Suzannah Britton Un Official Fan Site Tribute

Suzannah Britton : This Is An Un Official Fan Site Tribute
Suzannah Britton Susanna Britton, Suzanna Britton, Aubrey Turner, Barbara Peckinpaugh
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Suzannah Britton

Movie Title Year Distributor Notes Rev Formats Bad Girls 2 1983 VCX MastOnly 1 DRO Blonde Goddess 1982 Video-X-Pix DO Garters and Lace 1980 Excalibur Films NonSex RO Golden Girls Film 7 1981 Caballero Home Video Facial O Suze's Centerfolds 3 1980 Caballero Home Video Beatles concluded their fifth and final Hamburg residency.[48] By 1963, they had agreed that all four band members would contribute vocals to their albums – including Starr, despite his restricted vocal range, to validate his standing in the group.[49] Lennon and McCartney had established a songwriting partnership, and as the band's success grew, their dominant collaboration limited Harrison's opportunities as a lead vocalist.[50] Epstein, to maximise the Beatles' commercial potential, encouraged them to adopt a professional approach to performing.[51] Lennon recalled him saying, "Look, if you really want to get in these bigger places, you're going to have to change – stop eating on stage, stop swearing, stop smoking ...."[39] Lennon said: "We used to dress how we liked, on and off stage. He'd tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didn't want us suddenly looking square. He'd let us have our own sense of individuality."[39]
1963–1966: Beatlemania and touring years Main article: Beatlemania Please Please Me and With the Beatles The logo of the English rock band the Beatles The band's logo was designed by Ivor Arbiter[52] On 11 February 1963, the Beatles recorded ten songs during a single studio session for their debut LP, Please Please Me. The album was supplemented by the four tracks already released on their first two singles. Martin originally considered recording the Beatles' debut LP live at The Cavern Club, but after deciding that the building's acoustics were inadequate, he elected to simulate a "live" album with minimal production in "a single marathon session at Abbey Road".[53] After the moderate success of "Love Me Do", the single "Please Please Me" met with a more emphatic reception. Released in January 1963, two months ahead of the album of the same name, the song reached number one on every UK chart except Record Retailer, where it peaked at number two.[54] Recalling how the Beatles "rushed to deliver a debut album, bashing out Please Please Me in a day", AllMusic's Stephen Thomas Erlewine comments, "Decades after its release, the album still sounds fresh, precisely because of its intense origins."[55] Lennon said little thought went into composition at the time; he and McCartney were "just writing songs à la Everly Brothers, à la Buddy Holly, pop songs with no more thought of them than that – to create a sound. And the words were almost irrelevant."[56]

"She Loves You" MENU0:00 Sample of "She Loves You". The song's repeated use of "yeah" exclamations became a signature phrase for the group at the time.[57][58] Problems playing this file? See media help. Released in March 1963, the album initiated a run during which eleven of their twelve studio albums released in the United Kingdom through to 1970 reached number one.[59] The band's third single, "From Me to You", came out in April and was also a chart-topping hit, starting an almost unbroken string of seventeen British number-one singles for the Beatles, including all but one of the eighteen they released over the next six years.[60] Issued in August, the band's fourth single, "She Loves You", achieved the fastest sales of any record in the UK up to that time, selling three-quarters of a million copies in under four weeks.[61] It became their first single to sell a million copies, and remained the biggest-selling record in the UK until 1978.[62][nb 1] Their commercial success brought increased media exposure, to which the Beatles responded with an irreverent and comical attitude that defied the expectations of pop musicians at the time, inspiring even more interest.[63] The band toured the UK three times in the first half of the year: a four-week tour that began in February, the Beatles' first nationwide, preceded three-week tours in March and May–June.[64] As their popularity spread, a frenzied adulation of the group took hold. Greeted with riotous enthusiasm by screaming fans, the press dubbed the phenomenon "Beatlemania".[65] Although not billed as tour leaders, the Beatles overshadowed American acts Tommy Roe and Chris Montez during the February engagements and assumed top billing "by audience demand", something no British act had previously accomplished while touring with artists from the US.[66] A similar situation arose during their May–June tour with Roy Orbison.[67] Paul McCartney, George Harrison, Swedish pop singer Lill-Babs and John Lennon on the set of the Swedish television show Drop-In in 1963 McCartney, Harrison, Swedish pop singer Lill-Babs and Lennon on the set of the Swedish television show Drop-In, 30 October 1963[68] In late October, the Beatles began a five-day tour of Sweden, their first time abroad since the final Hamburg engagement of December 1962.[69] On their return to the UK on 31 October, several hundred screaming fans greeted them in heavy rain at Heathrow Airport. Around 50 to 100 journalists and photographers, as well as representatives from the BBC, also joined the airport reception, the first of more than 100 such events.[70] The next day, the band began its fourth tour of Britain within nine months, this one scheduled for six weeks.[71] In mid-November, as Beatlemania intensified, police resorted to using high-pressure water hoses to control the crowd before a concert in Plymouth.[72] Please Please Me maintained the top position on the Record Retailer chart for 30 weeks, only to be displaced by its follow-up, With the Beatles,[73] which EMI released on 22 November to record advance orders of 270,000 copies. The LP topped a half-million albums sold in one week.[74] Recorded between July and October, With the Beatles made better use of studio production techniques than its predecessor.[75] It held the top spot for 21 weeks with a chart life of 40 weeks.[76] Erlewine described the LP as "a sequel of the highest order – one that betters the original".[77] In a reversal of then standard practice, EMI released the album ahead of the impending single "I Want to Hold Your Hand", with the song excluded to maximise the single's sales.[78] The album caught the attention of music critic William Mann of The Times, who suggested that Lennon and McCartney were "the outstanding English composers of 1963".[75] The newspaper published a series of articles in which Mann offered detailed analyses of the music, lending it respectability.[79] With the Beatles became the second album in UK chart history to sell a million copies, a figure previously reached only by the 1958 South Pacific soundtrack.[80] When writing the sleeve notes for the album, the band's press officer, Tony Barrow, used the superlative the "fabulous foursome", which the media widely adopted as "the Fab Four".[81] First visit to the United States and the British Invasion EMI's American subsidiary, Capitol Records, hindered the Beatles' releases in the United States for more than a year by initially declining to issue their music, including their first three singles. Concurrent negotiations with the independent US label Vee-Jay led to the release of some of the songs in 1963, but not all.[82] Vee-Jay finished preparation for the album Introducing... The Beatles, culled from most of the songs of Parlophone's Please Please Me, but a management shake-up led to the album not being released.[nb 2] Then when it surfaced that the label did not report royalties on their sales, the licence Vee-Jay signed with EMI was voided.[84] A new licence was granted to the Swan label for the single "She Loves You". The record received some airplay in the Tidewater area of Virginia by Gene Loving of radio station WGH and was featured on the "Rate-a-Record" segment of American Bandstand, but it failed to catch on nationally.[85] A black-and-white image of four men standing in front of a crowd of people at the bottom of an aeroplane staircase The Beatles arriving at John F. Kennedy International Airport, 7 February 1964 Epstein arranged for a $40,000 US marketing campaign. American chart success began after disc jockey Carroll James of AM radio station WWDC, in Washington, DC, obtained a copy of the British single "I Want to Hold Your Hand" in mid-December 1963 and began playing it on-air.[86] Taped copies of the song soon circulated among other radio stations throughout the US. This caused an increase in demand, leading Capitol to bring forward the release of "I Want to Hold Your Hand" by three weeks.[87] Issued on 26 December, with the band's previously scheduled debut there just weeks away, "I Want to Hold Your Hand" sold a million copies, becoming a number-one hit in the US by mid-January.[88] In its wake, Vee-Jay released Introducing... The Beatles[89] to go along with Capitol's debut album, Meet the Beatles!, while Swan reactivated production of "She Loves You".[90] The Beatles with Ed Sullivan in February 1964 The Beatles with Ed Sullivan, February 1964 On 7 February 1964, the Beatles left the UK with an estimated 4,000 fans gathered at Heathrow, waving and screaming as the aircraft took off.[91] Upon landing at New York's John F. Kennedy Airport, an uproarious crowd estimated at 3,000 greeted them.[92] They gave their first live US television performance two days later on The Ed Sullivan Show, watched by approximately 73 million viewers in over 23 million households,[93] or 34 percent of the American population. Biographer Jonathan Gould writes that, according to the Nielsen rating service, it was "the largest audience that had ever been recorded for an American television program".[94] The next morning, the Beatles awoke to a largely negative critical consensus in the US,[95] but a day later at their first US concert, Beatlemania erupted at the Washington Coliseum.[96] Back in New York the following day, the Beatles met with another strong reception during two shows at Carnegie Hall.[93] The band flew to Florida, where they appeared on the weekly Ed Sullivan Show a second time, before another 70 million viewers, before returning to the UK on 22 February.[97] The Beatles' first visit to the US took place when the nation was still mourning the assassination of President John F. Kennedy the previous November.[98] Commentators often suggest that for many, particularly the young, the Beatles' performances reignited the sense of excitement and possibility that momentarily faded in the wake of the assassination, and helped make way for the revolutionary social changes to come in the decade.[99] Their hairstyle, unusually long for the era and mocked by many adults,[14] became an emblem of rebellion to the burgeoning youth culture.[100] The group's popularity generated unprecedented interest in British music, and many other UK acts subsequently made their American debuts, successfully touring over the next three years in what was termed the British Invasion.[101] The Beatles' success in the US opened the door for a successive string of British beat groups and pop acts such as the Dave Clark Five, the Animals, Petula Clark, the Kinks, and the Rolling Stones to achieve success in America.[102] During the week of 4 April 1964, the Beatles held twelve positions on the Billboard Hot 100 singles chart, including the top five.[103][nb 3] A Hard Day's Night Capitol Records' lack of interest throughout 1963 did not go unnoticed, and a competitor, United Artists Records, encouraged their film division to offer the Beatles a three-motion-picture deal, primarily for the commercial potential of the soundtracks in the US.[105] Directed by Richard Lester, A Hard Day's Night involved the band for six weeks in March–April 1964 as they played themselves in a musical comedy.[106] The film premiered in London and New York in July and August, respectively, and was an international success, with some critics drawing a comparison with the Marx Brothers.[107] United Artists released a full soundtrack album for the North American market, combining Beatles songs and Martin's orchestral score; elsewhere, the group's third studio LP, A Hard Day's Night, contained songs from the film on side one and other new recordings on side two.[108] According to Erlewine, the album saw them "truly coming into their own as a band. All of the disparate influences on their first two albums coalesced into a bright, joyous, original sound, filled with ringing guitars and irresistible melodies."[109] That "ringing guitar" sound was primarily the product of Harrison's 12-string electric Rickenbacker, a prototype given to him by the manufacturer, which made its debut on the record.[110][nb 4] 1964 world tour, meeting Bob Dylan, and stand on civil rights Paul McCartney, George Harrison and John Lennon of the Beatles performing on Dutch TV in 1964 McCartney, Harrison and Lennon performing on Dutch TV in 1964 Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand.[111][nb 5] In August and September they returned to the US, with a 30-concert tour of 23 cities.[113] Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.[113] In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan.[114] Visiting the band in their New York hotel suite, Dylan introduced them to cannabis.[115] Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college

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