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Unattractiveness or ugliness is the degree to which a person's physical features are considered aesthetically unfavorable. Contents 1 Terminology 2 Society 3 Demographics 4 Prejudice 4.1 Legality 5 Humans 6 Other organisms 7 See also 8 References Terminology Ugliness is a property of a person or thing that is unpleasant to look upon and results in a highly unfavorable evaluation. To be ugly is to be aesthetically unattractive, repulsive, or offensive.[1] There are many terms associated with visually unappealing or aesthetically undesirable people, including hideousness and unsightliness, more informal terms such as turn-offs. Some measures use a numerical scale of attractiveness, wherein 1 is the ugliest and 10 is the most attractive, whereby the most unattractive individuals would be described as "1s", "2s", and "3s".[2] In manosphere Internet forums, unattractive people are sometimes described as omegas[3] or undateables.[4] Unattractiveness is often associated with ageing.[5] Numerous terms have been coined to describe the stage of one's life wherein one's appearance has faded, including the sexpiration date[6], or in the androsphere, terms such as hitting the wall or simply the wall.[7][better source needed] Society The Ugly Duchess (painting by Quentin Matsys, ca. 1513) For some people, ugliness is a central aspect of their persona. Jean-Paul Sartre had a lazy eye and a bloated, asymmetrical face, and he attributed many of his philosophical ideas to his lifelong struggle to come to terms with his self-described ugliness.[8] Socrates also used his ugliness as a philosophical touch point, concluding that philosophy can save us from our outward ugliness.[8] Famous in his own time for his perceived ugliness, Abraham Lincoln was described by a contemporary: "to say that he is ugly is nothing; to add that his figure is grotesque, is to convey no adequate impression." However, his looks proved to be an asset in his personal and political relationships, as his law partner William Herndon wrote, "He was not a pretty man by any means, nor was he an ugly one; he was a homely man, careless of his looks, plain-looking and plain-acting. He had no pomp, display, or dignity, so-called. He appeared simple in his carriage and bearing. He was a sad-looking man; his melancholy dripped from him as he walked. His apparent gloom impressed his friends, and created sympathy for him—one means of his great success."[9]
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