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The Gothic style appeared in palaces in France, including the Papal Palace in Avignon and the Palais de la Cité in Paris, close to Notre-Dame de Paris, begun in 1119, which was the principal residence of the French Kings until 1417. Most of the Palais de la Cité is gone, but two of the original towers along the Seine, of the towers, the vaulted ceilings of the Hall of the Men-at-Arms (1302), (now in the Conciergerie; and the original chapel, Sainte-Chapelle, can still be seen.[99] The largest civic building built in the Gothic style in France[citation needed] was the Palais des Papes (Palace of the Popes) constructed between 1252 and 1364, during the Avignon Papacy. Given the complicated political situation, it combined the functions of a church, a seat of government and a fortress. The Rouen Courthouse in Normandy is representative of Flamboyant Gothic in France.[citation needed] In the 15th century, following the late Gothic period or flamboyant style, elements of Gothic decoration developed churches began to appear in the town halls of northern France, in Flanders and in the Netherlands. The Hôtel de Ville of Compiègne has an imposing Gothic bell tower, featuring a spire surrounded by smaller towers, and its windows are decorated with ornate accolades or ornamental arches. Similarly flamboyant town halls were found in Arras, Douai, and Saint-Quentin, Aisne, and in modern Belgium, in Brussels and Ghent and Bruges.[100] Notable Gothic civil architecture in Spain includes the Silk Exchange in Valencia, Spain (1482–1548), a major marketplace, which features a main hall with twisting columns beneath its vaulted ceiling. Another Spanish Gothic landmark is the Palace of the Kings of Navarre in Olite (1269–1512), combining the features of a palace and a fortress.[citation needed] Palais de la Cité (1119–) and Sainte-Chapelle (1238–48), Paris, in 1412–16 Hall of men-at-arms, Conciergerie, (1302) Paris Façade of the Palais des Papes, Avignon (1252–1364) The Doge's Palace, Venice (1340–1442) Silk Exchange, Valencia (1482–1548) Palace of the Kings of Navarre, Olite (1269–1512) Gallery of Palau de la Generalitat, Barcelona(1403) Great Gatehouse at Hampton Court Palace, London (1522) University Gothic This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Gothic architecture" – news · newspapers · books · scholar · JSTOR (April 2020) (Learn how and when to remove this template message) See also: Collegiate Gothic The first universities in Europe were closely associated with the Catholic church, and in the late 15th century they adapted variations of the Gothic style for their architecture.[citation needed] The Gothic style was adapted from English monasteries for use in the first colleges of Oxford University, including Magdalen College. It was also used at the University of Salamanca in Spain. The use of the late Gothic style at Oxford and Cambridge University inspired the picturesque Gothic architecture in U.S. colleges in the 19th and 20th century.[citation needed] By the late Middle Ages university towns had grown in wealth and importance as well, and this was reflected in the buildings of some of Europe's ancient universities.[citation needed] Particularly remarkable examples still standing nowadays include the Collegio di Spagna in the University of Bologna, built during the 14th and 15th centuries; the Collegium Carolinum of the Charles University in Prague in Bohemia; the Escuelas mayores of the University of Salamanca in Spain; the chapel of King's College, Cambridge; or the Collegium Maius of the Jagiellonian University in Kraków, Poland.[citation needed] Gothic oriel window, Karolinum, Charles University, Prague (c.1380) Plateresque façade, University of Salamanca (late 15th century) Cloister, Collegium Maius, Kraków (late 15th century) Divinity School, Oxford (1427–1483) Old Court, Queens' College, Cambridge (1448–51) Tower and cloisters of Magdalen College, Oxford (1474–1480) Chapel of King's College, Aberdeen (1498–1509) Staircase to the Great Hall, Christ Church College, Oxford (c.1640) Military architecture Main article: Castle In the 13th century, the design of the castle (French: château fort) evolved in response to contact with the more sophisticated fortifications of the Byzantine Empire and the Islamic world during the Crusades. These new fortifications were more geometric, with a central high tower called a keep (French: donjon) which could be defended even if the curtain walls of the castle were breached. The donjon of the Château de Vincennes, begun by Philip VI of France, was a good example. It was 52 meters high, the tallest military tower in Europe.[citation needed] A new kind of fortification was called Phillipienne after the crusading king Philip II of France. Towers, usually round, were placed at the corners and along the walls in the Phillipienne castle, close enough together to support each other. The walls had two levels of walkways on the inside, a crennellated parapet with merlons, and projecting machicolations from which missiles could be dropped on besiegers. The upper walls also had protected protruding balconies, échauguettes and bretèches, from which soldiers could see what was happening at the corners or on the ground below. In addition, the towers and walls were pierced with arrowslits, which sometimes took the form of crosses to enable a wider field of fire for archers and crossbowmen.[101] Castles were surrounded by a deep moat, spanned by a single drawbridge. The entrance was also protected by a grill of iron which could be opened and closed. The walls at the bottom were often sloping, and protected with earthen barriers. One good surviving example is the Château de Dourdan, near Nemours.[102] After the end of the Hundred Years War (1337–1453), with improvements in artillery, the castles lost most of their military importance. They remained as symbols of the rank of their noble occupants; the narrowing openings in the walls were often widened into the windows of bedchambers and ceremonial halls. The tower of the Château de Vincennes became a royal residence.[103] Donjon of the Château de Vincennes, begun 1337 Restored outer walls of the medieval city of Carcassonne (13th–14th century) Malbork Castle in Poland (13th century) Alcazar of Segovia (12th–13th centuries) Hohenzollern Castle (1454–1461) in Baden-Württemberg, southern Germany The Louvre in the time of Charles V of France (1338–1380) drawn by Eugene Viollet-le-Duc Decline Beginning in the 16th century, as Renaissance architecture from Italy began to appear in France and other countries in Europe, the dominance of Gothic architecture began to wane.[citation needed] Nonetheless, new Gothic buildings, particularly churches, continued to be built. New Gothic churches built in Paris in this period included Saint-Merri (1520–1552) and Saint-Germain l'Auxerrois. The first signs of classicism in Paris churches did not appear until 1540, at Saint-Gervais-Saint-Protais. The largest new church, Saint-Eustache (1532–1560), rivalled Notre-Dame in size, 105 meters long, 44 meters wide, and 35 meters high. As construction of this church continued, elements of Renaissance decoration, including the system of classical orders of columns, were added to the design, making it an early Gothic-Renaissance hybrid.[104] The Gothic style began to be described as outdated, ugly and even barbaric. The term "Gothic" was first used as a pejorative description. Giorgio Vasari used the term "barbarous German style" in his 1550 Lives of the Artists to describe what is now considered the Gothic style.[105] In the introduction to the Lives he attributed various architectural features to the Goths whom he held responsible for destroying the ancient buildings after they conquered Rome, and erecting new ones in this style.[106] In the 17th century, Molière also mocked the Gothic style in the 1669 poem La Gloire: "...the insipid taste of Gothic ornamentation, these odious monstrosities of an ignorant age, produced by the torrents of barbarism..."[107] The dominant styles in Europe became in turn Italian Renaissance architecture, Baroque architecture, and the grand classicism of the

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