Patty Boyd Un Official Fan Site Tribute

Patty Boyd : This Is An Un Official Fan Site Tribute
Ann Klein, Katy Keene, Lacey Smith, Beth Sheridan, Cindy Lane, Sue Long, Susy Baron, Patty Barnett, Sara Lane, Susan Ward, Susan Bride, Susan Bell, Josie Jones, Judy Gail, Katie Kean, Patti Sebring, Patty Kake, Sara Cruz, Susan Moore
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Patty Boyd

Movie Title Year Distributor Notes Rev Formats Beach House 1981 Caballero Home Video Facial O Beauty 1982 VCA 1 DO Blonde in Black Silk 1979 Quality-X-Video 2 DO Blue Magic 1981 Video-X-Pix DRO Blue Vanities 282 1996 Blue Vanities DO Erotic Fantasies: Women With Women 1984 Metro LezOnly DRO Fascination 1980 Video-X-Pix BJOnly 1 DRO Fire in Francesca 1977 Astro 1 From Holly With Love 1977 Caballero Home Video 1 DRO Girls USA 1980 Pipeline Video Company High School Bunnies 1977 VCX DRO Hollywood Goes Hard 1978 VCA Honey Throat 1980 Metro DRO Justine 1980 Select-a-tape BJOnly Clip O Kandi Barbour Collection 2005 Alpha Blue Archives DRO Kinky Tricks 1982 VEP O Latin Heat 2007 Video-X-Pix DRO Love Couch 1977 VCA Love-In Arrangement 1981 Video-X-Pix Facial 1 DRO Only the Best of Women with Women 1988 Metro LezOnly 1 DRO Pandora's Mirror 1981 Caballero Home Video 3 DRO Pink Punk 1984 Eco Video IR Satin Suite 1979 Video-X-Pix BJOnly 1 DRO Secrets of a Willing Wife 1979 Video-X-Pix DO Sizzle 1979 Video-X-Pix 2 DRO Slave of Pleasure 1978 Blue Video Productions 1 O Take Off 1978 Video-X-Pix IR 2 DRO That Lucky Stiff 1980 Video-X-Pix 3 DRO Tigresses and Other Man-Eaters 1979 Video-X-Pix 1 DO Untamed Vixens 1976 Video Home Library Anal Vanessa's Anal Fiesta 2004 Alpha Blue Archives Anal
such as William Frederick Woodington's South Bank Lion (1837) on Westminster Bridge, London. The statue was made in separate parts and sealed together on an iron frame. The century produced its women sculptors in the East, Seiyodo Bunshojo (1764-1838) a Japanese netsuke carver and Haiku writer.[34][35] She was Seiyodo Tomiharu's daughter.[35] Her work can be seen at the Walters Art Museum.[36] While in the West, there were: Julie Charpentier, Elisabet Ney, Helene Bertaux, Fenia Chertkoff, Sarah Fisher Ames, Helena Unierzyska (daughter of Jan Matejko), Blanche Moria, Angelina Beloff, Anna Golubkina, Margaret Giles (also a Medalist), Camille Claudel, Enid Yandell and Edmonia Lewis. Lewis, an African-Ojibwe-Haitian American artist from New York began her art studies at Oberlin College. Her sculpting career began in 1863. She established a studio in Rome, Italy and exhibited her marble sculptures through Europe and the United States. Photography Constance Fox Talbot may be the first woman ever to have taken a photograph.[38] Later, Julia Margaret Cameron and Gertrude Kasebier became well known in the new medium of photography, where there were no traditional restrictions, and no established training, to hold them back. Sophia Hoare, another British photographer, worked in Tahiti and other parts of Oceania.

In France, the birthplace of the medium, there was only Geneviève Élisabeth Disdéri ( c.1817–1878). In 1843, she married the pioneering photographer André-Adolphe-Eugène Disdéri, partnering with him in their Brest daguerrotype studio from the late 1840s.[39] After her husband left for Paris in 1852, Geneviève continued to run the atelier alone. She is remembered for her 28 views of Brest, mainly architectural, which were published as Brest et ses Environs in 1856.[40] In 1872, she moved to Paris, opening a studio in the Rue du Bac where she was possibly assisted by her son Jules. Trade listings indicate she continued to operate her studio until her death in a Paris hospital in 1878.[41] She was one of the first female professional photographers in the world, active only shortly after the German Bertha Beckmann and the Swede, Brita Sofia Hesselius. Female education in the 19th century Beatrix Potter's Goody and Mrs. Hackee, illustration to The Tale of Timmy Tiptoes, 1911 Beatrix Potter, reproductive system of Hygrocybe coccinea, 1897 During the century, access to academies and formal art training expanded more for women in Europe and North America. The British Government School of Design, which later became the Royal College of Art, admitted women from its founding in 1837, but only into a "Female School" which was treated somewhat differently, with "life"- classes consisting for several years of drawing a man wearing a suit of armour. The Royal Academy Schools finally admitted women beginning in 1861, but students drew initially only draped models. However, other schools in London, including the Slade School of Art from the 1870s, were more liberal. By the end of the century women were able to study the naked, or very nearly naked, figure in many Western European and North American cities. The Society of Female Artists (now called The Society of Women Artists) was established in 1855 in London and has staged annual exhibitions since 1857, when 358 works were shown by 149 women, some using a pseudonym.[42] However, one woman who was denied higher or specialist education and who still "broke through", was the natural scientist, writer and illustrator, Beatrix Potter (1866-1943).[43] English women painters from the early 19th century who exhibited at the Royal Academy of Art Sophie Gengembre Anderson Mary Baker Ann Charlotte Bartholomew Maria Bell Barbara Bodichon Joanna Mary Boyce Margaret Sarah Carpenter Fanny Corbaux Rosa Corder Mary Ellen Edwards Harriet Gouldsmith Mary Harrison Jane Benham Hay Anna Mary Howitt Mary Moser Martha Darley Mutrie Ann Mary Newton Emily Mary Osborn Kate Perugini Louise Rayner Ellen Sharples Rolinda Sharples Rebecca Solomon Elizabeth Emma Soyer Isabelle de Steiger Henrietta Ward 20th century Zinaida Serebriakova Nude Dorothea Lange. Migrant Mother, (Florence Owens Thompson, and her family) c. 1936 The May Queen, 1900. Margaret Macdonald Mackintosh, The May Queen, 1900[44] Hilma af Klint, Svanen (The Swan), No. 17, Group IX, Series SUW, October 1914 – March 1915. This abstract work was never exhibited during af Klint's lifetime. Georgia O'Keeffe, Blue and Green Music, 1921, oil on canvas Aleksandra Ekster, Costume design for Romeo and Juliette, 1921, M.T. Abraham Foundation Gwen John, The Convalescent (ca. 1923–24), one of ten versions of this composition Barbara Hepworth,Sphere with Inner Form, 1963, at the Kröller-Müller Museum, Otterlo, the Netherlands Alina Szapocznikow Grands Ventres, 1968, in the Kröller-Müller Museum Elisabeth Frink Flying Men, Odette Sculpture Park Windsor Canada Louise Bourgeois Maman against the Thames, London Florine Stettheimer, Heat, c. 1919, Brooklyn Museum Notable women artists from this period include: Hannelore Baron, Vanessa Bell, Lee Bontecou, Louise Bourgeois, Romaine Brooks, Emily Carr, Leonora Carrington, Mary Cassatt, Elizabeth Catlett, Camille Claudel, Sonia Delaunay, Marthe Donas, Joan Eardley, Marisol Escobar, Dulah Marie Evans, Audrey Flack, Mary Frank, Helen Frankenthaler, Elisabeth Frink, Wilhelmina Weber Furlong, Françoise Gilot, Natalia Goncharova, Nancy Graves, Grace Hartigan, Barbara Hepworth, Eva Hesse, Sigrid Hjertén, Hannah Höch, Frances Hodgkins, Malvina Hoffman, Irma Hünerfauth, Margaret Ponce Israel, Gwen John, Elaine de Kooning, Käthe Kollwitz, Lee Krasner, Frida Kahlo, Hilma af Klint, Laura Knight, Barbara Kruger, Marie Laurencin, Tamara de Lempicka, Séraphine Louis, Dora Maar, Margaret Macdonald Mackintosh, Maruja Mallo, Agnes Martin, Ana Mendieta, Joan Mitchell, Paula Modersohn-Becker, Gabriele Münter, Alice Neel, Louise Nevelson, Georgia O'Keeffe, Betty Parsons, Aniela Pawlikowska, Orovida Camille Pissarro, Irene Rice Pereira, Paula Rego, Bridget Riley, Verónica Ruiz de Velasco, Anne Ryan, Charlotte Salomon, Augusta Savage, Zofia Stryjenska, Zinaida Serebriakova, Sarai Sherman, Henrietta Shore, Sr. Maria Stanisia, Marjorie Strider, Carrie Sweetser, Annie Louisa Swynnerton, Franciszka Themerson, Suzanne Valadon, Remedios Varo, Maria Helena Vieira da Silva, Nellie Walker, Marianne von Werefkin and Ogura Yuki.[45] Hilma af Klint (1862–1944) was a pioneer abstract painter, working long before her abstract expressionist male counterparts. She was Swedish and regularly exhibited her paintings dealing with realism, but the abstract works were not shown until 20 years after her death, at her request. She considered herself to be a spiritualist and mystic.[46] Margaret Macdonald Mackintosh (1865–1933) was a Scottish artist whose works helped define the "Glasgow Style" of the 1890s and early 20th century. She often collaborated with her husband, the architect and designer Charles Rennie Mackintosh, in works that had influence in Europe. She exhibited with Mackintosh at the 1900 Vienna Secession, where her work is thought to have had an influence on the Secessionists such as Gustav Klimt.[47] Annie Louisa Swynnerton (1844-1933) was a portrait, landscape and 'symbolist' artist, considered by her peers, such as John Singer Sargent and Edward Burne-Jones as one of the finest and most creative artists of her era, but was still not allowed access to mainstream art school training. She moved abroad to study at the Académie Julian and spent much of her life in France and Rome where the more liberal attitudes allowed her to express a broad range of compositional subjects. She was still not formally recognized in Britain until 1923 at the age of 76 when she became the first female admitted to the Royal Academy of Arts.[48][49] Wilhelmina Weber Furlong (1878–1962) was an early American modernist in New York City. She made significant contributions to modern American art through her work at the Art Students League and the Whitney Studio Club.[50][51] Aleksandra Ekster and Lyubov Popova were Constructivist, Cubo-Futurist, and Suprematist artists well known and respected in Kiev, Moscow and Paris in the early 20th century. Among the other women artists prominent in the Russian avant-garde were Natalia Goncharova, Varvara Stepanova and Nadezhda Udaltsova. Sonia Delaunay and her husband were the founders of Orphism. In the Art Deco era, Hildreth Meiere made large-scale mosaics and was the first woman honored with the Fine Arts Medal of the American Institute of Architects.[52] Tamara de Lempicka, also of this era, was an Art Deco painter from Poland. Sr. Maria Stanisia became a notable portraitist, mainly of clergy.[53] Georgia O'Keeffe was born in the late 19th century. She became known for her paintings, featuring flowers, bones, and landscapes of New Mexico. In 1927, Dod Procter's painting Morning was voted Picture of the Year in the Royal Academy Summer Exhibition, and bought by the Daily Mail for the Tate gallery.[54] Its popularity resulted in its showing in New York and a two-year tour of Britain.[55] Surrealism, an important artistic style in the 1920s and 1930s, had a number of prominent women artists, including Leonora Carrington, Kay Sage, Dorothea Tanning, and Remedios Varo.[22] There were also outliers, such as the British self-taught, often comedic observer, Beryl Cook (1926-2008).[56] Among East and Central European women artists, the following are noteworthy: Milein Cosman (1921-2017), Marie-Louise von Motesiczky (1906-1996), Else Meidner (1901-1987), Sanja Ivekovic (born 1949), Orshi Drozdik (born 1946) Theatrical designers Women graphic artists and illustrators, like the rare female cartoonist, Claire Bretécher, have made a generous contribution to their field.[57] On a larger scale, among theatrical designers the following have been notable: Elizabeth Polunin, Doris Zinkeisen, Adele Änggård, Kathleen Ankers, Madeleine Arbour, Marta Becket, Maria Björnson, Madeleine Boyd, Gladys Calthrop, Marie Anne Chiment, Millia Davenport, Kirsten Dehlholm, Victorina Durán, Lauren Elder, Heidi Ettinger, Soutra Gilmour, Rachel Hauck, Marjorie B. Kellogg, Adrianne Lobel, Anna Louizos, Elaine J. McCarthy, Elizabeth Montgomery Wilmot, Armande Oswald, Natacha Rambova, Kia Steave-Dickerson, Karen TenEyck, Donyale Werle Women photographers Lee Miller rediscovered solarization[58] and became a high fashion photographer. Dorothea Lange documented the Depression. Berenice Abbott created images of well known architecture and celebrity, Margaret Bourke-White created the industrial photographs that were featured on the cover and in the lead article of the first Life Magazine. Diane Arbus based her photography on outsiders to mainstream society. Graciela Iturbide's works dealt with Mexican life and feminism, while Tina Modotti produced "revolutionary icons" from Mexico in the 1920s.[59] Annie Leibovitz's photographic work was of rock and roll and other celebrity figures. Other women to break through the glass ceiling have included: Eve Arnold, Marilyn Silverstone and Inge Morath of Magnum, Daphne Zileri, Anya Teixeira, Elsa Thiemann, Sabine Weiss and Xyza Cruz Bacani. Multi-Media Hambling's Scallop 2003, tribute to Benjamin Britten, north end of Aldeburgh beach, England Mary Carroll Nelson founded the Society of Layerists in Multi-Media (SLMM), whose artist members follow in the tradition of Emil Bisttram and the Transcendental Painting Group, as well as Morris Graves of the Pacific Northwest Visionary Art School. In the 1970s, Judy Chicago created The Dinner Party, a very important work of feminist art. Helen Frankenthaler was an Abstract Expressionist painter and she was influenced by Jackson Pollock. Lee Krasner was also an Abstract Expressionist artist and married to Pollock and a student of Hans Hofmann. Elaine de Kooning was a student and later the wife of Willem de Kooning, she was an abstract figurative painter. Anne Ryan was a collagist. Jane Frank, also a student of Hans Hofmann, worked with mixed media on canvas. In Canada, Marcelle Ferron was an exponent of automatism. From the 1960s on, feminism led to a great increase in interest in women artists and their academic study. Notable contributions have been made by the art historians Germaine Greer, Linda Nochlin, Griselda Pollock and others. Some art historians such as Daphne Haldin have attempted to redress the balance of male-focused histories by compiling lists of women artists, though many of these efforts remain unpublished.[60] Figures like Artemisia Gentileschi and Frida Kahlo emerged from relative obscurity to become feminist icons. The Guerilla Girls, an anonymous group of females formed in 1985, were "the conscience of the art world." They spoke out about indifference and inequalities for gender and race, particularly in the art world. The Guerilla Girls have made many posters as a way of bringing attention, typically in a humorous way, to the community to raise awareness and create change. In 1996, Catherine de Zegher curated an exhibition of 37 great women artists from the twentieth century. The exhibition, Inside the Visible, that travelled from the ICA in Boston to the National Museum for Women in the Arts in Washington, the Whitechapel in London and the Art Gallery of Western Australia in Perth, included artists' works from the 1930s through the 1990s featuring Claude Cahun, Louise Bourgeois, Bracha Ettinger, Agnes Martin, Carrie Mae Weems, Charlotte Salomon, Eva Hesse, Nancy Spero, Francesca Woodman, Lygia Clark and Mona Hatoum among others. Ceramics Shirazeh Houshiary, East window St Martin-in-the-Fields, London The re-emergence in the late 19th-century of the creation of ceramic art objects in Japan and Europe has become known as Studio pottery, although it encompasses sculpture and also tesserae, the mosaic cubes which go back to Persia in the third millennium BCE. Several influences contributed to the emergence of studio pottery: art pottery in the work

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