Mahela Sweet Un Official Fan Site Tribute

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first show after Harrison's death on 29 November 2001 by playing an acoustic version of "Something" with violinist Soozie Tyrell, followed by a rendition of Harrison's solo hit "My Sweet Lord".[154] Elton John gave a solo performance of the song at New York's Carnegie Hall in April 2002, as part of a one-hour Harrison tribute during the eleventh annual Rainforest Foundation concert.[155] In honour of Harrison's fondness for the instrument, Paul McCartney played a ukulele rendition of "Something" throughout his 2002–03 world tour[156] and included the track on his Back in the U.S. live album.[157] At the Concert for George, held at London's Royal Albert Hall on 29 November 2002,[158] he and Eric Clapton performed a version that begins with McCartney alone, on ukulele, and then reverts to the familiar, rock arrangement, with Clapton taking over as lead singer and backing from Starr, Preston and others.[159] Following its appearance in David Leland's film Concert for George (2003) and on the accompanying live album, this performance of "Something" was nominated for the Grammy Award for Best Pop Collaboration with Vocals.[160] Bob Dylan also played the song live during his November 2002 concerts, as a tribute to Harrison.[161][162] McCartney has continued to perform "Something", adopting the Concert for George mix of ukulele and rock backing;[163] a version with this musical arrangement was included on his 2009 album Good Evening New York City.[164]
Live performances by Harrison Harrison played "Something" at the two Concert for Bangladesh shows, held at Madison Square Garden in New York on 1 August 1971.[165] His first live performance as a solo artist, he was backed by a large band that included Starr, Preston, Clapton and Leon Russell.[166][167] The version used on the live album and in the 1972 concert film was taken from the evening show that day, when Harrison played it as the final song before returning to perform "Bangla Desh" as an encore.[168] Harrison included "Something" in all of his subsequent, and rare, full-length concert appearances.[169] For his 1974 North American tour with Ravi Shankar, he had been reluctant to feature any material from the Beatles' catalogue,[170] but at the urging of Shankar and Preston during rehearsals, he added "Something" to the setlist.[171] To the disappointment of many fans, however, he chose to alter some of the song's lyrics (such as changing the first line to "If there's something in the way, remove it").[172] Further distancing himself from the Beatles' legacy, Harrison told journalists at the start of the tour that he would join a group with Lennon "any day" but rejected the idea of working again with McCartney, since he preferred Willie Weeks as a bassist.[173] MacDonald comments that this statement was likely in reference to McCartney's "too fussily extemporised" bass part on the Beatles' 1969 recording.[7] With Boyd having left Harrison for Clapton earlier in 1974,[174] Larry Sloman of Rolling Stone described the reworked "Something" as "a moving diary of his love life".[175]

A version from Harrison's December 1991 tour of Japan with Clapton – Harrison's only other tour as a solo artist[176] – appears on the Live in Japan double album (1992).[177] Inglis writes of the track having "extra poignancy" by this time, "in that the woman for whom it was written had been married to, and divorced from, Harrison and Clapton in turn".[178] Inglis adds: "It is not a new interpretation of the song, but it does suggest a new perspective, in which words and music are used by two close friends to reflect on the lives they have led."[179] Personnel According to Walter Everett[51] and Bruce Spizer:[180] The Beatles George Harrison – lead vocal, lead guitar, rhythm guitar John Lennon – piano Paul McCartney – bass guitar, backing vocal Ringo Starr – drums Additional musicians Billy Preston – Hammond organ George Martin – string arrangement Charts and certifications Beatles version Chart (1969–1970) Peak position Australian Go-Set National Top 40 Singles[181] 1 Austrian Singles Chart[182] 11 Canadian RPM 100 Singles[183] 1 Irish Singles Chart[184] 3 New Zealand Listener Chart[185] 1 Norwegian VG-lista Singles[186] 2 Swedish Kvällstoppen Chart[187] 5 UK Singles Chart[96] 4 US Billboard Hot 100[188] 1 US Billboard Easy Listening[189] 17 US Cash Box Top 100[188] 2 West German Musikmarkt Hit-Parade[190] 1 Shirley Bassey version Chart (1970–71) Peak position Australian Go-Set National Top 60 Singles[191] 47 Austrian Singles Chart[192] 19 Belgian Ultratop Singles Chart[193] 11 Dutch MegaChart Singles[128] 10 French SNEP Singles Chart[194] 34 Irish Singles Chart[195] 13 UK Singles Chart[127] 4 US Billboard Hot 100[129] 55 US Billboard Easy Listening[129] 6 West German Media Control Singles Chart The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert[6] and first manufactured in 1935.[7] Various models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Tonegenerator Components Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios, small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a generation of organ players, and its use became more widespread in the 1960s and 1970s in rhythm and blues, rock, reggae, and progressive rock. In the 1970s, the Hammond Organ Company abandoned tonewheels and switched to integrated circuits. These organs were less popular, and the company went out of business in 1985. The Hammond name was purchased by the Suzuki Musical Instrument Corporation, which proceeded to manufacture digital simulations of the most popular tonewheel organs. This culminated in the production of the "New B-3" in 2002, a recreation of the original B-3 organ using digital technology. Hammond-Suzuki continues to manufacture a variety of organs for both professional players and churches. Companies such as Korg, Roland, and Clavia have achieved success in providing more lightweight and portable emulations of the original tonewheel organs. The sound of a tonewheel Hammond can be emulated using modern software such as Native Instruments B4. Contents 1 Features 1.1 Keyboards and pedalboard 1.2 Drawbars 1.3 Presets 1.4 Vibrato and chorus 1.5 Harmonic percussion 1.6 Start and run switches 2 History 2.1 Tonewheel organs 2.2 Transistor organs 2.3 Hammond-Suzuki 3 Speakers 3.1 Tone cabinet 3.2 Leslie speaker 4 Tone generation 5 Clones and emulation devices 6 Notable players 7 See also 8 References 9 External links Features A number of distinctive Hammond organ features are not usually found on other keyboards like the piano or synthesizer. Some are similar to a pipe organ, but others are unique to the instrument.[8] Keyboards and pedalboard The two manuals of the Hammond B-2. C Note MENU0:00 A single note (C) played on a Hammond organ Problems playing this file? See media help. Unlike an American Guild of Organists pedalboard, a console Hammond normally has 25 pedals.[9] Most Hammond organs have two 61-note (five-octave) keyboards called manuals. As with pipe organ keyboards, the two manuals are arrayed on two levels close to each other. Each is laid out in a similar manner to a piano keyboard, except that pressing a key on a Hammond results in the sound continuously playing until it is released, whereas with a piano, the note's volume decays. No difference in volume occurs regardless of how heavily or lightly the key is pressed (unlike with a piano), so overall volume is controlled by a pedal (also known as a "swell" or "expression" pedal).[10] The keys on each manual have a lightweight action, which allows players to perform rapid passages more easily than on a piano. In contrast to piano and pipe organ keys, Hammond keys have a flat-front profile, commonly referred to as "waterfall" style. Early Hammond console models had sharp edges, but starting with the B-2, these were rounded, as they were cheaper to manufacture.[11] The M series of spinets also had waterfall keys (which has subsequently made them ideal for spares on B-3s and C-3s[12]), but later spinet models had "diving board" style keys which resembled those found on a church organ.[13] Modern Hammond-Suzuki models use waterfall keys.[14] Hammond console organs come with a wooden pedalboard played with the feet, for bass notes. Most console Hammond pedalboards have 25 notes, with the bottom note a low C and the top note a middle C two octaves higher. Hammond used a 25-note pedalboard because he found that on traditional 32-note pedalboards used in church pipe organs, the top seven notes were seldom used. The Hammond Concert models E, RT, RT-2, RT-3 and D-100 had 32-note American Guild of Organists (AGO) pedalboards going up to the G above middle C as the top note.[9] The RT-2, RT-3 and D-100 also contained a separate solo pedal system that had its own volume control and various other features.[15] Spinet models have 12- or 13-note miniature pedalboards.[9] Drawbars The sound on a Hammond is varied using drawbars, similar to faders on an audio mixing board[16] The sound on a tonewheel Hammond organ is varied through the manipulation of drawbars. A drawbar is a metal slider that controls the volume of a particular sound component, in a similar way to a fader on an audio mixing board. As a drawbar

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