Nicole Clitman Un Official Fan Site Tribute

Nicole Clitman : This Is An Un Official Fan Site Tribute
Nicole Clitman
Porn Queen Actress Superstar

Born December 18, 1991 in Decatur, Illinois, USA Died March 12, 2019 in Decatur, Illinois, USA Mini Bio (1) A actress who grew up in Illinois, Nicole Clitman (aka Holly Hanson) traveled the country singing for a non-profit organization before making her debut in adult movies. A music major at Milliken University in Decatur with a minor in vocal performance, Clitman sang opera and also played the flute for eight years. Clitman made her porn debut in May 2016, performing in 46 titles over the course of the next three years.
It's been a couple years going through a depression. I lost my passion for it, but now I'm finding myself again in a performing aspect and a business aspect. Networking. I have my self-esteem back up. I've actually been singing in the shower more. It's been a long time since I've been that happy. Actress (12 credits) 2018Group Sex 2: Two Chicks on Every Dick (Video) 2018Like Riding a Bike (Video) Masseuse 2018Public Pick Ups (TV Series) - My Kind Of Chick (2018) 2017We Live Together (TV Series) - Banging the Bridesmaid (2017) ... (as Holly Hanson) 2017Anally Corrupted Teens (Video) 2017Anal Dolls 2 (Video) 2016Cheer Squad Sleepovers Episode 20 (Video) 2016Tushy (TV Series) - I Seduced My Boyfriend's Best Friend (2016) 2016Evil Angel (TV Series) - Slender Blonde's Anal Stuffing (2016) 2016Cheer Squad Sleepovers Episode 18 (Video)

2016Women Seeking Women Volume 131 (Video) 2016Sex and Submission (TV Series) - The Slutty Sisters (2016) By wearing a tightly-laced corset for extended periods, known as tightlacing or waist training, men and women can learn to tolerate extreme waist constriction and eventually reduce their natural waist size. Although petite women are often able to get down to a smaller waist in absolute numbers, women with more fat are typically able to reduce their waists by a larger percentage. Although many different sizes were used, the smallest sizes that were popularly used were 16, 17 and 18 inches.[5] Some women were so tightly laced that they could breathe only with the top part of their lungs. This caused the bottom part of their lungs to fill with mucus[citation needed]. Symptoms of this include a slight but persistent cough, as well as heavy breathing, causing a heaving appearance of the bosom. Until 1998, the Guinness Book of World Records listed Ethel Granger as having the smallest waist on record at 13 inches (33 cm).[6][7] After 1998, the category changed to "smallest waist on a living person". Cathie Jung took the title with a waist measuring 15 inches (38 cm). Other women, such as Polaire, also have achieved such reductions (14 inches (36 cm) in her case). However, these are extreme cases. Corsets were and are still usually designed for support, with freedom of body movement an important consideration in their design.[citation needed] History Eugène Atget, Boulevard de Strasbourg, Corsets, Paris, 1912 Main article: History of corsets The corset has been attributed to Catherine de' Medici, wife of King Henry II of France. She enforced a ban on thick waists at court attendance during the 1550s. For nearly 350 years, women's primary means of support was the corset, with laces and stays made of whalebone or metal. Other researchers have found evidence of the use of corsets in early Crete ( Minoan civilization ).[8]:5 The corset has undergone many changes. Originally, it was known as "a pair of bodys" in the late 16th century.[9] It was a simple bodice, stiffened with boning of reed or whalebone.[8]:6 A busk made of wood, horn, whalebone, metal or ivory further reinforced the central front. It was most often laced in the back, and was, at first, a garment reserved for the aristocracy. Later the term "pair of bodies" would be replaced with the term "stays" and was generally used during the 17th and 18th centuries. Stays essentially turned the upper torso into a cone or cylinder shape.[10] In the 17th century, tabs (called "fingers") at the waist were added. Stays evolved in the 18th century when whalebone was used more, and there was more boning used in the garment. The shape of the stays changed as well. While the stays were low and wide in the front, they could reach as high as the upper shoulder in the back. Stays could be strapless or use shoulder straps. The straps of the stays were generally attached in the back and tied at the front sides. The purpose of 18th century stays was to support the bust and confer the fashionable conical shape while drawing the shoulders back. At this time, the eyelets were reinforced with stitches and were not placed across from one another, but instead staggered. This allowed the stays to be spiral laced. One end of the stay lace was inserted and knotted in the bottom eyelet; the other end was wound through the stays' eyelets and tightened on the top. Tight-lacing was not the purpose of stays during this time period. Women in all societal levels, from ladies of the court to street vendors, wore stays. During this time period, there is evidence of a variant of stays, called "jumps", which were looser than stays with attached sleeves, like a jacket.[8]:27 Woman's corset (stays) c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with baleen; Los Angeles County Museum of Art, M.63.24.5.[11] A corset from a 1901 French magazine Polaire was famous for her tiny, corseted waist, which was sometimes reported to have a circumference no greater than 16 inches (41 cm) Bianca Lyons shows the increased female curves emphasized by corsets, circa 1902 A woman models a corset in this 1898 photograph Amanda Nielsen in a corset An award-winning ad for R & G Corset Company from the back cover of the October 1898 Ladies' Home Journal Group of five corsets, late 19th and early 20th century; Peloponnesian Folklore Foundation. Corsets were originally quilted waistcoats, which French women wore as an alternative to stiff corsets.[8]:29 They were only quilted linen, laced in the front, and un-boned. This garment was meant to be worn on informal occasions, while stays were worn for court dress. In the 1790s, stays began to fall out of fashion. This development coincided with the French Revolution and the adoption of neoclassical styles of dress. It was the men, Dandies, who began to wear corsets.[8]:36 The fashion persisted through the 1840s, though after 1850 men who wore corsets claimed they needed them for "back pain".[8]:39 In the early 19th century, when gussets were added for room for the bust, stays became known as corsets. They also lengthened to the hip and the lower tabs were replaced by gussets at the hip and had less boning. The shoulder straps disappeared in the 1840s for normal wear.[9] In the 1820s, fashion changed again, with the waistline lowered back to almost the natural position. This was to allow for more ornamentation on the bodice, which in turn saw the return of the corset to modern fashion. Corsets began to be made with some padding and more boning. Some women made their own, while others bought their corsets. Corsets were one of the first mass-produced garments for women. Corsets began to be more heavily boned in the 1840s. By 1850, steel boning became popular. With the advent of metal eyelets, tight lacing became possible. The position of the eyelets changed. They were situated across from one another at the back. The front was fastened with a metal busk in front. Corsets were mostly white. The corsets of the 1850s–1860s were shorter than the corsets of the 19th century through 1840s. This was because of a change in the silhouette of women's fashion. The 1850s and 1860s emphasized the hoopskirt. After the 1860s, when the hoop fell out of style, the corset became longer to mold the abdomen, exposed by the new lines of the princess or cuirass style. For dress reformists of the 1800s, corsets were a dangerous moral ‘evil’, promoting promiscuous views of female bodies and superficial dalliance into fashion whims. The obvious health risks, including damaged and rearranged internal organs, compromised fertility; weakness and general depletion of health were also blamed on excessive corsetry. Eventually, the reformers' critique of the corset joined a throng of voices clamoring against tightlacing, which became gradually more common and extreme as the 19th century progressed. Preachers inveighed against tightlacing, doctors counseled patients against it and journalists wrote articles condemning the vanity and frivolity of women who would sacrifice their health for the sake of fashion. Whereas for many corseting was accepted as necessary for beauty, health, and an upright military-style posture, dress reformists viewed tightlacing as vain and, especially at the height of the era of Victorian morality, a sign of moral indecency. American women active in the anti-slavery and temperance movements, with experience in public speaking and political agitation, demanded sensible clothing that would not restrict their movement.[12] While support for fashionable dress contested that corsets maintained an upright, ‘good figure’, as a necessary physical structure for moral and well-ordered society, these dress reformists contested that women's fashions were not only physically detrimental, but “the results of male conspiracy to make women subservient by cultivating them in slave psychology.”[13][14] They believed a change in fashions could change the whole position of women, allowing for greater social mobility, independence from men and marriage, the ability to work for wages, as well as physical movement and comfort.[15] In 1873 Elizabeth Stuart Phelps Ward wrote: Burn up the corsets! ... No, nor do you save the whalebones, you will never need whalebones again. Make a bonfire of the cruel steels that have lorded it over your thorax and abdomens for so many years and heave a sigh of relief, for your emancipation I assure you, from this moment has begun.[16] Despite these protests, little changed in restrictive fashion and undergarments by 1900. During the Edwardian period, the straight front corset (also known as the S-Curve corset) was introduced. This corset was straight in front with a pronounced curve at the back that forced the upper body forward and the derrière out. This style was worn from 1900 to 1908.[8]:144 This style of corset was originally conceived as a health corset, which was a type of corset that was made of wool and reinforced with cording and promoted the healthy benefits of wearing wool next to skin. This was sold as an alternative to the boned corset.[17] However the S-Curve corset became the framework for many ornate fashions from the late 1890s and 1900s. The corset reached its longest length in the early 20th century. At first, the longline corset reached from the bust down to the upper thigh. There was also a style of longline corset that started under the bust, and necessitated the wearing of a brassiere. This style was meant to complement the new silhouette. It was a boneless style, much closer to a modern girdle than the traditional corset. The longline style was abandoned during World War I. The corset fell from fashion in the 1920s in Europe and North America, replaced by girdles and elastic brassieres, but survived as an article of costume. Originally an item of lingerie, the corset has become a popular item of outerwear in the fetish, BDSM and goth subcultures. In the fetish and BDSM literature, there is often much emphasis on tightlacing, and many corset makers cater to the fetish market

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