographers have been critical in the preservation of authentic portrayals of images about and of black culture. The participation of African-American women in photography began to receive widespread acknowledgment in the mid-20th century and with growing recognition came a shift in focus on social, economic, and political conditions. Some of the most prominent female African-American photographers include Carrie Mae Weems, Lorna Simpson, and Coreen Simpson. Carrie Mae Weems Born in Portland, Oregon, Carrie Mae Weems started her career in 1973 when she received her first camera. Her initial interest in the arts started in 1965, when she met lifelong friend Tom Vinters and began participating in street theater and dance. Though noted as an accomplished photographer, Weems' work spans text, fabric, audio, digital images, installation, and video. "…from the very beginning I've been interested in the idea of power and the consequences of power; relationships are made and articulated through power."[90] When exploring the idea of power, Weems oftentimes uses herself as the subject of her work, not for her own admiration, but "as a vehicle for approaching the question of power…"[90] Through different mediums, Weems has made it her mission to explore the family relationships, gender roles, the histories of racism, sexism, class and different types of political systems.[91] She was introduced to Dawoud Bey in 1976 and developed a long lasting friendship and professional relationship with the photographer. While on a work trip to Europe, Bey interviewed Weems in BOMB, a magazine focused on artists in conversation. Lorna Simpson Susan "Sue" Ross Sue Ross is the co-founder of Sistagraphy, a collective of women photographers, most of whom are based in Atlanta, Georgia, that has a passion for photography. In Atlanta, Sue is known as the PhotoGriot, sharing stories of the African American community through a photo lens. Sue has captured culture events and programs, as well as dignitaries and civil rights leaders who live and have visited the City of Atlanta, including but not limited to National Black Arts Festival, Atlanta Jazz Festival, Nelson Mandela, Ambassador Andrew Young, the past six African American Mayors (Maynard Jackson, Andrew Young, William "Bill" Campbell, Shirley Franklin, M. Kasim Reed and Keisha Lance Bottoms) of the City of Atlanta, and more. Since 1985, Sue has exhibited her work throughout Atlanta, including places such as Auburn Avenue Research Library on African American Culture & History, Hammonds House, Mason Murer Gallery, Micheal C. Carlos Museum, the Atlanta Life Building, and more. Lorna Simpson Lorna Simpson began her career in fashion photography, taking pictures of people whose style she admired. Simpson was able to develop her skills and became a photojournalist who captured images in politics, culture, music, and sports. Receiving her education in photography at the School of Visual Arts in New York and the University of California, San Diego, Lorna Simpson was considered a pioneer of conceptual photography well before the peak of her career. Through her work, Simpson aims to challenge the traditional views of gender, identity, culture, history, and memory as viewed by society. Her combination of large-scale photography with meaningful text work together to provide strong visual implications.[92] Her work can be found in museums across the country at the Museum of Modern Art (NY), the Museum of Contemporary Art (Chicago, IL), and the Walker Art Center (Minneapolis), and many others around the world. Coreen Simpson Making her mark as a photojournalist, Coreen Simpson started her career as a published writer. Her interest in documenting experiences in writing grew into a love for the visual arts when she contacted Essence magazine about an article she wanted to write about a business trip to the Middle East. Although the article was never published, her interest in photojournalism was heightened. In his article "Coreen Simpson: An Interpretation", Rodger Birt describes looking at a photograph as being "let in on the workings of another human consciousness" allowing for the simultaneous opportunity to receive an authentic depiction of the physical world.[93] Through her work, Simpson has created visual narratives that aesthetically tell the stories of diverse groups of people. Not only is she able to evoke emotional responses through her storytelling, but through design, chiaroscuro, and color as well. Simpson's friend, Walter Johnson, became one of her biggest mentors and guide as she expanded her knowledge in photography. She also studied Frank Stewart's process and developed a strong capacity for the history of photography. One of her biggest struggles was to differentiate her visual style from those of her inspiration. The four greatest influences of Simpson's work include Diane Arbus, Baron Adolph DeMeyer, Joel Peter Witkin, and Weegee. Whether conceptually, methodically, or creatively, each of these photographers have contributed to her approach in different ways.[94] The combination of her admiration for Arbus's uniqueness, Weegee's hunt, DeMeyer's study of the composition, and Witkin's manipulation of the print work together in encompassing the personality of Coreen Simpson's work.[94] Elizabeth "Tex" Williams Elizabeth "Tex" Williams was a world war 2 military photographer. She was in the last year of war.[95] She was one of the first women to have a photography career beyond "camera girl".[82] Lesbian women in photography History Many lesbian women find employment and creative fulfillment as photographers. While lesbians have taken photographs since the medium was invented in 1839, many 19th and early 20th century work by lesbian photographers has been lost, destroyed, or never published because of social stigma against lesbian women. Professional lesbian photographers may have also hidden their sexuality.[96] While all women who worked as professional photographers were seen as defying gender norms, lesbians may have embraced the photography profession as a way to earn money without depending on men.[97] Emma Jean Gay (1830-1919) is the earliest known lesbian photographer. Lesbians also took photos to experiment with self-expression. Lesbians took photos of themselves, their friends, and their lovers embracing each other in intimate settings which hinted at same-sex relationships without being explicitly erotic. Alice Austen (1866-1952) took photos of her friends wearing men's clothing or participating in traditional masculine activities such as smoking. These images were predominantly not for commercial use, instead existing as personal mementos the photographers and models shared with one another.[96][98] Post-Stonewall In the late twentieth century, the second wave feminist movement in the United States and the gay liberation movement following the Stonewall riots inspired efforts to create a cohesive lesbian identity with dedicated cultural artifacts such as explicitly lesbian art, including lesbian photography. These images developed new artistic trends, including depictions of sexual activity and genitalia.[99] Joan. E. Biren (b. 1944) published the first photo anthology of lesbians portraits, Eye to Eye, Portraits of Lesbians, in 1979. Other influential lesbian photographers include Tee Corinne (1943-2006) and Cathy Cade (b. 1942). Scholars have argued that lesbian artists and activists during the 1970s and 1980s intentionally labeled their art as "lesbian art" in order to foster a sense of community that was distinct from the broader feminist movement. Jan Zita Grover argued that the lesbian identity depicted by this art movement was culturally specific to colonizer societies like the United States and the United Kingdom, and was thus not representative of indigenous systems of gender and sexuality.[100] UK women's agency In the United Kingdom the women's photographic agency Format was set up in 1983, from an idea conceived by Maggie Murray and Val Wilmer.[101][102] Operating for two decades, until 2003, Format represented women photographers including Jackie Chapman, Anita Corbin, Melanie Friend, Sheila Gray, Paula Glassman, Judy Harrison, Pam Isherwood, Roshini Kempadoo, Jenny Mathews, Joanne O'Brien, Raissa Page, Brenda Prince, Ulrike Preuss, Mirium Reik, Karen Robinson, Paula Solloway, Mo Wilson and Lisa Woollett.[103][104] Contemporary Contemporary women photographers continue to break ground in the field of photography. Annie Leibovitz captures arresting, usually posed, images of the famous and the unknown, publishing photographs for the covers of Vanity Fair, Vogue, and Rolling Stone, representing a broad survey of American popular culture.[105] Cindy Sherman's work turns still photography into performance art to explore traditional and pop-cultural myths of femininity. Her work implicitly examines issues of identity and stereotype, representation and reality, the function of mass media, and the nature of portraiture.[106] The contemporary works of women photographers are numerous. Women only photography exhibits are controversial yet essential to highlight the imbalance of male domination in the field throughout the history of photography, and are becoming increasingly more common.[107][108] Some contemporary women photographers of note who were born in the 1950s and early 1960s include: Rineke Dijkstra, Nan Goldin, Jitka Hanzlová, An-My Lę, Vera Lutter, Sally Mann, Bettina Rheims, Ellen von Unwerth, JoAnn Verburg and Carrie Mae Weems. Younger contemporary photographers (born in the early 1970s) include Jessica Backhaus, Rinko Kawauchi, Hellen van Meene, Zanele Muholi, Viviane Sassen and Shirana Shahbazi.[109] Awards In 1903, Emma Barton (1872–1938) was the first woman to be awarded the Royal Photographic Society medal. It was for a carbon print entitled The Awakening.[110] The Pulitzer Prize for Photography has been awarded to outstanding work in press photography since 1942. The first woman to receive the award was Virginia Schau (1915–1989), an amateur who photographed two men being rescued from a tractor trailer cab as it dangled from a bridge in Redding, California.[111] In 2000, Marcia Reed (born 1948), the first female still photographer to join the International Cinematographers Guild also became the first women to win the Society of Operating Cameramen Lifetime Achievement Award for Still Photography


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