Tasha Jones Un Official Fan Site Tribute

Tasha Jones : This Is An Un Official Fan Site Tribute
Tasha Jones
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Movie Title Year Distributor Notes Rev Formats Busty Canadian Tasha Jones Jerks Off Her Man 2015 pure-ts.com Canada T-Girls 3 2014 Third World Media 1 DRO Oral Sensation 2015 Kennston Productions Ray Fucks Tasha Jones 2014 grooby.com Bottom She-male Sex Party 1 2006 AMVC O She-male Sex Party 2 2006 AMVC Top O Squirting Man 2015 Kennston Productions DRO Super Busty Shemale Tasha Jones Sucks A Big Dick 2015 pure-ts.com Tasha and James 2015 clubtasha.xxx Tasha Fucks Her Ass 2014 grooby.com MastOnly Tasha Jones and Dita Dior Live Sex 2014 clubtasha.xxx Tasha Jones Sexed Up 2014 grooby.com MastOnly Tasha Jones Sexy Fun 2014 grooby.com MastOnly Tasha Toys Her Ass 2014 grooby.com MastOnly Tasha's Trashy T-Girls 1 2005 Mayhem North Productions Facial Bottom O Tasha's Trashy T-Girls 2 2013 Mayhem North Productions Tasha's Trashy T-Girls 3 2013 Mayhem North Productions Tranny Blowies 1 2016 CX WOW O Tranny Handies 1 2015 CX WOW O Tranny Handies 2 2015 CX WOW O Tranny Tag Team 2009 Mayhem North Productions O the whole Beatles musical lifespan in a very condensed period".[343] The show premiered in June 2006, and the Love album was released that November.[344] In April 2009, Starr performed three songs with McCartney at a benefit concert held at New York's Radio City Music Hall and organised by McCartney.[345]
A photograph of two older men, one using a microphone, in front of a large electronic display Starr and McCartney introduced the video game The Beatles: Rock Band at the 2009 E3 convention On 9 September 2009, the Beatles' entire back catalogue was reissued following an extensive digital remastering process that lasted four years.[322] Stereo editions of all twelve original UK studio albums, along with Magical Mystery Tour and the Past Masters compilation, were released on compact disc both individually and as a box set.[346] A second collection, The Beatles in Mono, included remastered versions of every Beatles album released in true mono along with the original 1965 stereo mixes of Help! and Rubber Soul (both of which Martin had remixed for the 1987 editions).[347] The Beatles: Rock Band, a music video game in the Rock Band series, was issued on the same day.[348] In December 2009, the band's catalogue was officially released in FLAC and MP3 format in a limited edition of 30,000 USB flash drives.[349]

2010s Owing to a long-running royalty disagreement, the Beatles were among the last major artists to sign deals with online music services.[350] Residual disagreement emanating from Apple Corps' dispute with Apple, Inc., iTunes' owners, over the use of the name "Apple" was also partly responsible for the delay, although in 2008, McCartney stated that the main obstacle to making the Beatles' catalogue available online was that EMI "want[s] something we're not prepared to give them".[351] In 2010, the official canon of thirteen Beatles studio albums, Past Masters, and the "Red" and "Blue" greatest-hits albums were made available on iTunes.[352] In 2012, EMI's recorded music operations were sold to Universal Music Group. In order for Universal Music to acquire EMI, the European Union, for antitrust reasons, forced EMI to spin off assets including Parlophone. Universal was allowed to keep the Beatles' recorded music catalogue, managed by Capitol Records under its Capitol Music Group division.[353] The entire original Beatles album catalogue was also reissued on vinyl in 2012; available either individually or as a box set.[354] In 2013, a second volume of BBC recordings, titled On Air – Live at the BBC Volume 2, was released. That December saw the release of another 59 Beatles recordings on iTunes. The set, titled The Beatles Bootleg Recordings 1963, had the opportunity to gain a 70-year copyright extension conditional on the songs being published at least once before the end of 2013. Apple Records released the recordings on 17 December to prevent them from going into the public domain and had them taken down from iTunes later that same day. Fan reactions to the release were mixed, with one blogger saying "the hardcore Beatles collectors who are trying to obtain everything will already have these."[355][356] On 26 January 2014, McCartney and Starr performed together at the 56th Annual Grammy Awards, held at the Staples Center in Los Angeles.[357] The following day, The Night That Changed America: A Grammy Salute to The Beatles television special was taped in the Los Angeles Convention Center's West Hall. It aired on 9 February, the exact date of – and at the same time, and on the same network as – the original broadcast of the Beatles' first US television appearance on The Ed Sullivan Show, 50 years earlier. The special included performances of Beatles songs by current artists as well as by McCartney and Starr, archival footage, and interviews with the two surviving ex-Beatles carried out by David Letterman at the Ed Sullivan Theater.[358][359] In December 2015, the Beatles released their catalogue for streaming on various streaming music services including Spotify and Apple Music.[360] In September 2016, the documentary film The Beatles: Eight Days a Week was released. Directed by Ron Howard, it chronicled the Beatles' career during their touring years from 1962 to 1966, from their performances in Liverpool's the Cavern Club in 1961 to their final concert in San Francisco in 1966. The film was released theatrically on 15 September in the UK and the US, and started streaming on Hulu on 17 September. It received several awards and nominations, including for Best Documentary at the 70th British Academy Film Awards and the Outstanding Documentary or Nonfiction Special at the 69th Primetime Creative Arts Emmy Awards.[361] An expanded, remixed and remastered version of The Beatles at the Hollywood Bowl was released on 9 September, to coincide with the release of the film.[362][363] On 18 May 2017, Sirius XM Radio launched a 24/7 radio channel, The Beatles Channel. A week later, Sgt. Pepper's Lonely Hearts Club Band was reissued with new stereo mixes and unreleased material for the album's 50th anniversary.[364] Similar box sets were released for The Beatles in November 2018,[365] and Abbey Road in September 2019.[366] On the first week of October 2019, Abbey Road returned to number one on the UK Albums Chart. The Beatles broke their own record for the album with the longest gap between topping the charts as Abbey Road hit the top spot 50 years after its original release.[367] 2020s In August 2021, The Beatles: Get Back, a new documentary film directed by Peter Jackson utilising footage captured for what became the Let It Be film, will be released by Walt Disney Studios Motion Pictures in the US and Canada with a global release to follow.[368] Musical style and development See also: Lennon–McCartney In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution: In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work.[369] In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: "McCartney may be said to have constantly developed – as a means to entertain – a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility."[370] Ian MacDonald describes McCartney as "a natural melodist – a creator of tunes capable of existing apart from their harmony". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism". Conversely, Lennon's "sedentary, ironic personality" is reflected in a "horizontal" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: "Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own."[371] MacDonald praises Harrison's lead guitar work for the role his "characterful lines and textural colourings" play in supporting Lennon and McCartney's parts, and describes Starr as "the father of modern pop/rock drumming".[372] Influences The band's earliest influences include Elvis Presley, Carl Perkins, Little Richard and Chuck Berry.[373] During the Beatles' co-residency with Little Richard at the Star-Club in Hamburg, from April to May 1962, he advised them on the proper technique for performing his songs.[374] Of Presley, Lennon said, "Nothing really affected me until I heard Elvis. If there hadn't been Elvis, there would not have been the Beatles."[375] Other early influences include Buddy Holly, Eddie Cochran, Roy Orbison[376] and the Everly Brothers.[377] The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries, including Bob Dylan, the Who, Frank Zappa, the Lovin' Spoonful, the Byrds and the Beach Boys, whose 1966 album Pet Sounds amazed and inspired McCartney.[378][379][380][381] Referring to the Beach Boys' creative leader, Martin later stated: "No one made a greater impact on the Beatles than Brian [Wilson]."[382] Ravi Shankar, with whom Harrison studied for six weeks in India in late 1966, had a significant effect on his musical development during the band's later years.[383] Genres Originating as a skiffle group, the Beatles quickly embraced 1950s rock and roll and helped pioneer the Merseybeat genre,[384] and their repertoire ultimately expanded to include a broad variety of pop music.[385] Reflecting the range of styles they explored, Lennon said of Beatles for Sale, "You could call our new one a Beatles country-and-western LP",[386] while Gould credits Rubber Soul as "the instrument by which legions of folk-music enthusiasts were coaxed into the camp of pop".[387] Two electric guitars, a light brown violin-shaped bass and a darker brown guitar resting against a Vox amplifier A Höfner "violin" bass guitar and Gretsch Country Gentleman guitar, models played by McCartney and Harrison, respectively; the Vox AC30 amplifier behind them is the model the Beatles used during performances in the early 1960s. Although the 1965 song "Yesterday" was not the first pop record to employ orchestral strings, it marked the group's first recorded use of classical music elements. Gould observes: "The more traditional sound of strings allowed for a fresh appreciation of their talent as composers by listeners who were otherwise allergic to the din of drums and electric guitars."[388] They continued to experiment with string arrangements to various effect; Sgt. Pepper's "She's Leaving Home", for instance, is "cast in the mold of a sentimental Victorian ballad", Gould writes, "its words and music filled with the clichés of musical melodrama".[389] The band's stylistic range expanded in another direction with their 1966 B-side "Rain", described by Martin Strong as "the first overtly psychedelic Beatles record".[390] Other psychedelic numbers followed, such as "Tomorrow Never Knows" (recorded before "Rain"), "Strawberry Fields Forever", "Lucy in the Sky with Diamonds" and "I Am the Walrus". The influence of Indian classical music was evident in Harrison's "The Inner Light", "Love You To" and "Within You Without You" – Gould describes the latter two as attempts "to replicate the raga form in miniature".[391] Innovation was the most striking feature of their creative evolution, according to music historian and pianist Michael Campbell: "'A Day in the Life' encapsulates the art and achievement of the Beatles as well as any single track can. It highlights key features of their music: the sound imagination, the persistence of tuneful melody, and the close coordination between words and music. It represents a new category of song – more sophisticated than pop ... and uniquely innovative. There literally had never before been a song – classical or vernacular – that had blended so many disparate elements so imaginatively."[392] Philosophy professor Bruce Ellis Benson agrees: "the Beatles ... give us a wonderful example of how such far-ranging influences as Celtic music, rhythm and blues, and country and western could be put together in a new way."[393] Author Dominic Pedler describes the way they crossed musical styles: "Far from moving sequentially from one genre to another (as is sometimes conveniently suggested) the group maintained in parallel their mastery of the traditional, catchy chart hit while simultaneously forging rock and dabbling with a wide range of peripheral influences from country to vaudeville. One of these threads was their take on folk music, which would form such essential groundwork for their later collisions with Indian music and philosophy."[394] As the personal relationships between the band members grew increasingly strained, their individual tastes became more apparent. The minimalistic cover artwork for the White Album contrasted with the complexity and diversity of its music, which encompassed Lennon's "Revolution 9" (whose musique concrète approach was influenced by Yoko Ono), Starr's country song "Don't Pass Me By", Harrison's rock ballad "While My Guitar Gently Weeps", and the "proto-metal roar" of McCartney's "Helter Skelter".[395] Contribution of George Martin The Beatles with George Martin in the studio in the mid-1960s Martin (second from right) in the studio with the Beatles in the mid-1960s George Martin's close involvement in his role as producer made him one of the leading candidates for the informal title of the "fifth Beatle".[396] He applied his classical musical training in various ways, and functioned as "an informal music teacher" to the progressing songwriters, according to Gould.[397] Martin suggested to a sceptical McCartney that the arrangement of "Yesterday" should feature a string quartet accompaniment, thereby introducing the Beatles to a "hitherto unsuspected world of classical instrumental colour", in MacDonald's description.[398] Their creative development was also facilitated by Martin's willingness to experiment in response to their suggestions, such as adding "something baroque" to a particular recording.[399] In addition to scoring orchestral arrangements for recordings, Martin often performed on them, playing instruments including piano, organ and brass.[400

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