marilyn monroe Un Official Fan Site Tribute

marilyn monroe : This Is An Un Official Fan Site Tribute
Norma Jeane Baker
Porn Queen Actress Superstar

Marilyn Monroe (/'mær?l?n m?n'ro?/; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962)[1] was an American actress, model, and singer. Famous for playing comedic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s and was emblematic of the era's changing attitudes towards sexuality. She was a top-billed actress for only a decade, but her films grossed $200 million (equivalent to $2 billion in 2019) by the time of her death in 1962.[2] More than half a century later, she continues to be a major popular culture icon.
Monroe was born and raised in Los Angeles. She spent most of her childhood in foster homes and an orphanage and married at age 16. She was working in a factory as part of the war effort during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career. The work led to short-lived film contracts with 20th Century Fox and Columbia Pictures. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don't Bother to Knock. She faced a scandal when it was revealed that she had posed for nude photos before she became a star, but the story did not damage her career and instead resulted in increased interest in her films.

By 1953, Monroe was one of the most marketable Hollywood stars; she had leading roles in the film noir Niagara, which focused on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a "dumb blonde". The same year, her nude images were used as the centerfold and on the cover of the first issue of Playboy. She played a significant role in the creation and management of her public image throughout her career, but she was disappointed when she was typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project but returned to star in The Seven Year Itch (1955), one of the biggest box office successes of her career. When the studio was still reluctant to change Monroe's contract, she founded her own film production company in 1954. She dedicated 1955 to building the company and began studying method acting at the Actors Studio. In late 1955, Fox awarded her a new contract, which gave her more control and a larger salary. Her subsequent roles included a critically acclaimed performance in Bus Stop (1956) and her first independent production in The Prince and the Showgirl (1957). She won a Golden Globe for Best Actress for her work in Some Like It Hot (1959), a critical and commercial success. Her last completed film was the drama The Misfits (1961). Monroe's troubled private life received much attention. She struggled with addiction, depression, and anxiety. Her marriages to retired baseball star Joe DiMaggio and to playwright Arthur Miller were highly publicized, and both ended in divorce. On August 4, 1962, she died at age 36 from an overdose of barbiturates at her home in Los Angeles. Her death was ruled a probable suicide, although several conspiracy theories have been proposed in the decades following her death. 1926–1943: Childhood and first marriage Monroe as an infant, wearing a white dress and sitting on a sheepskin rug Monroe as an infant, c.?1927 Monroe was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926.[4] Her mother, Gladys Pearl Baker (née Monroe, 1902–1984), was from a poor Midwestern family who had migrated to California at the turn of the century.[5] At the age of 15, Gladys married John Newton Baker, an abusive man nine years her senior, and had two children by him, Robert (1917–1933)[6] and Berniece (b. 1919).[7] She successfully filed for divorce and sole custody in 1923, but Baker kidnapped the children soon after and moved with them to his native Kentucky.[8] Monroe was not told that she had a sister until she was 12, and met her for the first time as an adult.[9] Following the divorce, Gladys worked as a film negative cutter at Consolidated Film Industries.[10] In 1924, she married Martin Edward Mortensen, but they separated only some months later and divorced in 1928.[10] Monroe's father is unknown and she most often used Baker as her surname.[11][a] Although Gladys was mentally and financially unprepared for a child, Monroe's early childhood was stable and happy.[15] Gladys placed her daughter with evangelical Christian foster parents Albert and Ida Bolender in the rural town of Hawthorne; she also lived there for the first six months, until she was forced to move back to the city due to work.[16] She then began visiting her daughter on weekends.[15] In the summer of 1933, Gladys bought a small house in Hollywood with a loan from the Home Owners' Loan Corporation and moved seven-year-old Monroe in with her.[17] They shared the house with lodgers, actors George and Maude Atkinson and their daughter, Nellie.[18] In January 1934, Gladys had a mental breakdown and was diagnosed with paranoid schizophrenia.[19] After several months in a rest home, she was committed to the Metropolitan State Hospital.[20] She spent the rest of her life in and out of hospitals and was rarely in contact with Monroe.[21] Monroe became a ward of the state, and her mother's friend, Grace Goddard, took responsibility over her and her mother's affairs.[22] "When I was five I think, that's when I started wanting to be an actress [...] I didn't like the world around me because it was kind of grim, but I loved to play house. [...] When I heard that this was acting, I said that's what I want to be [...] Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it."[23] —Monroe in an interview for Life in 1962 In the next four years, Monroe's living situation changed often. For the first 16 months, she continued living with the Atkinsons, and was sexually abused during this time.[24][b] Always a shy girl, she now also developed a stutter and became withdrawn.[30] In the summer of 1935, she briefly stayed with Grace and her husband Erwin "Doc" Goddard and two other families,[31] and in September, Grace placed her in the Los Angeles Orphans Home.[32] The orphanage was "a model institution" and was described in positive terms by her peers, but Monroe felt abandoned.[33] Encouraged by the orphanage staff who thought that Monroe would be happier living in a family, Grace became her legal guardian in 1936, but did not take her out of the orphanage until the summer of 1937.[34] Monroe's second stay with the Goddards lasted only a few months because Doc molested her;[35] she then lived brief periods with her relatives and Grace's friends and relatives in Los Angeles and Compton.[36] Monroe found a more permanent home in September 1938, when she began living with Grace's aunt, Ana Lower, in Sawtelle.[37] She was enrolled in Emerson Junior High School and went to weekly Christian Science services with Lower.[38] Monroe was otherwise a mediocre student, but excelled in writing and contributed to the school newspaper.[39] Due to the elderly Lower's health problems, Monroe returned to live with the Goddards in Van Nuys in around early 1941.[40] The same year, she began attending Van Nuys High School.[41] In 1942, the company that employed Doc Goddard relocated him to West Virginia.[42] California child protection laws prevented the Goddards from taking Monroe out of state, and she faced having to return to the orphanage.[43] As a solution, she married their neighbors' 21-year-old son, factory worker James Dougherty, on June 19, 1942, just after her 16th birthday.[44] Monroe subsequently dropped out of high school and became a housewife. She found herself and Dougherty mismatched and later stated that she was "dying of boredom" during the marriage.[45] In 1943, Dougherty enlisted in the Merchant Marine and was stationed on Santa Catalina Island, where Monroe moved with him.[46] 1944–1949: Modeling and first film roles Portrait of Monroe aged 20, taken at the Radioplane Munitions Factory Monroe photographed by Conover while working at the Radioplane Company in mid-1944 In April 1944, Dougherty was shipped out to the Pacific, and he would remain there for most of the next two years.[46] Monroe moved in with his parents and began a job at the Radioplane Company, a munitions factory in Van Nuys.[46] In late 1944, she met photographer David Conover, who had been sent by the U.S. Army Air Forces' First Motion Picture Unit to the factory to shoot morale-boosting pictures of female workers.[47] Although none of her pictures were used, she quit working at the factory in January 1945 and began modeling for Conover and his friends.[48][49] Defying her deployed husband, she moved on her own and signed a contract with the Blue Book Model Agency in August 1945.[50] As a model, Monroe occasionally used the name Jean Norman.[51] She straightened her curly brunette hair and dyed it blonde to make herself more employable.[51] Her figure was deemed more suitable for pin-up than fashion modeling, and she was featured mostly in advertisements and men's magazines.[52] According to Emmeline Snively, the agency's owner, Monroe was one of its most ambitious and hard-working models; by early 1946, she had appeared on 33 magazine covers for publications such as Pageant, U.S. Camera, Laff, and Peek.[53] Through Snively, Monroe signed a contract with an acting agency in June 1946.[54] After an unsuccessful interview at Paramount Pictures, she was given a screen-test by Ben Lyon, a 20th Century-Fox executive. Head executive Darryl F. Zanuck was unenthusiastic about it,[55] but he gave her a standard six-month contract to avoid her being signed by rival studio RKO Pictures.[c] Monroe's contract began in August 1946, and she and Lyon selected the stage name "Marilyn Monroe".[57] The first name was picked by Lyon, who was reminded of Broadway star Marilyn Miller; the last was Monroe's mother's maiden name.[58] In September 1946, she divorced Dougherty, who was against her having a career.[59] Postcard photo of Marilyn Monroe Monroe posing for a photo during her modeling career Monroe wearing a dress and facing a movie camera in a publicity photograph taken during her first film contract Monroe in a studio publicity photo taken when she was a contract player at 20th Century-Fox in 1947. She appeared in two small film roles during the contract and was let go after a year. Monroe had no film roles during the first six months and instead dedicated her days to acting, singing and dancing classes.[60] Eager to learn more about the film industry, she also spent time at the studio lot to observe others working and to promote herself.[61] Her contract was renewed in February 1947, and she was given her first film roles, bit parts in Dangerous Years (1947) and Scudda Hoo! Scudda Hay! (1948).[62][d] The studio also enrolled her in the Actors' Laboratory Theatre, an acting school teaching the techniques of the Group Theatre; she later stated that it was "my first taste of what real acting in a real drama could be, and I was hooked".[64] Despite her enthusiasm, her teachers thought her too shy and insecure to have a future in acting, and Fox did not renew Monroe's contract in August 1947.[65] She returned to modeling while also doing occasional odd jobs at film studios, such as working as a dancing "pacer" behind the scenes at musical sets.[65] Monroe was determined to make it as an actress, and continued studying at the Actors' Lab. In October 1947, she appeared as a blonde vamp in the play Glamour Preferred at the Bliss-Hayden Theater, but it ended after only a few performances.[66] To promote herself, she frequented producers' offices, befriended gossip columnist Sidney Skolsky, and entertained influential male guests at studio functions, a practice she had begun at Fox.[67] She also became a friend and occasional sex partner of Fox executive Joseph M. Schenck, who persuaded his friend Harry Cohn, the head executive of Columbia Pictures, to sign her in March 1948.[68] While at Fox, Monroe was given "girl next door" roles; at Columbia, she was modeled after Rita Hayworth.[69] Her hairline was raised and her hair was bleached platinum blonde.[70] She also began working with the studio's head drama coach, Natasha Lytess, who would remain her mentor until 1955.[70] Her only film at the studio was the low-budget musical Ladies of the Chorus (1948), in which she had her first starring role as a chorus girl who is courted by a wealthy man.[63] She also screen-tested for the lead role in Born Yesterday (1950), but her contract was not renewed in September 1948.[71] Ladies of the Chorus was released the following month but was not a success.[72] Monroe then became the protégée of Johnny Hyde, the vice president of the William Morris Agency. Their relationship soon became sexual and he proposed marriage, but Monroe refused.[73] He paid for Monroe to have plastic surgery on her jaw and possibly a rhinoplasty, and arranged a bit part in the Marx Brothers film Love Happy (1950), the New York promotional tour of which she also joined in 1949.[74] Meanwhile, Monroe continued modeling. She appeared in advertisements for Pabst beer and posed in artistic nudes for John Baumgarth calendars (using the name 'Mona Monroe'); both sessions were shot by Tom Kelley.[75] Monroe had previously posed semi-nude or clad in a bikini for other artists such as Earl Moran, and felt comfortable with nudity.[76] Baumgarth was initially not happy with the photos, but published one of them in 1950; Monroe was not publicly identified as the model until 1952. Although she then contained the resulting scandal by claiming she had reluctancly posed nude due to an urgent need for cash, biographers Spoto and Banner have stated that she was not pressured (although according to Banner, she was initially hesitant due to her aspirations of movie stardom) and regarded the shoot as simply another work assignment

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