is incrementally pulled out, it increases the volume of its sound. When pushed all the way in, the volume is decreased to zero.[16] The labeling of the drawbar derives from the stop system in pipe organs, in which the physical length of the pipe corresponds to the pitch produced. Most Hammonds contain nine drawbars per manual. The drawbar marked "8'" generates the fundamental of the note being played, the drawbar marked "16'" is an octave below, and the drawbars marked "4'", "2'" and "1'" are one, two and three octaves above, respectively. The other drawbars generate various other harmonics and subharmonics of the note.[17] While each individual drawbar generates a relatively pure sound similar to a flute or electronic oscillator, more complex sounds can be created by mixing the drawbars in varying amounts.[18] Some drawbar settings have become well-known and associated with certain musicians. A very popular setting is 888000000 (i.e., with the drawbars labelled "16'", "?5 1/3'" and "8'" fully pulled out), and has been identified as the "classic" Jimmy Smith sound.[19] Presets Preset keys on a Hammond organ are reverse-colored and sit to the left of the manuals In addition to drawbars, many Hammond tonewheel organ models also include presets, which make predefined drawbar combinations available at the press of a button. Console organs have one octave of reverse colored keys (naturals are black, sharps and flats are white) to the left of each manual, with each key activating a preset; the far left key (C), also known as the cancel key, de-activates all presets, and results in no sound coming from that manual. The two right-most preset keys (B and B?) activate the corresponding set of drawbars for that manual, while the other preset keys produce preselected drawbar settings that are internally wired into the preset panel.[20]
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