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Sobresaliente en lujuria alternative title for Je suis à prendre Notes available Suppliers listed (orgy scene) Take Me alternative title for Je suis à prendre Notes available Suppliers listed (orgy scene) A dystopia (from Ancient Greek d?s- "bad" and t?p?? "place"; alternatively, cacotopia,[1] kakotopia, or simply anti-utopia) is a community or society that is undesirable or frightening.[2][3] It is translated as "bad place" and is an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published 1516, a blueprint for an ideal society with minimal crime, violence and poverty.

Dystopias are often characterized by dehumanization,[2] tyrannical governments, environmental disaster,[3] or other characteristics associated with a cataclysmic decline in society. Dystopian societies appear in many fictional works and artistic representations, particularly in stories set in the future. Some of the most famous examples are George Orwell's Nineteen Eighty-Four, Aldous Huxley's Brave New World and Ray Bradbury's Fahrenheit 451. Dystopian societies appear in many sub-genres of fiction and are often used to draw attention to society, environment, politics, economics, religion, psychology, ethics, science or technology. Some authors use the term to refer to existing societies, many of which are or have been totalitarian states or societies in an advanced state of collapse. Some scholars, such as Gregory Claeys and Lyman Tower Sargent, make certain distinctions between typical synonyms of dystopias. For example, Claeys and Sargent define literary dystopias as societies imagined as substantially worse than the society in which the author writes, whereas anti-utopias function as criticisms of attempts to implement various concepts of utopia.[4] In his Dystopia: A Natural History (Oxford University Press, 2017) Claeys offers a more nuanced and historical approach to these definitions. Here the tradition is traced from early reactions to the French Revolution. Its commonly anti-collectivist character is stressed, and the addition of other themes (the dangers of science and technology, of social inequality, of corporate dictatorship, of nuclear war) are also traced. Contents 1 Etymology 2 Society 3 Common themes 3.1 Politics 3.2 Economics 3.2.1 Class 3.3 Family 3.4 Religion 3.5 Identity 3.6 Violence 3.7 Nature 3.8 Science and technology 3.8.1 Typical dystopian claims 4 See also 5 References 6 External links Etymology Though several earlier usages are known, dystopia was used as an antonym for Utopia by John Stuart Mill in one of his Parliamentary Speeches 1868 (Hansard Commons) by adding the prefix "dys" (Ancient Greek: d?s- "bad"), reinterpreting the initial U as the prefix "eu" (Ancient Greek: e?- "good") instead of "ou" (Ancient Greek: ?? "not").[5][6] It was used to denounce the government's Irish land policy: "It is, perhaps, too complimentary to call them Utopians, they ought rather to be called dys-topians, or caco-topians. What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable".[7][8][9][10] Decades before the first documented use of the word "dystopia" was "cacotopia" (using Ancient Greek: ?a??s, "bad, wicked") originally proposed in 1818 by Jeremy Bentham, "As a match for utopia (or the imagined seat of the best government) suppose a cacotopia (or the imagined seat of the worst government) discovered and described".[11][12] Though dystopia became the most popular term, cacotopia finds occasional use; Anthony Burgess, author of A Clockwork Orange, said it was a better fit for Orwell's Nineteen Eighty-Four because "it sounds worse than dystopia".[13] Society [icon] This section needs expansion. You can help by adding to it. (March 2017) See also: Apocalyptic and post-apocalyptic fiction § In society People Leaving the Cities, artwork by Zbigniew Libera picturing a dystopian future in which people leave dying metropolises Dystopias typically reflect contemporary sociopolitical realities and extrapolate worst-case scenarios as warnings for necessary social change or caution.[14] Dystopian fictions invariably reflect the concerns and fears of its y contemporaneous culture.[15] Due to this they are a subject of social studies.[citation needed] In a 1967 study Frank Kermode suggests that the failure of religious prophecies led to a shift in how society apprehends this ancient mode. Christopher Schmidt notes that while the world goes to waste for future generations we distract ourselves from disaster by passively watching it as entertainment.[16] In recent years there has seen a surge of popular dystopian young adult literature and blockbuster films.[17][16] Theo James, actor in Divergent, notes that "young people in particular have such a fascination with this kind of story", saying "It's becoming part of the consciousness. You grow up in a world where it's part of the conversation all the time – the statistics of our planet warming up. The environment is changing. The weather is different. There are things that are very visceral and very obvious, and they make you question the future and how we will survive. It's so much a part of everyday life that young people inevitably – consciously or not – are questioning their futures and how the Earth will be. I certainly do. I wonder what kind of world my children's kids will live in."[17] Some have commented on this trend, saying that "it is easier to imagine the end of the world than it is to imagine the end of capitalism".[18][19][20][21] Common themes Politics In When the Sleeper Wakes, H. G. Wells depicted the governing class as hedonistic and shallow.[22] George Orwell contrasted Wells's world to that depicted in Jack London's The Iron Heel, where the dystopian rulers are brutal and dedicated to the point of fanaticism, which Orwell considered more plausible.[23] The political principles at the root of fictional utopias (or "perfect worlds") are idealistic in principle and result in positive consequences for the inhabitants; the political principles on which fictional dystopias are based, while often based on utopian ideals, result in negative consequences for inhabitants because of at least one fatal flaw.[24][25] Dystopias are often filled with pessimistic views of the ruling class or a government that is brutal or uncaring, ruling with an "iron fist".[citation needed] Dystopian governments are sometimes ruled by a fascist regime or dictator. These dystopian government establishments often have protagonists or groups that lead a "resistance" to enact change within their society, as is seen in Alan Moore's V for Vendetta.[26] Dystopian political situations are depicted in novels such as We, Parable of the Sower, Darkness at Noon, Nineteen Eighty-Four, Brave New World, The Hunger Games, Divergent and Fahrenheit 451 and such films as Metropolis, Brazil, Battle Royale, FAQ: Frequently Asked Questions, Soylent Green, Logan's Run, and The Running Man. Economics

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