Loray White Un Official Fan Site Tribute

Loray White : This Is An Un Official Fan Site Tribute
Loray White
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Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, musician, dancer, actor, vaudevillian, comedian, and activist known for his impressions of actors, musicians, and other celebrities. At age three, Davis began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally. After military service, he returned to the trio and became an overnight sensation following a nightclub performance at Ciro's (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced by African-American and Jewish communities.[2] After a starring role on Broadway in Mr Wonderful (1956), he returned to the stage in 1964's Golden Boy. Davis's film career began as a child in 1933. In 1960, he appeared in the Rat Pack film Ocean's 11. In 1966, he had his own TV variety show, titled The Sammy Davis Jr. Show. While Davis's career slowed in the late 1960s, his biggest hit, "The Candy Man", reached the top of the Billboard Hot 100 in June 1972, and he became a star in Las Vegas, earning him the nickname "Mister Show Business".[3][4]
Davis had a complex relationship with the black community and drew criticism after publicly supporting President Richard Nixon in 1972. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap. I'm a one-eyed Negro who's Jewish."[5][6] This was to become a signature comment, recounted in his autobiography and in many articles.[7] After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before his death in 1990. He died in debt to the Internal Revenue Service,[8] and his estate was the subject of legal battles after the death of his wife.[9] Davis was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Emmy Award for his television performances. He was a recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Contents 1 Early life 1.1 Military service 2 Career 3 Personal life 3.1 Accident and conversion 3.2 Marriages 3.3 Hobbies 4 Political beliefs 5 Illness and death 5.1 Estate 6 Legacy 6.1 Portrayals 7 Honors and awards 7.1 Grammy Awards 7.2 Emmy Awards 7.3 Other honors 8 Discography 9 Filmography 10 Stage 11 Television 12 See also 13 References 14 Further reading 14.1 Autobiographies 14.2 Biographies 14.3 Other 15 External links Early life Davis was born on December 8, 1925, in the Harlem section of Manhattan in New York City, the son of African-American entertainer and stage performer Sammy Davis Sr. (1900–1988) and Puerto Rican tap dancer and stage performer Elvera Sanchez (1905–2000).[10] In the 2003 biography In Black and White, author Wil Haygood wrote that Davis's mother was born in New York City to Puerto Rican parents.[11][12] Davis's parents were vaudeville dancers. As an infant, he was reared by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour. Davis learned to dance from his father and his "uncle" Will Mastin. Davis joined the act as a child and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism, such as by explaining race-based snubs as jealousy. However, when Davis served in the United States Army during World War II, he was confronted by strong prejudice. He later said: "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for 18 years, a door which they had always secretly held open."[13] At age seven, Davis played the title role in the film Rufus Jones for President, in which he sang and danced with Ethel Waters.[14] He lived for several years in Boston's South End, and reminisced years later about "hoofing and singing" at Izzy Ort's Bar & Grille.[15] Military service During World War II, Davis was drafted into the U.S. Army in 1943 aged 18.[16] He was frequently abused by white soldiers from the South and later recounted that "I must have had a knockdown, drag-out fight every two days." His nose was broken numerous times and permanently flattened. At one point he was offered a beer laced with urine.[17] He was reassigned to the Army's Special Services branch, which put on performances for troops.[18] At one show he found himself performing in front of soldiers who had previously racially abused him.[16] Davis, who earned the American Campaign Medal and World War II Victory Medal, was discharged in 1945 with the rank of private.[16] He later said, "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking."[19] Career Davis during the 1963 March on Washington After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green.[20] On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped.[17] Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums.[21] In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio.[22][23][24] The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal who founded the American Negro Theater. The network couldn't get a sponsor, so the show was dropped.[24] In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross.[25][26] In 1956, he starred in the Broadway musical Mr. Wonderful. In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockey of Los Angeles.[27][28] In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying that it reminded people of the Ku Klux Klan. Sinatra renamed the group "the Summit". One long night of poker that went on into the early morning saw the men drunken and disheveled. As Angie Dickinson approached the group, she said, "You all look like a pack of rats." The nickname caught on, and they were called the Rat Pack, the name of its earlier incarnation led by Humphrey Bogart and Lauren Bacall, who originally made the remark of the "pack of rats" about the group around her husband Bogart. The group around Sinatra made several movies together, including Ocean's 11 (1960), Sergeants 3 (1962), and Robin and the 7 Hoods (1964), and they performed onstage together in Las Vegas. In 1964, Davis was the first African American to sing at the Copacabana night club in New York.[29] Davis was a headliner at The Frontier Casino in Las Vegas, but, due to Jim Crow practices in Las Vegas, he was required (as were all black performers in the 1950s) to lodge in a rooming house on the west side of the city, instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places which practiced racial segregation.[30] Canada provided opportunities for performers like Davis unable to break the color barrier in U.S. broadcast television, and in 1959, he starred in his own TV special Sammy's Parade on the Canadian network CBC[31] It was a breakthrough event for the performer, as in the United States in the 1950s, corporate sponsors largely controlled the screen: "Black people [were] not portrayed very well on television, if at all," according to Jason King of the Clive Davis Institute of Recorded Music

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