mari possa : This Is An Un Official Fan Site Tribute
Mari Posa
Porn Queen Actress Superstar


mari possa

PERFORMER AKA Mari Posa BIRTHDAY January 21, 1980 (40 years old) ASTROLOGY Aquarius BIRTHPLACE El Salvador YEARS ACTIVE 2003-2015 (Started around 23 years old)
Mari Possa (born January 21, 1980) is a Salvadoran American pornographic actress and reality TV personality. Contents 1 Early life 2 Career 3 Awards 4 References 5 External links Early life Mari Possa with her then partner Seymore Butts in 2004 Possa was born in San Miguel, El Salvador. Her family moved from El Salvador to the United States when she was nine.



Career Mari Possa was a former secretary at a law firm when she entered the adult industry as assistant of director Seymour Butts.[3] In 2003 she became a contract girl for Seymour Butts Home Movies and Adam & Eve Pictures, and appeared in about 35 scenes until 2009. In 2009, Possa retired from show business to pursue a degree in broadcasting, then she made her comeback in 2012 as a freelance performer for solo and lesbian scenes. Possa also appeared in the Showtime TV series Family Business and was the cover girl of the book Dirty Talk: Conversations With Porn Stars by Andrew J. Rausch and Chris Watson.[4] Her porn name is a pun on the word mariposa, which means "butterfly" in Spanish. Awards 2005 AVN Award nominee – Best Group Sex Scene, Video – Anal Surprise Party 2006 AVN Award nominee – Best Threeway Sex Scene – House of Ass 2006 AVN Award nominee – Best All-Girl Sex Scene, Video – War of the Girls[5] 2007 AVN Award nominee – Best Group Sex Scene, Video – Butt Pirates of the Caribbean[6] 2009 AVN Award nominee – Best Threeway Sex Scene – Jenna 9.5[7] 2013 XBIZ Award nomination – Performer Comeback of the Year Movie Title Year Distributor Notes Rev Formats All Star Party Poopers 2007 Seymore Butts Anal 1 DRO Anal Express 2005 Seymore Butts BJOnly Facial 3 DO Anal Interpreter 2005 Seymore Butts Anal Facial CumSwap 1 DRO Anal Surprise Party 2004 Seymore Butts Anal Facial Squirt 1 DRO Anal vs. Oral 2008 Seymore Butts Anal Facial DP 1 DRO Anusthesia 2004 Seymore Butts BJOnly Facial 1 DRO Asstravaganza 2001 Seymore Butts BJOnly DVDOnly 4 DRO Babes.TV 1 2005 Cloud 9 LezOnly O Backdoor Review 2008 Seymore Butts Anal Facial 1 D Banana Splits 2013 Seymore Butts Anal Facial A2M DO Bottom Feeders 2005 Seymore Butts 1 DRO Brazen Beauty 2007 twistysnetwork.com MastOnly British are Coming 2004 Seymore Butts Anal Facial A2M 3 DRO Butt Pirates of the Caribbean 2005 Seymore Butts Facial 4 DRO Cirque Du Hole-A 2013 Seymore Butts LezOnly 1 DRO Cloud 9 Babes 3 2006 Metro MastOnly O Come Away With Me 2008 twistys.com MastOnly Corset Peel 2007 twistys.com MastOnly Cracked 2005 Pure Play Media Anal Facial A2M 1 DRO Cutie Bootys 2015 Simon Wolf DRO Dairyere The Moovie 2012 Pure Play Media LezOnly DRO Deep Tush 2005 Seymore Butts Anal Facial A2M DRO Delight at Twilight 2008 twistys.com MastOnly Do It Yourself Porn 2007 Seymore Butts DRO Exotic Extasy 2006 twistys.com MastOnly Faith's Fantasies 2006 Black Widow Productions LezOnly 2 O Finding Tushyland 2004 Seymore Butts MastOnly 1 DO Girl-Girl Fart Lickers 3 2013 White Ghetto LezOnly 1 D Girlfriends 5 2012 3rd Degree LezOnly DRO Hardcore Sex in the City 1 2004 Maximum Grind LezOnly 1 O Hardcore Threesomes 2016 Rosebud D Here Comes My Man 2007 twistys.com MastOnly Horny Amazon Warrior 2008 twistys.com MastOnly House of Ass (II) 2005 Seymore Butts Anal A2M 1 DRO How Could I Forget That Asshole 2008 Seymore Butts 1 DRO How to Eat Pussy Like a Champ 2008 Seymore Butts DRO I'll Toss Your Salad If You Butter My Buns 2007 Seymore Butts Anal Facial 1 DRO International Tushy 2003 Seymore Butts Anal Facial A2M 1 DRO It's Raining Tushy Girls 2003 Seymore Butts Anal Facial Creampie 3 DRO Jailbait 1 (II) 2005 Cloud 9 MastOnly DO Jamaican Me Horny 2003 Seymore Butts Anal Facial A2M 5 DRO Jenna 9.5 2007 Seymore Butts Anal Creampie 1 DRO Kittens and Cougars 6 2013 Zero Tolerance LezOnly DRO Latina Solitas 2011 Twistys MastOnly DO Lesbian Cougars On The Hunt 2012 Filly Films LezOnly Lip Service 2004 Seymore Butts BJOnly Facial 1 DRO Lipstick Lesbians 1 2004 Metro LezOnly DRO Lipstick Lesbians 2 2004 Metro LezOnly DO Luscious Latina Lover 2006 twistys.com MastOnly Mari Posa Is No Posseur 2007 twistys.com MastOnly Mari's Jungle Book Nook 2007 twistys.com MastOnly Marty Zion's Beautiful Girls 2004 Nectar Entertainment MastOnly DRO My Mom Likes Girls 2 2012 Zero Tolerance LezOnly DRO Mystified 1: The Vision 2003 Nectar Entertainment Facial 5 DRO Naughty Nymphs 2008 Nectar Entertainment DO Party at Butts Place 2006 Pure Play Media Anal Facial 1 DRO Pussy Party 1 2004 CSI LezOnly 2 DRO Pussy Party 22 2007 Pure Play Media LezOnly DRO Put Your Junk In My Trunk 2017 Rosebud Anal DRO Romancing the Butthole 2008 Pure Play Media DRO Seed of Seymore 2004 Seymore Butts Anal Facial A2M 1 DRO Seymore Butts' Does Exxxotica 2012 Pure Play Media MastOnly DO Shhwing 2006 Pure Play Media Anal Facial DP A2M 2 DRO Sinful Angels 2008 Nectar Entertainment Facial DO Slippin In Through The Outdoor 1996 Ultimate Video LezOnly DVDOnly 4 DO Strictly BusinASS 2003 Seymore Butts MastOnly 3 DRO Tag Team Tushy 2012 Seymore Butts DRO There's Something About Mari 2008 Seymore Butts Anal 1 DRO Tight Breast Revealing Dress 2008 twistys.com MastOnly Tongue in Cheeks 2003 Seymore Butts DRO Tropical Tease 2008 twistys.com MastOnly Tushy Anyone 2 2015 Pure Play Media LezOnly 3 DRO Uranus or Bust 2004 Seymore Butts 2 DRO View to a Rear 2009 Seymore Butts D War Of The Girls 2005 Pure Play Media Anal Facial A2M DO Welcome to the Valley 5 2004 Nectar Entertainment MastOnly 3 DRO Welcum to Casa Butts 2 2005 Seymore Butts 1 DRO What A Rush 2007 twistys.com MastOnly Wild On X 2 2004 Metro LezOnly O Yoga Girls 2013 Addicted 2 Girls LezOnly Introduction of the Comics Code Authority There is a historical context for the lack of female representation in comics. In 1954, the comics industry was attacked by concerned parents, psychologists, and politicians. These individuals were concerned that comic books were unfit for children. Superheroines, who had made their debut in 1941, were a major focus; "Foremost on the agendas of the anti-comics crusade were concerns that gender roles were bent in the stories, allowing characters like Wonder Woman to act out lesbian and sadomasochistic fantasies."[42] Hollywood, which had undergone similar attacks in the past, had created a self-governed Production Code, which was then imitated by the comic book industry with the creation of the Comics Code Authority. "The code policed the visual, textual, and thematic content of all comic books published after 1954, and is still active—in diluted form—today. Because of this, superhero comics made after 1954 tended to appease conservative ideology, and gender roles appeared rooted in tradition."[42] Feminism in comics The enforcement of gender roles within comics continued well past the 1950s. The roles of women in comics during the 1960s and 70s shifted to become more diverse and began to extend past traditional roles as a result of the civil rights movement, second wave feminism, and the sexual revolution, when more women in society were taking on predominantly male professions and advocating for social rights.[41] In the 1970s, female characters in comics and other mainstream media were sometimes depicted as "playing with the boys" and taking more traditionally male-dominated roles, though they still tended to be cast as love interests or to take maternal roles.[42] Prominent superheroines that were introduced during this period in comics were Spider-Woman, Ms. Marvel, the Cat, and Valkyrie.[43] Despite the industry's historically and culturally backed creation of a male-dominated market, there has been an increase in female readership, as well as an influx in convention attendance deemed to be largely female.[40] In addition to historical censorship, the male-domination of comic book culture has been self-perpetuating. The view that comic book reading was a hobby strictly for males created a hostile environment for the female comic book reader. Women that read comics were often viewed as "doing womanhood wrong" or as individuals that "read comics wrong." This led to a cyclical pattern of hostility towards females in the comic book audience. Author Douglas Wolk states "I remember seeing a Marvel sales plan, sometime in the early '90s-a huge document, several hundred pages long; near the back, a little section labeled "Female Readers" listed the two titles Marvel published for half of their potential audience: Barbie and Barbie Fashion."[40] In the 1980s there was a shift in the way comics were written; instead of treating each issue of a comic as if it were the reader's first issue, or an "on ramp", as it had been done previously,[40] comics began to be written in a way that demanded continuous readership from the beginning of a series in order for the plot to be understood. It is possible that this may have led to a further decline in female readership, as the female readers that might have tried to start during this era would find themselves confused and lost. Carol Danvers, a superhero who has been known as Ms. Marvel, Binary, and Captain Marvel, is one of Marvel's most popular female superheroes, and has been considered a feminist icon.[44] She is considered one of the strongest superheroes created by Marvel. Sexualized superheroes During the late 1980s, comics had undergone a stylistic shift in terms of character proportions. The sexual characteristics of comic book characters became more exaggerated, which affected both male and female characters. Male characters were typically drawn with bigger muscles, smaller heads, broader shoulders and chests. Female characters developed larger breasts and rears, very thin waists, longer legs, large lips, and more revealing costumes. While male characters generally had a variety of poses, females often were drawn in suggestive poses that further accentuated their breasts and rears. Female characters that were deemed to be empower feminist views were also portrayed in a sexualized manner.[45] The trend has become the target of satire by feminists, especially on websites like The Hawkeye Initiative. Independent comics In addition, many female readers sway towards independent works, where there is a lot more female representation. The independent comics industry, whose products are often referred to as indies, have become a huge source of authentically represented females in comics. More women than ever before are becoming comic book artists and writers, and many of them have flocked to the independent industry. This, combined with a large female readership, has resulted in greatly increased numbers of female-driven stories in this industry. Manga, another form of graphic novel, has also led to a rise in female readership of comics. The trend towards hyper-sexualized female characters in mainstream comics is part of the reason that independent comics have become so popular among women; independent artists, regardless of gender, tend to draw both male and female characters in a similar style. When those characters do have noticeable sex characteristics, such as breasts or broader shoulders, they are not exaggerated to the point that they are in the mainstream comic book industry.[46][47] LGBTQ superheroes Recently LGBTQ superheroes are becoming more prevalent and available. In 2011 Batwoman DC reinvented Batwoman from a casual sidekick in need of saving to an independent, lesbian superheroine. This version fights back against female stereotypes, and lacks the traditional female superhero physique. Her body sports more muscles and less chest and hip padding. She also lacks the traditional long flowing hair, instead sporting a short cut. She fights the more grotesque images of womanhood including the gorgons, her undead mother, and the ghost of her previous incarnation.[48] In 2016, Wonder Woman was announced by Greg Rucka, comic book writer, to be bisexual. Although in her early comics, Wonder Woman was known to have possible same-sex attraction subtext, her sexuality was downplayed afterwards.[49] The first openly transgender character in a DC Comic was Alysia Yeoh, a roommate of Batgirl, in 2013. She is the first mainstream comic book character that is openly transgender. The character is also bisexual, and may eventually become a hero of her own.[50] In 2015, Alysia married her longtime girlfriend.[51] Black Women In Comics There were black females in comic books prior to the Civil Rights Movement. Because of this, black women in comic books did not start appearing regularly until the 1970s, in the Bronze Age of comic books. One of the first black female superheroes, and one of the most popular female black superheroes to this day, was Storm of the X-Men, who had the power to control the weather. She first appeared in 1975. In several reincarnations of the X-Men, she is the leader.[52] Captain Marvel (Monica Rambeau) first appeared in 1982, and received her own comic in 1989.[53] Captain Marvel had the power to transform herself into any form of energy, and obtains the properties of that energy. She has also joined the Avengers on several occasions.[54] There are several other characters who have the name Captain Marvel, one of the most famous being Carol Danvers, who is white. Despite the growth of black females in comic books after the Civil Rights Movement, there still continues to be a lack of black women in comic books. When black women are presented in comic books, they are often not fully human, like Storm, and are given stereotyped features and powers.[55] Oftentimes, black comic book characters are stereotyped with ghetto characteristics. Black people in comics are also more likely to be considered sidekicks rather than superheroes, and they are less likely to have their own comic series about them.[56] Moving forward The portrayal of women in comics is still highly contested. Despite the more realistic portrayal of women in independent comics, the mainstream comic book industry still sometimes struggles with portraying women realistically.[47] There continues to be a difference in the way female superheroes are treated (by both their on-page counterparts and their writers) when compared to male superheroes of the same caliber.[57] However, more recently steps have been made towards equality and de-sexualization with specific stories and comics. There is a distinct effort being made by some to address these issues however; there is a Gender in Comics panel at San Diego Comic Con which, in 2014, "included noted comic book journalists, editors, writers and behind-the-scenes figures all currently working to further awareness of the gender issues within the comic book industry."[58] One of the panelists, Laura Hudson, said this in regards to gender roles in comics and the criticism that they are facing: "The panel spoke about how ingrained a lot of these false gender-based ideas have become thanks to decades of unchallenged existence. "A metaphor I use a lot is it's like working in a bell factory," explained Hudson. "If you work in the bell factory long enough you stop hearing the bells. I think super hero comics has stopped hearing the bells for a long time, but now you have other people coming in from the outside and [the gender issues in super hero comics are] very apparent. Having the Internet, having these other perspectives that are suddenly in front of us and are not subject to gatekeepers and are far more able to be heard exposes


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