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Movie Title Year Distributor Notes Rev Formats Hot Babe Sucking Cock In Pov 2011 ddfnetwork.com Facial O Woodman Casting X 95 2012 Woodman Entertainment Anal Facial DP Bald Determinism A further distinction is between deterministic (DFA) and non-deterministic (NFA, GNFA) automata. In a deterministic automaton, every state has exactly one transition for each possible input. In a non-deterministic automaton, an input can lead to one, more than one, or no transition for a given state. The powerset construction algorithm can transform any nondeterministic automaton into a (usually more complex) deterministic automaton with identical functionality. kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' – kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists."[116] Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion".[117] As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.[117]
During the 1964 US tour, the group were confronted with racial segregation in the country at the time, particularly in the South.[118][119] When informed that the venue for their 11 September concert, the Gator Bowl in Jacksonville, Florida, was segregated, the Beatles said they would refuse to perform unless the audience was integrated.[120][118][119] Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money."[118] City officials relented and agreed to allow an integrated show.[118] The group also cancelled their reservations at the whites-only Hotel George Washington in Jacksonville.[119] For their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.[119][121]

Beatles for Sale, Help! and Rubber Soul According to Gould, Beatles for Sale, the Beatles' fourth studio LP, evidenced a growing conflict between the commercial pressures of their global success and their creative ambitions.[122] They had intended the album, recorded between August and October 1964,[123] to continue the format established by A Hard Day's Night which, unlike their first two LPs, contained only original songs.[122] They had nearly exhausted their backlog of songs on the previous album, however, and given the challenges constant international touring posed to their songwriting efforts, Lennon admitted, "Material's becoming a hell of a problem".[124] As a result, six covers from their extensive repertoire were chosen to complete the album. Released in early December, its eight original compositions stood out, demonstrating the growing maturity of the Lennon–McCartney songwriting partnership.[122] In early 1965, following a dinner with Lennon, Harrison and their wives, Harrison's dentist, John Riley, secretly added LSD to their coffee.[125] Lennon described the experience: "It was just terrifying, but it was fantastic. I was pretty stunned for a month or two."[126] He and Harrison subsequently became regular users of the drug, joined by Starr on at least one occasion. Harrison's use of psychedelic drugs encouraged his path to meditation and Hinduism. He commented: "For me, it was like a flash. The first time I had acid, it just opened up something in my head that was inside of me, and I realized a lot of things. I didn't learn them because I already knew them, but that happened to be the key that opened the door to reveal them. From the moment I had that, I wanted to have it all the time – these thoughts about the yogis and the Himalayas, and Ravi's music."[127][128] McCartney was initially reluctant to try it, but eventually did so in late 1966.[129] He became the first Beatle to discuss LSD publicly, declaring in a magazine interview that "it opened my eyes" and "made me a better, more honest, more tolerant member of society".[130] The Beatles performing music in a field. In the foreground, the drums are played by Starr (only the top of his head is visible). Beyond him, the other three stand in a column with their guitars. In the rear, Harrison, head down, strikes a chord. In the front, Lennon smiles and gives a little wave toward camera, holding his pick. Between them, McCartney is jocularly about to choke Lennon. The US trailer for Help! with (from the rear) Harrison, McCartney, Lennon and (largely obscured) Starr Controversy erupted in June 1965 when Queen Elizabeth II appointed all four Beatles Members of the Order of the British Empire (MBE) after Prime Minister Harold Wilson nominated them for the award.[131] In protest – the honour was at that time primarily bestowed upon military veterans and civic leaders – some conservative MBE recipients returned their insignia.[132] In July, the Beatles' second film, Help!, was released, again directed by Lester. Described as "mainly a relentless spoof of Bond",[133] it inspired a mixed response among both reviewers and the band. McCartney said: "Help! was great but it wasn't our film – we were sort of guest stars. It was fun, but basically, as an idea for a film, it was a bit wrong."[134] The soundtrack was dominated by Lennon, who wrote and sang lead on most of its songs, including the two singles: "Help!" and "Ticket to Ride".[135] The accompanying Help! album, the group's fifth studio LP, mirrored A Hard Day's Night by featuring soundtrack songs on side one and additional songs from the same sessions on side two.[136] The LP contained all original material save for two covers, "Act Naturally" and "Dizzy Miss Lizzy"; they were the last covers the band would include on an album, except for Let It Be's brief rendition of the traditional Liverpool folk song "Maggie Mae".[137] The band expanded their use of vocal overdubs on Help! and incorporated classical instruments into some arrangements, including a string quartet on the pop ballad "Yesterday".[138] Composed by and sung by McCartney – none of the other Beatles perform on the recording[139] – "Yesterday" inspired the most cover versions of any song ever written.[140] With Help!, the Beatles became the first rock group to be nominated for a Grammy Award for Album of the Year.[141] The Beatles at a press conference in August 1965 The band at a press conference in Minnesota in August 1965, shortly after playing at Shea Stadium in New York The group's third US tour opened with a performance before a world-record crowd of 55,600 at New York's Shea Stadium on 15 August 1965 – "perhaps the most famous of all Beatles' concerts", in Lewisohn's description.[142] A further nine successful concerts followed in other American cities. At a show in Atlanta, the Beatles gave one of the first live performances ever to make use of a foldback system of on-stage monitor speakers.[143] Towards the end of the tour, they met with Elvis Presley, a foundational musical influence on the band, who invited them to his home in Beverly Hills.[144][145] September saw the launch of an American Saturday-morning cartoon series, The Beatles, that echoed A Hard Day's Night's slapstick antics over its two-year original run.[146] The series was a historical milestone as the first weekly television series to feature animated versions of real, living people.[147] In mid-October 1965, the Beatles entered the recording studio; for the first time when making an album, they had an extended period without other major commitments.[148] Until this time, according to George Martin, "we had been making albums rather like a collection of singles. Now we were really beginning to think about albums as a bit of art on their own."[149] Released in December, Rubber Soul was hailed by critics as a major step forward in the maturity and complexity of the band's music.[150] Their thematic reach was beginning to expand as they embraced deeper aspects of romance and philosophy.[151] NEMS executive Peter Brown attributed the new musical direction to "the Beatles' now habitual use of marijuana",[152] an assertion confirmed by the band – Lennon referred to it as "the pot album",[153] and Starr said: "Grass was really influential in a lot of our changes, especially with the writers. And because they were writing different material, we were playing differently."[153] After Help!'s foray into the world of classical music with flutes and strings, Harrison's introduction of a sitar on "Norwegian Wood (This Bird Has Flown)" marked a further progression outside the traditional boundaries of popular music. As their lyrics grew more artful, fans began to study them for deeper meaning. Of "Norwegian Wood" Lennon commented: "I was trying to be sophisticated in writing about an affair ... but in such a smokescreen way that you couldn't tell."[154] "Norwegian Wood (This Bird Has Flown)" MENU0:00 Sample of "Norwegian Wood" from Rubber Soul (1965). Harrison's use of a sitar on this song is representative of the Beatles' incorporation of unconventional instrumentation into rock music.[150] Problems playing this file? See media help. While many of Rubber Soul's prominent songs were the product of Lennon and McCartney's collaborative songwriting,[155] it also featured distinct compositions from each,[156] though they continued to share official credit. The song "In My Life", of which each later claimed lead authorship, is considered a highlight of the entire Lennon–McCartney catalogue.[157] Harrison called Rubber Soul his "favourite album"[153] and Starr referred to it as "the departure record".[158] McCartney has said, "We'd had our cute period, and now it was time to expand."[159] However, recording engineer Norman Smith later stated that the studio sessions revealed signs of growing conflict within the group – "the clash between John and Paul was becoming obvious", he wrote, and "as far as Paul was concerned, George could do no right".[160] In 2003, Rolling Stone ranked Rubber Soul fifth among "The 500 Greatest Albums of All Time",[161] and AllMusic's Richie Unterberger describes it as "one of the classic folk-rock records".[162] Controversies, Revolver and final tour Capitol Records, from December 1963 when it began issuing Beatles recordings for the US market, exercised complete control over format,[82] compiling distinct US albums from the band's recordings and issuing songs of their choosing as singles.[163][nb 6] In June 1966, Yesterday and Today, one of Capitol's compilation albums, caused an uproar with its cover, which portrayed the grinning Beatles dressed in butcher's overalls, accompanied by raw meat and mutilated plastic baby dolls. According to Beatles biographer Bill Harry, it has been incorrectly suggested that this was meant as a satirical response to the way Capitol had "butchered" the US versions of the band's albums.[165] Thousands of copies of the LP had a new cover pasted over the original; an unpeeled "first-state" copy fetched $10,500 at a December 2005 auction.[166] In England, meanwhile, Harrison met sitar maestro Ravi Shankar, who agreed to train him on the instrument.[167] During a tour of the Philippines the month after the Yesterday and Today furore, the Beatles unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected them to attend a breakfast reception at the Presidential Palace.[168] When presented with the invitation, Epstein politely declined on the band members' behalf, as it had never been his policy to accept such official invitations.[169] They soon found that the Marcos regime was unaccustomed to taking no for an answer. The resulting riots endangered the group and they escaped the country with difficulty.[170] Immediately afterwards, the band members visited India for the first time.[171] We're more popular than Jesus now; I don't know which will go first – rock 'n' roll or Christianity. – John Lennon, 1966[172] Almost as soon as they returned home, the Beatles faced a fierce backlash from US religious and social conservatives (as well as the Ku Klux Klan) over a comment Lennon

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