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Movie Title Year Distributor Notes Rev Formats Centerfold Fever 1981 Video-X-Pix DRO Consenting Adults 1982 Video-X-Pix DRO Double Your Pleasure 1978 Metro 1 DRO Sensuous Caterer 1980 Unknown O Skin Flicks 1978 AVC 2 DRO Tigresses and Other Man-Eaters 1979 Video-X-Pix Anal 1 DO White Fire 1976 VCA, S.V.E., VCX Anal 1 DRO Young Twins 2007 Alpha Blue Archives
depicts God the Father using an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal crown, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book (to symbolize God's knowledge and as a reference to how knowledge is deemed divine). He is behind and above Christ on the Cross in the Throne of Mercy iconography. A dove, the symbol of the Holy Spirit may hover above. Various people from different classes of society, e.g. kings, popes or martyrs may be present in the picture. In a Trinitarian Pietà, God the Father is often symbolized using a man wearing a papal dress and a papal crown, supporting the dead Christ in his arms. They are depicted as floating in heaven with angels who carry the instruments of the Passion.[107]

Representations of God the Father and the Trinity were attacked both by Protestants and within Catholicism, by the Jansenist and Baianist movements as well as more orthodox theologians. As with other attacks on Catholic imagery, this had the effect both of reducing Church support for the less central depictions, and strengthening it for the core ones. In the Western Church, the pressure to restrain religious imagery resulted in the highly influential decrees of the final session of the Council of Trent in 1563. The Council of Trent decrees confirmed the traditional Catholic doctrine that images only represented the person depicted, and that veneration to them was paid to the person, not the image.[108] Artistic depictions of God the Father were uncontroversial in Catholic art thereafter, but less common depictions of the Trinity were condemned. In 1745 Pope Benedict XIV explicitly supported the Throne of Mercy depiction, referring to the "Ancient of Days", but in 1786 it was still necessary for Pope Pius VI to issue a papal bull condemning the decision of an Italian church council to remove all images of the Trinity from churches.[109] The famous The Creation of Adam on the Sistine Chapel ceiling, by Michelangelo c. 1512 God the Father is symbolized in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God (Gen 1:26)).God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin in the Frari of Venice, long admired as a masterpiece of High Renaissance art.[110] The Church of the Gesù in Rome includes a number of 16th-century depictions of God the Father. In some of these paintings the Trinity is still alluded to in terms of three angels, but Giovanni Battista Fiammeri also depicted God the Father as a man riding on a cloud, above the scenes.[111] In both the Last Judgment and the Coronation of the Virgin paintings by Rubens he depicted God the Father using the image that by then had become widely accepted, a bearded patriarchal figure above the fray. In the 17th century, the two Spanish artists Diego Velázquez (whose father-in-law Francisco Pacheco was in charge of the approval of new images for the Inquisition) and Bartolomé Esteban Murillo both depicted God the Father using a patriarchal figure with a white beard in a purple robe. While representations of God the Father were growing in Italy, Spain, Germany and the Low Countries, there was resistance elsewhere in Europe, even during the 17th century. In 1632 most members of the Star Chamber court in England (except the Archbishop of York) condemned the use of the images of the Trinity in church windows, and some considered them illegal.[112] Later in the 17th century Sir Thomas Browne wrote that he considered the representation of God the Father using an old man "a dangerous act" that might lead to Egyptian symbolism.[113] In 1847, Charles Winston was still critical of such images as a "Romish trend" (a term used to refer to Roman Catholics) that he considered best avoided in England.[114] In 1667 the 43rd chapter of the Great Moscow Council specifically included a ban on a number of symbolic depictions of God the Father and the Holy Spirit, which then also resulted in a whole range of other icons being placed on the forbidden list,[115][116] mostly affecting Western-style depictions which had been gaining ground in Orthodox icons. The Council also declared that the person of the Trinity who was the "Ancient of Days" was Christ, as Logos, not God the Father. However some icons continued to be produced in Russia, as well as Greece, Romania, and other Orthodox countries. Islam The Arabic script of "Allah" in the Hagia Sophia, Istanbul Further information: God in Islam Muslims believe that God (Allah) is beyond all comprehension and equal, and does not resemble any of his creations in any way. Thus, Muslims are not iconodules, are not expected to visualize God, and instead of having pictures of Allah in their mosques, typically have religious calligraphy written on the wall.[35] Bahá'í Faith Further information: Manifestation of God In the Kitáb-i-Íqán, the primary theological work of the Bahá’í Faith, God is described as “Him Who is the central Orb of the universe, its Essence and ultimate Purpose.” Bahá'u'lláh taught that God is directly unknowable to common mortals, but that his attributes and qualities can be indirectly known by learning from and imitating his divine Manifestations, which in Bahá'í theology are somewhat comparable to Hindu avatars or Abrahamic prophets. These Manifestations are the great prophets and teachers of many of the major religious traditions. These include Krishna, Buddha, Jesus, Zoroaster, Muhammad, Bahá'ú'lláh, and others. Although the faith is strictly monotheistic, it also preaches the unity of all religions and focuses on these multiple epiphanies as necessary for meeting the needs of humanity at different points in history and for different cultures, and as part of a scheme of progressive revelation and education of humanity. Theological approaches See also: Classical theism and Theistic Personalism Classical theists (such as Ancient Greco-Medieval philosophers, Roman Catholics, Eastern Orthodox Christians, many Jews and Muslims, and some Protestants)[a] speak of God as a divinely simple 'nothing' that is completely transcendent (totally independent of all else), and having attributes such as immutability, impassibility, and timelessness.[118] Theologians of theistic personalism (the view held by Rene Descartes, Isaac Newton, Alvin Plantinga, Richard Swinburne, William Lane Craig, and most modern evangelicals) argue that God is most generally the ground of all being, immanent in and transcendent over the whole world of reality, with immanence and transcendence being the contrapletes of personality.[119] Carl Jung equated religious ideas of God with transcendental metaphors of higher consciousness, in which God can be just as easily be imagined "as an eternally flowing current of vital energy that endlessly changes shape ... as an eternally unmoved, unchangeable essence."[120] Many philosophers developed arguments for the existence of God,[4] while attempting to comprehend the precise implications of God's attributes. Reconciling some of those attributes—particularly the attributes of the God of theistic personalism—generated important philosophical problems and debates. For example, God's omniscience may seem to imply that God knows how free agents will choose to act. If God does know this, their ostensible free will might be illusory, or foreknowledge does not imply predestination, and if God does not know it, God may not be omniscient.[121] The last centuries of philosophy have seen vigorous questions regarding the arguments for God's existence raised by such philosophers as Immanuel Kant, David Hume and Antony Flew, although Kant held that the argument from morality was valid. The theist response has been either to contend, as does Alvin Plantinga, that faith is "properly basic", or to take, as does Richard Swinburne, the evidentialist position.[122] Some theists agree that only some of the arguments for God's existence are compelling, but argue that faith is not a product of reason, but requires risk. There would be no risk, they say, if the arguments for God's existence were as solid as the laws of logic, a position summed up by Pascal as "the heart has reasons of which reason does not know."[123] Many religious believers allow for the existence of other, less powerful spiritual beings such as angels, saints, jinn, demons, and

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